VALUTAZIONE IMDb
6,7/10
3646
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA shady cop finds himself in over his head when he gets caught between Internal Affairs and the city's corrupt mayor.A shady cop finds himself in over his head when he gets caught between Internal Affairs and the city's corrupt mayor.A shady cop finds himself in over his head when he gets caught between Internal Affairs and the city's corrupt mayor.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 20 candidature totali
Kim Hae-gon
- Tae Byung-Jo
- (as Hae-Gon Kim)
Oh Yeon-ah
- Jung Yoon-Hee
- (as Yeon-a Oh)
Yum Dong-hun
- Father-in-law chairperson
- (as Dong-hun Yum)
Edward Bosco
- Goon
- (English version)
- (voce)
Brett Bradley
- Kim Cha-In
- (English version)
- (voce)
Jalen K. Cassell
- Han Do-Kyung
- (English version)
- (voce)
Recensioni in evidenza
This film is far better than what they have explained. If you love film-noir, dark and gripping film, then Do watch it, I'm sure you will love it
Annam Korea is the backdrop for this noir-esque masterfully shot crime thriller. Caught in a catch 22 of violence and deception, abuse begets abuse in the dog-eat-dog world of Asura: The City of Madness, where corruption is the day to day of cops and politicians.
Asian cinema is on a whole other level in terms of artful violence.
Asian cinema is on a whole other level in terms of artful violence.
10rescy009
Did not expect to see a memorable movie like this perfectly acted by the politicians..... maybe the violence is extreme but the thrill will get you to the edge of your seat..... always remember this movie for life and i cannot find any comparison to any action political movie that I watched from 2000 to now......i am not exaggerated for my comments..... this is from the bottom of my heart.......
The world of Asura is well explained, this is due to the groups and hierarchies that we see during the plot that is involved by the characters
-it's essential to a mafia movie, where the protagonist lives a constant duality that ends up making his morals take a back seat, sometimes focused on his feelings, but even with his experience he proves to be someone out of control and with ambition dependent on the course of his life, Han's complexion is complex and well developed we can be sure that jung woo sung has given himself 100% to the role with every one of his expressions/semblances/rises/ you see him making an effort at all times.
-prefect is ironic but a little predictable, the director gave the character this archetype to give us the feeling of being unpredictable but being able to know what he's up to in the future could have given a little more refinement to his appearances and background, but still Hwang did a decent job that at least makes us see him as an audacious villain
-But the highlight is the final 50% of the film where, incredibly, we see the best of the entire cast. This is once again due to the fate that the direction gave to the conclusion of the film, which demanded acting, expressions, fear, anguish, cowardice, mercy, regret and total mourning in a Tarantino style, but with slightly darker tones of color, but with too much of a wine red counterpoint!
-A phrase that the narrative always leaves at the beginning of the film and goes on until the grand finale is " There will be blood"
-it's essential to a mafia movie, where the protagonist lives a constant duality that ends up making his morals take a back seat, sometimes focused on his feelings, but even with his experience he proves to be someone out of control and with ambition dependent on the course of his life, Han's complexion is complex and well developed we can be sure that jung woo sung has given himself 100% to the role with every one of his expressions/semblances/rises/ you see him making an effort at all times.
-prefect is ironic but a little predictable, the director gave the character this archetype to give us the feeling of being unpredictable but being able to know what he's up to in the future could have given a little more refinement to his appearances and background, but still Hwang did a decent job that at least makes us see him as an audacious villain
-But the highlight is the final 50% of the film where, incredibly, we see the best of the entire cast. This is once again due to the fate that the direction gave to the conclusion of the film, which demanded acting, expressions, fear, anguish, cowardice, mercy, regret and total mourning in a Tarantino style, but with slightly darker tones of color, but with too much of a wine red counterpoint!
-A phrase that the narrative always leaves at the beginning of the film and goes on until the grand finale is " There will be blood"
There are 3 types of Korean films: Revenge, Cop, Political. this one starts as the 3rd, turns into the second and gloriously ends on the 1st featuring the whos who of everything. also featuring on of the top cinematographers today, amazing.
Lo sapevi?
- Citazioni
[last lines]
Han Do-Kyung: I knew this would happen. But... it couldn't be helped.
- Versioni alternativeThe version released in UK has a duration of 128 minutes, while the original version has a duration of 132 minutes.
- Colonne sonoreSatan Your Kingdom Must Come Down (Instrumental)
By Jaejin Lee
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Asura: The City of Madness
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 175.702 USD
- Fine settimana di apertura Stati Uniti e Canada
- 21.253 USD
- 9 ott 2016
- Lordo in tutto il mondo
- 18.300.843 USD
- Tempo di esecuzione
- 2h 16min(136 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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