The State

Story of 4 Brits going out to Syria to support IS state in the overthrow of the Syrian regime. As the majority of British Moslems are Sunni and IS state supports the Sunni Muslims against the Shia followers, it doesn't take much effort for Sunni Muslims in Britain to go and support their fellow believers in Syria. The series pulls no punches of the brutality of the IS State and shows where it ignores the teachings of Mohammed "for their own ends" thereby corrupting the teachings of Islam. You can see how the four Brits start to slowly realize that the teachings of Islam is not really the main force of the IS leadership, they are looking for power and control and are just using the teachings of Mohammed, to lure the stupid and vulnerable, for their own ends. It shows how decent people are used, against their wishes to be humane, because of a corrupt ideology.

Okay perhaps something of a wake-up call is needed for the people who wrote the scathing entirely undeserved one-star reviews of this show, out of, it would seem, hatred for any attempt to show sympathy for the characters portrayed here - I will take something of a more pragmatic approach to the material.

Jumping straight in at the deep end 'The State' introduces us to four young characters as they travel from the west to Syria, each with their own delusions about what it will mean to join Islamic State and build the new state of Syria. There's young Doctor and single Mother, Shakira (Ony Uhiara - brilliant) Jalal (Sam Otto - outstanding) whose brother joined prior to him and was killed in action, who wants to fight the enemy along with his childhood friend Ziyaad (Ryan McKen) and finally Ushna (an excellent debut from Shavani Cameron)who hopes to be a 'lioness among lions' but still hates to use a shared toilet. So it is on the front lines of the fighting in Syria that these four characters find themselves. The women are taken to the female compound run by the pious hands of westerner Umm Walid (Jessica Gunning, suitably patronising in the role) While the men are trained to kill and assigned combat duty, meeting other westerners who have come to join the fight. So it is that we follow the course of their lives and the people they meet over a few short weeks.

I find comments elsewhere about this shows attempts to sympathise with these young people rather vacuous and missing the point of the show entirely - There is little sympathy to be found for our leading protagonists here. We do not, for one thing, know why they came to join with perhaps the exception of Jalal. An advert for recruitment to ISIS, this show IS NOT. The threat of rape for the female characters is constant throughout the story while the men are sent into near suicide combat missions, being told a glorious death awaits them. This is a story about four people who were naively drawn into a cause, the reality of which they didn't fully comprehend until they were standing in the middle of it. Where the show is it's strongest is with the Shakira / Jalal story lines and this is as much down to the performance by the actors, as it is about the script. Casting Director Nina Gold has assembled an impressive and convincing cast here, with the stand out performance being that of Sam Otto. His inner conflict and doubt is precisely stated with just the odd look and glance, while Ony Uhiara, as the Doctor who finds she is increasingly marginalised realises her son is being turned into a killer before her very eyes, plays her growing doubt with great conviction. Special mention here must also go to child actor Nana Agyeman-Bediako who is fantastic as her son. A number of the supporting cast are extremely good as well, having cast a number of people who speak perfect Arabic. Karim Kassem is especially good as the local ISIS leader, who haunts Shakira's every move while Jack Greenless stands out as an ex-western soldier in a very under written role. Haaz Sleiman, Fayez Bakhsh and Hiam Abbass all make their mark in the story and deserve a mention.

What 'The State' does, is Humanise the characters it portrays. We can probably all remember a time once where some of us were naively influenced by a political movement at the time, be that CND or protesting against perfume being used on monkeys. This is a story about that time in our youth, where we were impressionable, we could make a mistake and suddenly we find ourselves growing up very fast. The experience these people went through felt authentic and that is important because nothing shown here would in my view ever encourage a person to take the same journey. Schools would do well to show this series to their students.

For me, there was one thing that was missing from the show. I felt it would have benefited from another episode prior to episode one which demonstrated how each person was drawn into this cause. The producers felt it was enough to show that they are, which is, of course, the reality but f we don't understand what draws people to a cause like this, how are we ever going to understand it?

Reading some reviews of The State, it seems some have completely missed the point of this mini-series. Far from glamourising IS this excellent series lays bare the lie that is at the heart of the death cult of Daesh. That lie draws impressionable, idealistic young Muslims across the west into a situation way out of their depth. Some argue that all who join IS know exactly what they are doing, which seems to leave some viewers unable to find anything sympathetic about the four young Brits portrayed here. Frankly, being unable to experience empathy for these characters says more about the person reviewing than it does about the situation itself.

Far from idealising and glamourising IS this remarkable mini-series shows the brutality and evil at the heart of it in a way nothing else I've seen quite does. Several scenes are incredibly difficult to watch, clearly intentionally so, and I found the changes of focus from the young jihadis experiencing the terror of battle and the brutalisation of witnessing torture, to the stories of the women and children equally brutalised and adapting (or not) to an almost alien culture, incredibly compelling.

This was brave television and for the most part well done. I feel it would have benefited from more time given to the ending, as this felt rushed and uncertain, but otherwise an excellent and compelling story.

I am amazed at the scathing reviews of 'The State'.

Trust me, as a man who has been on the front lines against daesh in Iraq, this is worth the watch. I think this show did an amazing job of showing the realities of living under a daesh state of power. All while doing it without crossing the line and keeping it clean enough for a younger audience. As someone who has actually been there, it is mind-blowing to me that this show is portrayed by other reviewers as wishing to be sympathetic to the recruits. It shows the brutal reality which those in areas under daesh rule face.

This show does an amazing job of captivating while educating on the beliefs of daesh and their twisted views of Islam. I am very disappointed in seeing how the masses received this show and hope it doesn't lead to Nat Geo closing the books permanently on the mini-series.

I am so amazed with this amount of details from a show portraying lives in ISIS. Personally I have been to the Middle East several times and spent months traveling along, I truly am impressed of the detail and some cultural differences displayed.

The ISIS has been marked as evil from all over the news worldwide, however, this show provides a fresh eye simply telling stories on each character's angle. People do need to understand, despite general impression ISIS is bad, every single person living the lives has their story to tell, I like how it is staying out of accusation but simply display some doubts ISIS caused on ppl. A show is a show, and it is a great show and the plots are so delicate and neatly illustrated. If all you want is political accusation, then you should only read what news is feeding you and write your comments on forums instead of a TV series review.