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IMDbPro

XIII emendamento

Titolo originale: 13th
  • 2016
  • VM14
  • 1h 40min
VALUTAZIONE IMDb
8,2/10
38.763
LA TUA VALUTAZIONE
XIII emendamento (2016)
An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.
Riproduci trailer2:15
2 video
37 foto
Documentario politicoDocumentario storicoCrimineStoriaUn documentario

Uno sguardo approfondito al sistema carcerario negli Stati Uniti e come rivela la storia della disuguaglianza razziale della nazione.Uno sguardo approfondito al sistema carcerario negli Stati Uniti e come rivela la storia della disuguaglianza razziale della nazione.Uno sguardo approfondito al sistema carcerario negli Stati Uniti e come rivela la storia della disuguaglianza razziale della nazione.

  • Regia
    • Ava DuVernay
  • Sceneggiatura
    • Spencer Averick
    • Ava DuVernay
  • Star
    • Melina Abdullah
    • Michelle Alexander
    • Cory Booker
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,2/10
    38.763
    LA TUA VALUTAZIONE
    • Regia
      • Ava DuVernay
    • Sceneggiatura
      • Spencer Averick
      • Ava DuVernay
    • Star
      • Melina Abdullah
      • Michelle Alexander
      • Cory Booker
    • 121Recensioni degli utenti
    • 104Recensioni della critica
    • 81Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 32 vittorie e 47 candidature totali

    Video2

    Official Trailer
    Trailer 2:15
    Official Trailer
    A Guide to the Films of Ava DuVernay
    Clip 1:35
    A Guide to the Films of Ava DuVernay
    A Guide to the Films of Ava DuVernay
    Clip 1:35
    A Guide to the Films of Ava DuVernay

    Foto37

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    + 32
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    Interpreti principali99+

    Modifica
    Melina Abdullah
    Melina Abdullah
    • Self - Chair, Pan-African Studies, California State University, Los Angeles
    Michelle Alexander
    Michelle Alexander
    • Self - Educator and Author, The New Jim Crow: Mass Incarceration in the Age of Colorblindness
    Cory Booker
    Cory Booker
    • Self - U.S. Senator (D) New Jersey
    Dolores Canales
    Dolores Canales
    • Self - Formerly Incarcerated Activist…
    Gina Clayton
    Gina Clayton
    • Self - Attorney and Founder, Essie Justice Group
    Jelani Cobb
    Jelani Cobb
    • Self - Professor of African-American Studies, University of Connecticut
    Malkia Cyril
    Malkia Cyril
    • Self - Executive Director of the Center for Media Justice
    Angela Davis
    Angela Davis
    • Self - Professor Emerita, UC Santa Cruz
    Craig DeRoche
    Craig DeRoche
    • Self - Formerly Incarcerated Activist…
    David Dinkins
    David Dinkins
    • Self - 106th Mayor of New York City (D)
    Baz Dreisinger
    Baz Dreisinger
    • Self - Educator and Author, Incarceration Nations
    Kevin Gannon
    Kevin Gannon
    • Self - Professor of History, Grandview University
    Henry Louis Gates Jr.
    Henry Louis Gates Jr.
    • Self - Professor of History, Harvard University
    Marie Gottschalk
    Marie Gottschalk
    • Self - Professor of Political Science, University of Pennsylvania
    Newt Gingrich
    Newt Gingrich
    • Self - 50th Speaker of the House of Representatives, 2012 Republican Presidential Candidate
    Lisa Graves
    Lisa Graves
    • Self - Executive Director, Center for Media and Democracy
    Cory Greene
    Cory Greene
    • Self - Formerly Incarcerated Activist…
    John Hagan
    John Hagan
    • Self - Professor of Sociology and Law, Northwestern University
    • Regia
      • Ava DuVernay
    • Sceneggiatura
      • Spencer Averick
      • Ava DuVernay
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti121

    8,238.7K
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    Recensioni in evidenza

    10akaj95

    In response

    There is something to be said of a person who does not know when to stop and listen a message that has left them in the past. I watched this film and cried because I have spent my adult life keeping myself and my children out of the "system". I have spent teaching my children that they are more than what white society is trying to pin on them. To read a review that basically regurgitates all of the right leaning rhetoric that, if they watched the film, started at the very beginning of slavery. The US was/is built on the backs of other races that the US has no intention acknowledge. The history that is taught in the US not only white washes (pun intended) but also teaches to have pride in a misrepresented history. To find out what contributions brown and black people made to this country is an elective in college that most white Americans will never even glance at. So to say that this film is one sided...yes it is but white America has had it one sided for over 400 years with all the strength, weight, industrial, and political power at its disposal. SO, go a look at the history from a perspective other than Rush Limbaugh and the like. You just might finally understand that brown and black lives are not a tool for whites to use at a whim but humans that have the RIGHT to be treated the same......
    10airborne_trooper

    Important documentary

    This documentary shines a very bright light on two fundamental issues going on in our country. The power of money and it's influence on profitable incarceration and ultimately perpetual slavery. I think it did a fabulous job of being virtually opinion free and making a point to stay focused on facts. That said, I think you have to be open to the information. By that, whether you lean right or left, it's best to digest this documentary with an open mind free of your own political thoughts and opinions.

    It's foundation is about slavery and how it plays a role in modern events. It suggests that slavery never went away, it merely reinvented itself to "keep up with the times", always having financial gain being the catalyst for it's continued existence. It really shines when it presents it's case on how mass incarceration is today's slavery. The direct correlation between labor based slavery of yesteryear and labor based incarceration of today is frightening in regards to similarity. You can deny it if you choose to, but if you continue to do so after seeing this presentation, then it's simply because you deny fact.

    When Colin Kaepernick protested the flag, though I'm a black man, I was offended by his stance. After watching this documentary however, I look at his point of view with a different lens. I don't entirely agree with his approach, but I have to admit that oppression in this country is still very alive and well. I think too many people look at oppression in traditional views like slavery and the holocaust. But in my opinion, you have to appreciate oppression as the complexity that it is, in order to acknowledge it's existence. Again this documentary does an excellent job of making that case. I won't delve too deep into why, I would just simply recommend watching it.

    Word of caution however. This documentary doesn't pull it's punches. It's very dark, very disconcerting regarding politics and if it hits you right, it will make you angry and sad all at once. My two children stayed in the forefront of my mind while watching this, and my heart bled for them throughout, seeing what kind of world that awaits them. I tried to be optimistic about light being brought to this issue in such a well put together way, but I believe that we as a country, still have a ways to go, seeing that someone like Trump could get so close to being President.

    Overall, this documentary is very important and should be seen by everyone able. Whether you lean right or left, you cannot deny some of the dirty deals made by politicians to keep their pockets lined via profitable incarceration. Real change needs to happen without question, but this documentary drives home the point that as long as "the almighty dollar" rules, don't expect much change anytime soon.
    10shaunemmons

    I stand in amazement

    The documentary is an excellent summary of American History. To a larger degree it is important to address some of the comments made. I find several people's comments such as, "don't do the crime, if you can't do the time" indicative of the very systemic racism that was the impetus for the need of such a piece. The comments are very telling and actually say more about the people writing them than do their intentions to demean the documentary by leaving negative reviews.

    The fact that people can disregard this for the myriad of completely shallow reasons such as, "I stopped watching when I realized it was against Trump and for Hillary" is laughable. The reality is that you don't want to accept America's REAL history. The documentary was well over an hour and the section about the presidential race was a minute fraction of that.

    Again, shallow reasons such as this speak volumes about the people leaving them. America's history is what it is. None of us are proud of these particular aspects or at least you shouldn't be but in an effort to get better we must first accept the truth. This is the truth. Acceptance is the first step towards getting better. It is so not about Trump or Hillary. I almost don't think you actually watched because no reasonably intelligent person would dismiss the piece as you guys did for the reasons you chose.
    10Quinoa1984

    Systemic connections - a brilliant, muckraking, heartbreaking look at America

    It's not enough to look at one thing to analyze what is wrong with it, is a key point that may get overlooked (or simply not exactly the focus, but between the lines) in Ava DuVernay's powerful indictment of an entire society. When you look at the systemic issues of racism in this country, slavery is the key thing, and the title refers to the 13th amendment to the constitution (need a cinematic reference point, see Spielberg's Lincoln for more), and how one small line in the amendment referring to how slavery is outlawed except, kinda, sorta, for criminals, is paramount in how black people and bodies have been treated in the 150 years since the end of the Civil War.

    Because at extremely crucial times in history, like right after the signing of the Civil Rights and Voting Rights acts, black people were not in positions of power or government or, of course, in business (as this doc goes very in depth on), figures who spouted 'Law and Order' and "War on Drugs" made life not a matter of inconvenience or difficult for blacks, it was more like a refitting or metamorphosis of the sort of principle that went into slavery - keep everyone repressed and afraid, and if they get out of line they have to work and work for no wages and have little rights - into the modern age. Anyone can look up the statistics about how high the prison incarceration rates have gone up over the past 45 years (this despite the fact that, at least since the 1990's, crime rates have gone down generally speaking nationwide), and particularly for African Americans the struggle is that, well, 1 out of 3 black men will go to prison in their lifetimes (vs how much smaller that ratio is for whites).

    DuVernay's film is a mix of a variety of talking heads, muckraking information that might be out of a Michael Moore film about things like the ALEC company and the like who formulate actual legislation that is pro-for-profit prisons, and footage from the likes of Nixon and Reagan's most damning points looking "Presidential" while distorting the truth (and the even more damning points from their advisers caught on tape how they actually were going about specifically going after minorities as "threats" to the system). Constantly here, the thing is, nothing is in a vacuum. What we see from The Birth of a Nation by Griffith (incidentally I saw this doc mere hours after seeing Parker's new film, so this almost picks up where he left off), was that there actually was a film that one can say really did inspire people to commit acts of violence: hyping up the KKK to become a dominant force after years of being dormant and unpopular, by painting blacks as the "savages" that will come and rape and pillage your precious whites.

    So much in that film may seem awful and hateful now, but also these sorts of images continue to be perpetuated, is what DuVernay is saying, and things are interconnected all the time; what happened with the Central Park Five in 1989; Willie Horton; Bill Clinton's crime bill; Mandatory Mininums; Trayvon Martin and Ferguson; all of these companies making bills for politicians that they can literally *fill in the blank* with their state name, which calls to question what a country is if corporations are writing bills. There's so much to unpack in the film, but as a director DuVernay keeps things moving at a pace that is electrifying but also never hard to take in. I'd want to watch this again more-so to admire the touches of filmmaking, all of the text pieces she puts up to accompany song transitions (Public Enemy for one), than even to take in pieces of information she puts out.

    Also fascinating is how she puts the variety of talking heads here: we get people like Charlie Rangel (who was once very tough on crime and regrets it today) and mayor David Dinkins and Cory Booker and Angela Davis, but we also get to see Newt Gingrich and Grover Norquist and a sort of spokesman for one of these ALEC type of companies (I forget his name). Having them juxtaposed with figures who have seen how awful this country has treated people of color in the justice system with drug laws that are meant to make criminal (that's a word that comes back again and again) makes for a viewing experience that can be startling but it keeps you on your toes. Will they possibly say something reasonable or reprehensible? Some watching it may not even know who Norquist is - I should think DuVernay made this film to last, not just for the 2016 year, albeit clips from Clinton and Trump, the latter some of the explosive racist moments at his campaign stops in the crowds, make it timely - but it shouldn't matter too much.

    13th gives you a massive amount of facts and statistics, but it's never a lecture, and if it's a plea it's that people should realize real reforms don't or really can't happen overnight. Minds and attitudes need to change on a more fundamental level, where *centuries* of oppression have kept metastasizing like a cancer. And at the center of it is DuVernay creating a conversation and narrative that inspires a great many emotions, mostly sadness and anger, but is just as palpable as in her film Selma. A must-see.
    8markgorman

    Fascinating insight into the phenomenon of mass Incarceration in US Correctional facilities.

    I should start by saying that I am not North American.

    I am a Scotsman.

    A Caucasian Scotsman at that.

    And yes, a Liberal.

    I love the United States and my experiences there have been universally positive.

    But these were experiences in areas of privilege and that are essentially cleansed for tourists. Largely Liberal areas where whites and people of colour live in harmony (Manhattan, Florida, California, Chicago city centre, Toronto).

    In these places I did not see the ghettos and the communities of colour that this shocking documentary uncovers and that has spurred on the whole Where Black Lives Matter movement.

    The title refers to the 13th Amendment to the American constitution that was passed in 1864 and aimed to abolished slavery once and for all.

    What 13th sets out to expose is the centuries long political outcome, that has resulted in 'Mass Incarceration' mainly of black and coloured men in the USA.

    Plea bargaining is one of the most heinous causes of it. Because without money and facing massive gambles 97% of Black men plead guilty to avoid a trail where sentences will be massive due to minimum incarceration legislation.

    In other words they can plead guilty to a crime they did not commit and receive perhaps a three year sentence. Or they can fight their conviction and, if unsuccessful, face a 30 year Minimum Incarceration, without parole, term.

    The odds don't look good.

    So, they typically take the rap and plea bargain.

    Under this type of increasingly aggressive legislation and successive governments' "War on Drugs" and "War on crime" the US Prison population has risen from 200,000 to 2.5 million since 1970.

    Incidentally Crack cocaine conviction (Black working class, inner city) has a significantly longer incarceration minimum to powder cocaine conviction (White, suburban.)

    The US has only 5% of the worlds population, but 25% of world's prison population.

    1 in 17 of white men in the USA are incarcerated, but 1 in 3 of Black men are.

    Black men represent 6.5% of the US Population, but 40.2% of the prison population.

    Does this mean black men in the USA are intrinsically criminal?

    No it does not.

    It means , the film-makers argue, that there is a political will in all parties and for many, many years to incarcerate black men as a form of replacement of slavery.

    It is big business. (ALEC represents the financial interests of corporations.)

    It makes politicians look tough.

    "The War on Crime" literally, wins votes and Democrats are as guilty of it as Republicans.

    Mass incarceration is the new slavery. Which was replaced by Convict Leasing, lynchings, the Ku Klux Klan, the Jim Crow segregation laws. And Yet it was only AFTER and DESPITE the Civil Rights Act that Mass Incarceration became the 'solution'.

    But there is hope. Hillary Clinton is planning to redesign the incarceration regime (that her husband dramatically escalated) as started by Obama; the first ever President to visit a Prison and who oversaw the first drop in incarceration numbers in 40 years.

    As Trump says (with glee). "In the good old days this wouldn't happen (blacks protesting at his events) because they treated them rough. They'd carry them out on a stretcher."

    It's a mess and this documentary makes Ia right good job of exposing it.

    OK it's very one-sided and it is represented by extremely articulate coloured American middle class academics and commentators.

    But they were not always thus.

    I, for one, think it's a thing of greatness and I'd urge you to watch it.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The filming locations and production design of the interviews, with brick walls and industrial equipment, represent labor that, according to DuVernay, "has been stolen from black people in this country for centuries."
    • Citazioni

      Bryan Stevenson: The Bureau of Justice reported that one in three young black males is expected to go to jail or prison during his lifetime, which is an unbelievably shocking statistic.

    • Connessioni
      Featured in 13th: A Conversation with Oprah Winfrey & Ava DuVernay (2017)
    • Colonne sonore
      Letter To The Free
      Performed by Common featuring Bilal

      Music and Lyrics by Common, Karriem Riggins, Robert Glasper

      Courtesy of Artium Records/Def Jam Recordings

      Under license from Universal Music Enterprises

      Arranged and Composed by Karriem Riggins and Robert Glasper

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    Dettagli

    Modifica
    • Data di uscita
      • 7 ottobre 2016 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Siti ufficiali
      • Facebook
      • Netflix
    • Lingua
      • Inglese
    • Celebre anche come
      • 13th
    • Luoghi delle riprese
      • 16th Street Station, Oakland, California, Stati Uniti(background)
    • Aziende produttrici
      • Forward Movement
      • Kandoo Films
      • Netflix
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Lordo in tutto il mondo
      • 566 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 40min(100 min)
    • Colore
      • Color
      • Black and White
    • Mix di suoni
      • D-Cinema 48kHz 5.1
    • Proporzioni
      • 1.78 : 1

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