VALUTAZIONE IMDb
6,5/10
46.284
LA TUA VALUTAZIONE
L'Avv. Roman J. Israel, un avvocato difensore idealista e appassionato, si trova coinvolto in una serie tumultuosa di eventi che conducono a una crisi e alla necessità di un'azione estrema.L'Avv. Roman J. Israel, un avvocato difensore idealista e appassionato, si trova coinvolto in una serie tumultuosa di eventi che conducono a una crisi e alla necessità di un'azione estrema.L'Avv. Roman J. Israel, un avvocato difensore idealista e appassionato, si trova coinvolto in una serie tumultuosa di eventi che conducono a una crisi e alla necessità di un'azione estrema.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 2 vittorie e 11 candidature totali
Lynda Gravatt
- Vernita Wells
- (as Lynda Gravátt)
Recensioni in evidenza
In "Roman J. Israel, Esq.," a drama written and directed by Dan Gilroy with Denzel Washington in the title role, the American legal system and the people who must somehow operate within its confines are exposed for what they are: an uneven mix of good and bad, with the tilt toward one or the other dependent as much or more so on the moral compass and grit of the individual as on circumstance, no matter how imposing or seemingly impossible they might be.
When someone asks criminal defense lawyer Roman what the "esq." on his business card is for, he replies _ proudly, with a wry grin: "A little above gentlemen and a little below knight." He might have added, a little below knight in white shining armor and a lot above an uncaring, fee-collecting robot.
Roman has spent his life fighting small injustices on behalf of the disenfranchised, a fight for which he has never been given credit while giving it everything he has, including sacrificing any kind of personal life to do it. He's been the real brains behind a small two-partner law firm he's formed with his former professor, and while tackling unglamorous cases he also has been assembling a brief that will change the class action portions of the justice system forever.
When his partner, in no small way the front man, has a heart attack and is incapacitated, Roman learns that the firm is in fact broke and has been much less altruistic than he was aware, something his former professor kept secret from him.
Roman subsequently applies for a job with slick young attorney George Pierce (Colin Farrell), whom his partner put in charge if something were to happen to him. it's an uneasy fit from the beginning, and Roman finds himself almost immediately morally and ethically challenged, not only in his interpersonal approach to clients and cases but in who he can defend and why.
When he tackles the case of a young African-American man arrested and charged with murder during a convenience store holdup, he begins to question everything he is and has done.
What Roman decides to do, and the consequences of his actions, are the core of a story that reflects scores of small real-life dramas playing out across the country well off the front pages, but significant in how they shape our beliefs and culture.
This may be Washington's finest work yet, a quiet if somewhat klutzy Everyman whose legal genius has both separated him from the norm while thrusting him into its very heart and soul.
This also may be Farrell's best film turn to date, an understated performance that stabs at the soft underbelly of our legal system.
The rest of the supporting cast _ including Carmen Ejogo, Amari Cheatom, DeRon Horton, Amanda Warren, Nazneen Contractor, Shelly Hennig, Joseph David-Jones and Andre T. Lee _ are uniformly excellent in their restrained intensity.
At once uplifting and disturbing, "Roman J. Israel, Esq." is outstanding on all counts.
When someone asks criminal defense lawyer Roman what the "esq." on his business card is for, he replies _ proudly, with a wry grin: "A little above gentlemen and a little below knight." He might have added, a little below knight in white shining armor and a lot above an uncaring, fee-collecting robot.
Roman has spent his life fighting small injustices on behalf of the disenfranchised, a fight for which he has never been given credit while giving it everything he has, including sacrificing any kind of personal life to do it. He's been the real brains behind a small two-partner law firm he's formed with his former professor, and while tackling unglamorous cases he also has been assembling a brief that will change the class action portions of the justice system forever.
When his partner, in no small way the front man, has a heart attack and is incapacitated, Roman learns that the firm is in fact broke and has been much less altruistic than he was aware, something his former professor kept secret from him.
Roman subsequently applies for a job with slick young attorney George Pierce (Colin Farrell), whom his partner put in charge if something were to happen to him. it's an uneasy fit from the beginning, and Roman finds himself almost immediately morally and ethically challenged, not only in his interpersonal approach to clients and cases but in who he can defend and why.
When he tackles the case of a young African-American man arrested and charged with murder during a convenience store holdup, he begins to question everything he is and has done.
What Roman decides to do, and the consequences of his actions, are the core of a story that reflects scores of small real-life dramas playing out across the country well off the front pages, but significant in how they shape our beliefs and culture.
This may be Washington's finest work yet, a quiet if somewhat klutzy Everyman whose legal genius has both separated him from the norm while thrusting him into its very heart and soul.
This also may be Farrell's best film turn to date, an understated performance that stabs at the soft underbelly of our legal system.
The rest of the supporting cast _ including Carmen Ejogo, Amari Cheatom, DeRon Horton, Amanda Warren, Nazneen Contractor, Shelly Hennig, Joseph David-Jones and Andre T. Lee _ are uniformly excellent in their restrained intensity.
At once uplifting and disturbing, "Roman J. Israel, Esq." is outstanding on all counts.
Denzel Washington stars as Roman J. Israel, Esq. a mildly savant criminal defense attorney whose life is turned upside down when his longtime law partner passes away. Suddenly the passionate civil rights attorney who thanks to his fiery demeanor should stay far away from an actual courtroom, is left looking for a job. He is forced to settle for working for George Pierce (Colin Farrell) a successful defense attorney, whom Roman views as a profiteer who doesn't care about his clients. The entire ordeal breaks Roman, who sells out his ideals and loses sight of who he was.
Denzel gives a good performance as the extremely passionate and slightly eccentric Roman J. Israel Esq., but Roman's penchant for long rambling speeches made for tedious viewing. Colin Farrell's Pierce develops into a much deeper character than he originally appears to be and is utilized well. However, while Roman's struggle to find his identity is the core of the film it never really is able to captivate. Ultimately the film settles in as an interesting character study that struggles to come together as anything more than that. While many would be content with that, it is a disappointing follow up for Dan Gilroy after his excellent debut with Nightcrawler.
Denzel gives a good performance as the extremely passionate and slightly eccentric Roman J. Israel Esq., but Roman's penchant for long rambling speeches made for tedious viewing. Colin Farrell's Pierce develops into a much deeper character than he originally appears to be and is utilized well. However, while Roman's struggle to find his identity is the core of the film it never really is able to captivate. Ultimately the film settles in as an interesting character study that struggles to come together as anything more than that. While many would be content with that, it is a disappointing follow up for Dan Gilroy after his excellent debut with Nightcrawler.
This film was Dan Gilroy's second directorial debut, and although his forte of experience is writing, he failed that department, and did better in his directing (camera work, but not his choice of editing).
The problem with the writing is the dragged out mumbo-jumbo Denzel Washington had to say to express his savant mentality, most of it not making any sense or philosophically unnecessary, and it extended into 2+ hours of doing so. Denzel carried his role so exceptionally well, that had this film been edited down to 80 or 90 mins by getting rid of the convoluted and unnecessary dialogue, it would have been dramatized much better.
Then there's the premise to the film; standing all this time for a cause, then slipping to the other side, then going back. What was the point? What was the message?
This film is nothing extraordinary, but nevertheless, Denzel and Colin Farrell's great acting were the only reason this film has as high (6.3) of a rating as it does, and would have been much lower with any sub-A list actors, or higher with better writing.
It's a generous 7/10 from me
The problem with the writing is the dragged out mumbo-jumbo Denzel Washington had to say to express his savant mentality, most of it not making any sense or philosophically unnecessary, and it extended into 2+ hours of doing so. Denzel carried his role so exceptionally well, that had this film been edited down to 80 or 90 mins by getting rid of the convoluted and unnecessary dialogue, it would have been dramatized much better.
Then there's the premise to the film; standing all this time for a cause, then slipping to the other side, then going back. What was the point? What was the message?
This film is nothing extraordinary, but nevertheless, Denzel and Colin Farrell's great acting were the only reason this film has as high (6.3) of a rating as it does, and would have been much lower with any sub-A list actors, or higher with better writing.
It's a generous 7/10 from me
It was a good movie, but a tad confusing. DW is just as good as ever, it's worth watching. The movie was a little slow, but still not bad. If your a Hard core DW fan its worth a watch, but for a casual movie fan id say you can pass on it.
I found this to be some of the best work Denzel has done. I thought he hit the nail on the head in terms of helping his viewers feel empathy for the character. I have to be honest here. I strongly believe that if you are in your sixties and of African-American heritage this may really hit home on many levels. In general it is a film about holding on to our core values, then forgetting them to join the rest of societal madness only to realize that you were not alone in your view of the world. Restoring your original core only to pay the price of deserting it in the first place. Everyday we see people forfeit family,love and life for materialistic gains and other power trips. This is also about the change of values from one generation to another in today's world. This is a film with a message that has and will go over a lot of heads judging by some of the bad reviews I've read. Awesome sound track consisting of 60's and 70's soul and rock. Excellent character portrayals by all bar none.
Lo sapevi?
- QuizIn the film there's a visible gap between Denzel Washington's two front teeth. He had the gap fixed with dental caps sometime after high school, but decided to remove them for this role.
- BlooperThe entire film happens over three weeks' time, but when it's mentioned that William is in a coma, which occurs at the beginning of the movie, Roman states that he has been in a coma for several weeks already.
- Citazioni
Roman J. Israel, Esq.: Each of us is better than the worst thing we ever did.
- Versioni alternativeAfter premiering at the Toronto International Film Festival, the film was re-cut by director Dan Gilroy and star Denzel Washington. The new version is 12 minutes shorter than the festival premiere. In addition to dropping some scenes, the film now features different music on the soundtrack (replacing a number of songs) and moves a scene depicting Roman and Israel going to a Lakers game at the Staples Center to an earlier point in the story.
- Colonne sonoreKeep On Truckin'
Written by Leonard Caston, Anita Poree and Frank E. Wilson
Performed by Eddie Kendricks
Courtesy of Motown Records
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Roman J. Israel, Esq.: Un hombre con principios
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 22.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 11.962.778 USD
- Fine settimana di apertura Stati Uniti e Canada
- 61.999 USD
- 19 nov 2017
- Lordo in tutto il mondo
- 13.025.860 USD
- Tempo di esecuzione
- 2h 2min(122 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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