Segue il supereroe titolare mentre concilia la sua eredità con la sua educazione umana. È l'incarnazione della verità, della giustizia e di un domani migliore in un mondo che vede la gentile... Leggi tuttoSegue il supereroe titolare mentre concilia la sua eredità con la sua educazione umana. È l'incarnazione della verità, della giustizia e di un domani migliore in un mondo che vede la gentilezza come una cosa antiquata.Segue il supereroe titolare mentre concilia la sua eredità con la sua educazione umana. È l'incarnazione della verità, della giustizia e di un domani migliore in un mondo che vede la gentilezza come una cosa antiquata.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Recensioni in evidenza
The score aligned with shallowness of story borrowing from John William's theme and made it worse. Overall this felt like an inferior version of Guardians of Galaxy with DC characters pretending to be a Superman Movie.
In a time where the world feels more exhausted than ever, this film reminds us why Superman matters.
With Superman , James Gunn delivers the most emotionally resonant and thematically mature version of this beloved hero to date. The result is a film that dares to reimagine the Last Son of Krypton not as a god among men, but as a man who just happens to be a god. And it works. Beautifully.
Thanks to a nuanced script and David Corenswet's pitch-perfect performance, Superman is-dare I say-relatable. Charming, earnest, even a little naïve, Corenswet captures the essential contradiction at the heart of the character: an alien more human than most of us. He's the best portrayal of Clark Kent since Christopher Reeve. Don't get me wrong, Cavill was good and had the look of Superman, but Corenswet has the soul-the farm-raised, kind-hearted boy who just wants to do what is good.
Gunn smartly skips the well-worn origin story and throws us into the thick of it-an Earth already grappling with the existence of Superman. It's a move that keeps the pacing lean and allows the story to dig deeper into the world around him. And this world feels real. In a classic Gunn fashion, he weaves in sharp, timely commentary on media weaponization, current foreign affairs, and public trust. Superman's challenges are not just physical-they're moral, political, philosophical. And yet, the film never feels like it's lecturing. It just feels-timely, relevant, necessary.
The emotional core is surprisingly affecting. Clark's dynamic with Lois Lane (Rachel Brosnahan, nailing the fierce, no-nonsense reporter) crackles with genuine tension and warmth. They bicker, they banter, they love. It's messy. It's real. Add to that the tender scenes with Clark's parents, and you have a superhero movie that somehow manages to be...intimate. When Superman tears up at a simple word from his stepdad, it hits harder than any CGI explosion.
Tonally, it's classic Gunn-light and fun, with moments that feel ripped straight out of a Saturday morning cartoon. But it's not all laughs. The humor is dialed back, used sparingly and smartly. There's surprising darkness here too-moments of genuine menace and even shocking to say the least.
As for the supporting cast, Nicholas Hoult's Lex Luthor is the best version we've seen on screen-cold, calculating, and utterly despicable. He's not a hammy businessman or a twitchy tech bro. He's evil, and chillingly rational about it. You want to punch him in the face. Repeatedly. That's a win. Rachel Brosnahan's Lois Lane is the definitive version-a relentless truth-seeker with zero time for nonsense. Nathan Fillion's Green Lantern is exactly what you'd expect from a James Gunn regular: a lovable asshole with some truly laugh-out-loud moments (creative use of his ring). Isabela Merced's Hawkgirl brings welcome edge, and Edi Gathegi's Mr. Terrific nearly steals the show with one of the most memorable fight sequences in the film.
It's not a perfect film, though. For all its triumphs, I found myself wanting more-particularly of the Clark and Lois interactions. The film's strongest moments are its quietest ones, and at times, those are sacrificed for screen time spent on less compelling side characters. The pacing is tight, but I would've gladly traded a few action beats for more of those humanizing character moments that made this version of Superman so special. That said, the inclusion of Krypto the Superdog is a delight. Watching a nearly all-powerful being struggle to handle a naughty superdog? Every pet owner can relate.
Still, by the time the credits rolled, I knew one thing: Superman is everything I wanted it to be-and then some. If this film is any indication of the direction James Gunn's DCU is heading, then DC is in very good hands. For the first time, I can honestly say that I want more of DC.
In a time where the world feels more divided, more cynical, and more exhausted than ever, this film reminds us why Superman matters. He's not just about flying fast, lifting buildings, or stopping Kaijus. He's about compassion. About kindness. About doing the right thing not for glory, but because it's the right thing to do. We need that now. We need him now. He made me believe once again that there is hope.
I found myself looking at my watch on more than one occasion. Dennis Cornsweat was not really suitable for the role of the caped crusader. Nobody has the same screen presence as the late, great Christopher Reed. Reed was the definitive caped crusader.
These films nowadays are no better than a mere video game. Totally uncinematic despite the chaos and destruction on the big screen.
Lex Luthor was also a random baldie without an ounce of charisma. They really do need to have better casting departments in Hollywood.
Do yourself a favour and watch Superman III instead.
How Well Does the 'Superman' Cast Know Each Other?
How Well Does the 'Superman' Cast Know Each Other?
Lo sapevi?
- QuizNathan Fillion insisted that Guy Gardner sport the same bowl cut he does in the comics despite early discussions about changing the hairstyle. He said, "There was some talk about different hairstyles. There was some talk about some different types of things we were going to go. I was team bowl cut the whole way. It's canon. It's set. I said, If we don't do a bowl cut, we're going to hear about it."
- BlooperSuperman's fortress is mentioned in the film to be in Antarctica. But in Metropolis, presumably in the northern hemisphere, it appears to be summertime, and at that time of year, it is perpetual night in Antarctica.
- Citazioni
Lois Lane: We're so different. I was just some punk rock kid from Bakerline and you're... Superman.
Superman: I'm punk rock.
Lois Lane: [laughing] You are not punk rock.
Superman: I like the Strangle Fellows, the P.O.D.s, and the Mighty Crabjoys.
Lois Lane: Those are pop radio bands, they're not punk rock. The Mighty Crabjoys suck.
Superman: Ah, well, a lot of people love 'em.
Lois Lane: My point is I question everything and everyone. You trust everyone and think everyone you've ever met is, like... beautiful.
Superman: Maybe that's the real punk rock.
- Curiosità sui creditiThere is a scene at the end of the closing credits: Superman and Mr Terrific work on rebuilding Metropolis.
- Versioni alternativeIn India, the film was censored in order to achieve the U/A 13+ classification. The Central Board of Film Certification (CBFC) asked the studio to delete the foul words wherever they were mouthed. An eight-second shot involving a 'foul gesture' was asked to be removed. It was replaced by a two-second shot. Lastly, the CBFC's members deleted a 'sensual visual' lasting 33 seconds and spread across two scenes.
- ConnessioniFeatured in AniMat's Crazy Cartoon Cast: The End of a Pokémon Master (2022)
- Colonne sonoreOriginal Superman Theme
By John Williams
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Superman: Legacy
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 225.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 289.493.021 USD
- Fine settimana di apertura Stati Uniti e Canada
- 125.021.735 USD
- 13 lug 2025
- Lordo in tutto il mondo
- 503.593.021 USD
- Tempo di esecuzione2 ore 9 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1