Kings

A muddled piece that doesn't begin to Capture LA during the riots Halle and Daniels interactions are forced. He goes from angry neighbor to love interest with no bridge in between. The makers knew what they were doing, casting two Bond actors together! That's why I tuned in. But not the best viewing for Daniel and Halle fans....

Meh. An important and interesting story that is still extremely relevant these days, told out of a rather unspectacular and to some degrees unbelievable perspective. Yes the film stars two very talented actors: Halle Berry and Daniel Craig however their roles are rather supporting and their performances not really stunning. Berry overacts easily and there is no motivation no explanation in her character. Craig is okay actually, another twist of character for him, however the development of his character makes no sense at all and there is also no explanation or anything for it. I think they just cut a LOT out of the movie. Really lousy writing that also continues with the plot.. there is not much of it, and the bits and pieces we get presented are absolutely unbelievable and often make no sense. The writer and director never stays true and honest with his characters and that is why the film fails. You really only get emotionally impacted by the film and that is during the short footage sequence at the end when the film is dedicated to some victim. Otherwise a missed opportunity for sure.

Very dramatic and fake acting nonsensical things happen, not realistic. Some scenes were so wtf and cringe. Bad directing. If it had a different director and fixed the script a little bit it would reach 9. But for now it's a 4.

An unfortunate letdown. It pains me to say this because this had the potential to be very good. "Kings" is a story centered around the LA riots which occurred in the early 90's. It's told through the perspective of a family who find themselves in the middle of the intense event. There was set-up for great drama, but the end result is an uneven mess with little to no pay-off. This movie had the most abrupt and out of nowhere endings that I've seen all year. Early on we seem to be promised an emotional and riveting finale. And we never get that finale. It just sort of ends before the third act is taking shape. The first half of the film suffers a lot. I didn't form much of an attachment with the characters. The editing switches too quickly between people with little moments to breath and for you to get to know them. Besides, almost every scene during the first half consists of people yelling and talking over each other constantly. The pace is unfocused. You can only take so much loud shouting before your only wish is for people to calm down and be quiet for just a second. The silent or calmer scenes are precious because there are so few of them. Halle Berry gives a good performance and so does Daniel Craig. They are both like-able as their bonding slowly progresses throughout the story. If they only picked a better project to be apart of though. It was a waste of their talents. Lamar Johnson who plays Berry's son gets a lot screen-time, and he was really good playing a grounded and sympathetic character. There's much heavy lifting for him to do as he wants to make sense out of the situation and find some peaceful solution to many problems. I was on-board with his story-line until he, of course, disappears towards the end. The development of the character pretty much stopped just as it was about to get the most interesting. Tonally it's all pretty realistic with documentary like montage sequences. Well, except for one abstract dream scene involving Berry and Craig that confused half the audience. It was supposed to be "romantic", but it's like nothing else in the entire movie. The scene comes off as more comedic than anything because of how cheesy the presentation is. It was kind of embarrassing as well, which made me feel bad for the actors.

The actual riot scenes weren't bad. It's the journey up to that point that's difficult to tolerate. If only they didn't let every dialogue scene be people yelling, shouting or screaming. The pulse can't be that high all the time. There needs to be some breathing. I like the actors and the director is respected, but they can't save the movie. We get some sprinkled decent moments, but there's just not enough of them. Oh, I'll give it a point for being shot on film. No complaints on cinematography. Don't rush out to see this one once it comes out. Catch it on VOD or something and be sure to not have the volume too high. Trust me, it's gonna get loud. My other summary of the film is: I like you guys, but better luck next time.

"Kings" (R, 1:32) is a crime drama, with romantic undertones, written and directed by award-winning director Deniz Gamze Ergüven (2015's "Mustang"). Although the title is never really explained, the film is about a family of foster kids in South Central Los Angeles who struggle to deal with endemic racial discrimination - and to survive the L.A. riots following the 1992 Rodney King beating trial verdict.

Oscar winner Halle Berry stars as Millie Dunbar, a foster mother who loves children and has a special place in her heart for troubled kids. She has a house full of them - boys and girls of different races and ages. She loves all of them as if they were her own and she works multiple jobs to take care of them. That last part means she's often away from home, and care for the younger ones often falls to her oldest, Jesse (Lamar Johnson). Jesse is intelligent and responsible, but he struggles against the instincts of his short-tempered best friend, William (Kaalan "KR" Walker), and a short-tempered neighbor, named Obie (Daniel Craig), who complains about Millie's parenting - and the noise coming from her house.

The film uses a re-enactment of the fatal March 16, 1991 shooting of teenager Latasha Harlins by an L.A. Korean convenience store owner and news of the shooter's conviction, but subsequent sentence of probation, to set the stage for the events to come. As frustration in the black community builds, the film's plot remains focused on Millie's make-shift family and their relationships with their friends and other members of their neighborhood, including Obie. When it is announced that the police officers who beat Rodney King on the night of March 3, 1991 have been acquitted, rioting begins. Millie's kids are involved in the mayhem in various ways and she fights to find and protect them, with Obie helping her.

"Kings" is a personal window into the lives of average people during one of the most upsetting and violent moments in recent American history. Although fictionalized, the story is nevertheless affecting and the film is dedicated to one of the young men who lost his life during the riots. Some of the plot points feel contrived, but the film's effective at delivering greater understanding of and compassion for those affected by the L.A. riots - and the issues that led up to that episode - some of which clearly continue to plague society today. "B+"