Quandi i risparmi di una vita di DIane Lockhart vanno perduti, dever ricominciare da capo a lavorare in una nuova società.Quandi i risparmi di una vita di DIane Lockhart vanno perduti, dever ricominciare da capo a lavorare in una nuova società.Quandi i risparmi di una vita di DIane Lockhart vanno perduti, dever ricominciare da capo a lavorare in una nuova società.
- Candidato a 2 Primetime Emmy
- 7 vittorie e 68 candidature totali
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Exceptional cast and great story-line opportunities. Unfortunately actors can only do so much when working with an ideologically captured writing team. I can understand incorporating current events and climates, but to have absolutely everything be focused on race or politics (especially blatantly one-sided politics) gets old really fast, and that comes from someone with no political leanings. Most people don't watch television or films to have a narrative constantly shoved down their throats, it's to escape the ills of the world and focus on something else entirely. Otherwise we'd exclusively watch documentaries. The incorporation of silly cartoons meant to do nothing other than push one specific narrative was also lazy and tiring. There was such a good opportunity here to create another great show like "The Good Wife", yet it fell drastically short of even palatable entertainment. In the words of Morgan Freeman: "Stop talking about it. I'm going to stop calling you a white man, and I'm going to ask you to stop calling me a black man." Can't we just return to great entertainment with creative story-lines?
It was a pleasant surprise to see a spin off of The Good Wife. In general, (in my opinion) I find them to be lackluster and solely rely on one character from the original series.
The Good Fight is a breath of fresh air, bringing in the supporting cast of the original in the 1st episode with cameo appearances from actors that had minor recurring roles in The Good wife. IE - Hon Judge Abernathy aka Russel Edgington from True Blood in the 2nd episode.
While I admit it seems a little odd not to have the great Julianna Margulies in the follow up series, the use of profanity caught me off guard coming from The Women's Network, which is where I watched the episodes. I will say it did encourage me to watch it further, as to my recollection, beefing up the language and not bleeping it out, has never been done before.
All in all, I think it has the potential to last as long as The Good Wife, It surely has a strong female cast, all heroines in their own right, which I would expect nothing less from the network I saw it on.
Looking forward to the next episode.
The Good Fight is a breath of fresh air, bringing in the supporting cast of the original in the 1st episode with cameo appearances from actors that had minor recurring roles in The Good wife. IE - Hon Judge Abernathy aka Russel Edgington from True Blood in the 2nd episode.
While I admit it seems a little odd not to have the great Julianna Margulies in the follow up series, the use of profanity caught me off guard coming from The Women's Network, which is where I watched the episodes. I will say it did encourage me to watch it further, as to my recollection, beefing up the language and not bleeping it out, has never been done before.
All in all, I think it has the potential to last as long as The Good Wife, It surely has a strong female cast, all heroines in their own right, which I would expect nothing less from the network I saw it on.
Looking forward to the next episode.
I liked The Good Wife, but at time The Good Wife could be predictable. The Good Fight however is a lot edgier and I must give it Two Thumbs Up for integrating the Black Community with the corporate World. Christine Baranski is at her best and I have always been a fan of Delroy Lindo. It is also wonderful to see supporting staff from The Good Wife on The Good Fight. The Good Fight is well written and well acted.
It's sad to see one of your favourite shows die. This has gone from being one of the best shows on TV to being a shadow of its former self. It used to be beautifully written and was biting in its criticism of U. S politics. The clever introduction of occasional cartoon style songs was a feature.
It has lost some wonderful cast members, Rose Leslie and Cush Jumbo amongst them.
The show managed to maintain a very high standard through to the end of season 4. Season 5 is appalling. The entire story line is amateurish, unfunny and tedious. I feel for the cast having to work with the scripts they've been given.
I don't know whether they've changed the writers or they decided they'd hand Season 5 over to a computer so it could be written by AI. I've kept watching through loyalty to the show in the desperate hope things would get better but as the great Peter Finch once said, "I'm as Mad as hell and I'm not going to take it any more.". I lasted to episode 8, season 5. I really can't take any more.
Maybe they'll have a series 6 Dallas style where season 5 has all been a dream. Should I say nightmare.
Seasons 1-4 deserve a 9/10. Season 5 I'd give a 1/10.
It's a tragedy when a great show dies.
It has lost some wonderful cast members, Rose Leslie and Cush Jumbo amongst them.
The show managed to maintain a very high standard through to the end of season 4. Season 5 is appalling. The entire story line is amateurish, unfunny and tedious. I feel for the cast having to work with the scripts they've been given.
I don't know whether they've changed the writers or they decided they'd hand Season 5 over to a computer so it could be written by AI. I've kept watching through loyalty to the show in the desperate hope things would get better but as the great Peter Finch once said, "I'm as Mad as hell and I'm not going to take it any more.". I lasted to episode 8, season 5. I really can't take any more.
Maybe they'll have a series 6 Dallas style where season 5 has all been a dream. Should I say nightmare.
Seasons 1-4 deserve a 9/10. Season 5 I'd give a 1/10.
It's a tragedy when a great show dies.
Love the show, but I hate the cartoon shorts. It totally interrupts the flow of the show. Otherwise great actors, great show.
Lo sapevi?
- QuizFor the pre-credits sequence of exploding items in slow motion, co-creators Michelle King and Robert King hired visual effects artist Lawson Deming (The Good Wife (2009)) to create something quite different. In conjunction with f/x specialist Tom Ceglia, Deming utilized a camera capable of shooting 25,000 fps and a trunnion gun to fire both glass and steel balls at the fragile items. For the larger solid items such as the chair and table, they used a detonation cord capable of greater fragmentation. For the 40 seconds that make up the dynamic intro, the team spent 24 hours of actual shooting, 12 hours of testing, weeks of prop building, and days of editing to complete the sequence.
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