Blue Jay

Short and pleasant, definitely worth a watch if you're into romantic movies.

It's the first review I'm writing. Actually, I've never felt the need of writing a review- thought that the score I give is already a good contribution. But Blue Jay is something else. It's the most genuine feeling I've ever felt while watching a movie, in the sense the once I finished it, I didn't feel than it was far from my own reality at all. The way nostalgia was pictured is fascinating. The words that were used were so close to the words that I would have used myself in such a situation that sometimes, I've found myself saying out loud, at the same time, what one of them were saying.

Magical, genuine, sweet, emotional, simple, true. Brilliant.

"Blue Jay" delivers a master class in acting thanks to Sarah Paulson and Mark DuPlass, who play one-time sweethearts who reunite accidentally in their home town. What follows is a painfully sweet and sad story about two people processing the regret they feel about giving up on something that might have been right, but who must move forward with the lives they have.

Much of the ground covered in this film has been covered before, but so what? After all, there are only so many stories and themes out there for artists to explore. What matters are the particulars brought to any one telling, and that's where "Blue Jay" shines. Its improvisational, loosey-goosey vibe feels just right, and makes us feel like we're privileged insiders in this couple's story. Paulson and DuPlass don't miss a beat, and the final scene is a tour de force for both of them.

I wasn't ready for this movie to end when it did, not because the ending felt misplaced, but because I wasn't ready to be away from these people. That's pretty high praise.

Grade: A

4 settings, 3 actors, 2 colors, 1 day and 80 minutes that will warm your heart.

An emotional story that develops between old school friends who meet again after 20 something years after their ways part. Mark Duplass and Sarah Paulson have an amazing chemistry together and deliver high class performance. With well-written dialogues, relatable story line, and good music, it is the one of the best Indie movies of 2016.

Expect to be amused, sad, melancholic, and nostalgic throughout the movie.

I gave it 10 and would recommend it to everyone who appreciates good movies.

Greetings again from the darkness. Mark Duplass is the master of awkward. As a writer he excels in awkward encounters, awkward conversations, awkward situations … and awkward people. He can even create awkward out minimalism – two people in a simple and normal environment.

A bearded Mr. Duplass stars as Jim, a seemingly normal guy who has returned to his small hometown to pack up his mother's house after her passing. While at the local market, he bumps into his old high school sweetheart Amanda, played by Sarah Paulson, who just happens to be in town visiting her expectant sister. Their awkward grocery aisle reunion leads to a very unusual … and yes, awkward … evening.

First time director Alexandre Lehmann uses his extensive experience as a cinematographer, and a black & white motif, to create a beautifully filmed story that is both simple and layered. Only one other actor appears in the movie … one scene with the great Clu Galager ("The Virginian", The Last Picture Show) as a local merchant who provides a link to the past for Amanda and Jim. The bulk of the time is spent in Jim's mother's house – a literal time capsule that allows for reminiscing for the two former lovers.

Amongst the old familiar clothes, photos, letters, books and audio tapes, Jim and Amanda somehow progress to a bizarre form of role playing/play acting as if they had married young and were now celebrating their 20th wedding anniversary. You guessed it … awkward. Dinner, dancing, acting silly, jelly beans, Annie Lennox and cutting loose leads them to an awkward bedroom encounter. This moment finally produces an explosion of emotion which uncovers the long-buried source of their break-up … shutting down their fantasy game of recapturing the past.

It would be pretty easy to compare the film to Richard Linklater's Before Sunrise (1995) or Before Sunset (2004), and though it has more in common with the latter, this one comes across more raw and melancholy than those more celebrated films. We never once doubt this situation could play out, but the only word to describe two former lovers exploring "what could have been" is … awkward. It's a captivating movie to watch and yet another feather in the cap of Duplass Productions.