22-nenme no kokuhaku: Watashi ga satsujinhan desu

Confession of Murder 2017 is a crime,thriller movie remake from a South Korean movie with the same name about a book written by a serial killer exposed his past crime that raise a lot of attention not only from the cop but also from the media about whenever it real or fake.As a guy who already watched the original i think the remake do it justice while adding more stuff here and there make it very interesting when comparing to the original.If you like this movie please watch the original first for a more impactful twist

Why is it that in almost every Korean and Japanese film, there has to be ridiculous, long, drawn out scenes of ordinary people and wimpy cops crying alligator tears? And it doesn't matter if the cryers are young, old, male, female, weak or strong - everybody gets their chance to beat their chests raw till tears cascade like rain off their tepid cheeks. Without these annoying scenes, the movies would be powerful, well told, and recommended. Otherwise, just move along. The reveals are poor and ridiculous. Nothing to see here.

Yu Irie's remake of Jung Byoung-Gil's mindlessly entertaining Korean thriller blockbuster Confession of Murder tones down some of the original's more over-the-top action stunt sequences and in its place gives the film a Japanese context where it feels very much at home. Irie adopts a manga-style approach in Memoirs of a Murderer that is not a million miles removed from the conspiracy thrillers of Naoki Urusawa (20th Century Boys, Monster), providing a suitable comic-book like context for the somewhat incredible twists, turns and revelations that literally explode off the screen in this ridiculously entertaining film.

A newly introduced 15 year statute of limitations law has left the Tokyo police force frustrated at their inability to capture the notorious Tokyo Strangler, who in 1995 brutally murdered five victims in front of witnesses from their own family. In 2017 however, now no longer able to be tried for his crimes, the killer reveals his identity when he comes forward to promote a book that describes the killings in detail. The handsome murderer Masato Sonezaki immediately becomes a media sensation and a celebrity , embarking on a series of book signings and TV interviews where he mocks the police for their incompetence and failure to capture him. Detective Makimura is outraged, as are the families of his victims who long for justice, but suspicions start to emerge that the celebrity killer is actually a fraud.

Yu Irie's reworking of the Korean original rightly doesn't forgo the simple pleasures of the thriller by attempting to make it more credible or realistic, but Memoirs of a Murderer does try to place the themes in some kind of meaningful context in regards to Japanese society. 1995, the year of the Strangler's killings, is significant as it is also the year of the Kobe earthquake, and although the connection might be tenuous, references to this event do succeed in tapping into sentiments of trauma and guilt, as well as the idea of forces beyond our control that cause unjust, inexplicable and indiscriminate horror. It also challenges the society's unhealthy worship of the cult of celebrity that is whipped up and exploited with some dynamically staged scenes that take place in the full sensationalised glare of the media.

There's really no need for subtext or justification required however for Memoirs of a Murderer; its intentions are purely to provide entertainment in a non-stop jaw-dropping thriller. Irie's manga and anime -influenced pacing, characterisation, exposition and staging of the drama is dynamic and gripping, never leaving any room for the viewer to start questioning credibility when it's tricky enough to just keep up with the outrageous succession of constantly shifting twists and revelations.

This film tells the story of a series of five unsolved murders in Tokyo back in 1995. All of a sudden, a man claims to be the murderer in a shocking memoir.

It is disturbing to see a murderer publishing an autobiographical book on his murders. This alone makes this story very intriguing. However, things turn out differently as expected, because nothing is as it seems. The twists are unexpected and surprising. The story offers a lot of mystery and thrill throughout. I enjoyed watching it.

The film is very wonderful and it mainly discusses the circumvention of the law and the exploitation of the loophole of the statute of limitations for charges, even if it is a murder.

It also discusses the thorny relationship between law, ethics, and the media, and how the latter affects the collective consciousness of people, when the press presented the killer as if he was a movie star who was fascinated by the general public and loved him instead of hating him & demand that he be tried for his crimes .

The film may be slow in some places, but it shines again. The hero, Fujiwara Tatsuya, was brilliant in the character of the killer. The direction and music were very good. Overall, the film is a unique experience.