Una forza misteriosa fa uscire la Luna dalla sua orbita attorno alla Terra e la fa precipitare in rotta di collisione con la vita come la conosciamo.Una forza misteriosa fa uscire la Luna dalla sua orbita attorno alla Terra e la fa precipitare in rotta di collisione con la vita come la conosciamo.Una forza misteriosa fa uscire la Luna dalla sua orbita attorno alla Terra e la fa precipitare in rotta di collisione con la vita come la conosciamo.
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Recensioni in evidenza
I don't think it's a bad movie. The effects were great. The movie üas just too long, longer than necessary. The subject of the movie is, of course, very, very, very ridiculous, but so are many movies too. I enjoyed watching the movie with my snacks and beer. I guess I like these kinds of movies, even though they're silly.
Moonfall is, without a doubt, one of the stupidest movies ever made. Yet, it so gloriously 100% commits to its whirlwind of logic-defying hokey conspiracy theory-inspired nonsense that it sucks the audience into its vortex for a vastly entertaining ride.
Two NASA astronauts Brian Harper and Jocinda "Jo" Fowler working together with conspiracy theorist K. C. Houseman discover a secret about the Moon after it leaves its orbit and veers toward Earth.
I have never subscribed to the idea of turning off your brain to enjoy a movie. However, Moonfall, through its brand of pratfall sorcery, effectively shut off my brain. This was The Riddler's brain-drain machine from Batman Forever, dazzling me with spectacle while sucking up my IQ. I waved goodbye to logic, science, and generally "how things work."
Halle Berry, Patrick Wilson, John Bradley, Michael Pena, and the cast all do their best selling all the ridiculousness and delivering ultra-stilted dialogue. It's amusing watching them be so serious and hold it together. At any given moment, I imagine a slight smirk from any of the actors would have them all breaking and laughing.
Moonfall was an unusually great time. I was riveted by the mystery behind the Moon and on the edge of my seat by the disaster sequences that ignore physics. The logic of how things progress from A to B is so warped that it inadvertently makes the story unpredictable. I was kind of amazed by where the story ended up. At the back of my mind the whole time, I was completely stupefied by how the movie was barely hanging together through its extravagant ambition.
The film played like a parody of Roland Emmerich disaster movies itself and got away with it. This will vary for different people as it heavily depends if you can enjoy a bad movie. I enjoyed it unironically, which is odd and an achievement of sorts. I would love to see a sequel.
Two NASA astronauts Brian Harper and Jocinda "Jo" Fowler working together with conspiracy theorist K. C. Houseman discover a secret about the Moon after it leaves its orbit and veers toward Earth.
I have never subscribed to the idea of turning off your brain to enjoy a movie. However, Moonfall, through its brand of pratfall sorcery, effectively shut off my brain. This was The Riddler's brain-drain machine from Batman Forever, dazzling me with spectacle while sucking up my IQ. I waved goodbye to logic, science, and generally "how things work."
Halle Berry, Patrick Wilson, John Bradley, Michael Pena, and the cast all do their best selling all the ridiculousness and delivering ultra-stilted dialogue. It's amusing watching them be so serious and hold it together. At any given moment, I imagine a slight smirk from any of the actors would have them all breaking and laughing.
Moonfall was an unusually great time. I was riveted by the mystery behind the Moon and on the edge of my seat by the disaster sequences that ignore physics. The logic of how things progress from A to B is so warped that it inadvertently makes the story unpredictable. I was kind of amazed by where the story ended up. At the back of my mind the whole time, I was completely stupefied by how the movie was barely hanging together through its extravagant ambition.
The film played like a parody of Roland Emmerich disaster movies itself and got away with it. This will vary for different people as it heavily depends if you can enjoy a bad movie. I enjoyed it unironically, which is odd and an achievement of sorts. I would love to see a sequel.
Being a Millennial, I can attest to our generation that it was a great time to be alive with "Independence Day" and "Godzilla" being some of our favorite tween-age blow-up-knock-down action movies to go see with our friends in the theater 3 times in the same day, with campy yet lovable characters like Will Smith and Jeff Goldblum. Those were the days. I still enjoy watching those flicks from time to time - not just for the nostalgia. They are still quite entertaining in their own right.
Now we have "Moonfall" some 25 years later. Cut from the same construction paper, but more like pieces of old scripts from Roland Emmerich's late '90s writing room shredder taped together in hopes the characters and dialog would be usable in telling the grandiose destructo-type story instead of just talking props. Speaking of which, I give props to Halle Berry, Patrick Wilson, and John Bradley (who actually had a solid character to go with his style) for trying, but it simply wasn't enough.
I've listened to commentaries and interviews with Emmerich and I personally think he doesn't have good instincts on how to put a balanced action film together since the mid 2000s (with the ID4 sequel, if you watch the deleted scenes cut what would've been the best and most meaningful scenes of the entire movie) with the aim of just going big and loud, using any means whatsoever. It works...until it doesn't. Action fatigue sets in frequently in this and many of his recent past movies. It's alarming when I am physically incapable of caring less about the world ending than watching these characters attempt to get from beginning to end - in fact, there was no palpable peril despite the entire earth getting properly f'ed up, we only see it in overhead shots of floods and earthquakes and meteorites (I think COVID may have had something to do with not being able to have scenes with dozens of extras on the ground clamoring over each other like in all other action flicks from the days of yore).
However, the concept was intriguing and in my opinion, pretty great. It reminds me of Arthur C. Clarke's "Rendezvous with Rama" but with the Moon instead of a floating cylinder in space. I really did enjoy watching the last 20-30 mins or so play out after an hour and a half of random skipping around characters trying to hatch the plan to get us to that point while trying to make the audience like and/or care. If the script had half the heart and good campiness of something like "Independence Day", it definitely could have kicked my rating up a little.
Wait for streaming.
Now we have "Moonfall" some 25 years later. Cut from the same construction paper, but more like pieces of old scripts from Roland Emmerich's late '90s writing room shredder taped together in hopes the characters and dialog would be usable in telling the grandiose destructo-type story instead of just talking props. Speaking of which, I give props to Halle Berry, Patrick Wilson, and John Bradley (who actually had a solid character to go with his style) for trying, but it simply wasn't enough.
I've listened to commentaries and interviews with Emmerich and I personally think he doesn't have good instincts on how to put a balanced action film together since the mid 2000s (with the ID4 sequel, if you watch the deleted scenes cut what would've been the best and most meaningful scenes of the entire movie) with the aim of just going big and loud, using any means whatsoever. It works...until it doesn't. Action fatigue sets in frequently in this and many of his recent past movies. It's alarming when I am physically incapable of caring less about the world ending than watching these characters attempt to get from beginning to end - in fact, there was no palpable peril despite the entire earth getting properly f'ed up, we only see it in overhead shots of floods and earthquakes and meteorites (I think COVID may have had something to do with not being able to have scenes with dozens of extras on the ground clamoring over each other like in all other action flicks from the days of yore).
However, the concept was intriguing and in my opinion, pretty great. It reminds me of Arthur C. Clarke's "Rendezvous with Rama" but with the Moon instead of a floating cylinder in space. I really did enjoy watching the last 20-30 mins or so play out after an hour and a half of random skipping around characters trying to hatch the plan to get us to that point while trying to make the audience like and/or care. If the script had half the heart and good campiness of something like "Independence Day", it definitely could have kicked my rating up a little.
Wait for streaming.
6/10 - with the visuals of a true space blockbuster, this B movie features nonsensical dialogue, many many characters that serve absolutely no purpose, and an absolutely insane third act...but nonetheless, it's fun.
If you watch a disaster movie made by Roland Emmerich you get what you expect: big explosions, fine work by the special departments and a rather simple story with forgettable characters. Moonfall is no exception - get your coke and pop-corn, lay back and enjoy the show. But in the case you don't like that kind of big screen disaster movies, don't bother.
Lo sapevi?
- QuizA real astronaut was on set during production as an advisor. Whenever he approached Roland Emmerich and said "That's not really possible," they told him to roll with it because "it's just a movie."
- BlooperThe effect of the Moon is inconsistent throughout the film. People and cars are getting lifted by the gravitational pull while at the same time, debris of mountains hit by incoming Moon rocks fall down at full speed.
- Citazioni
Sonny Child: I don't wanna move. I hate New Jersey.
- Curiosità sui creditiThe Lionsgate, Huayi Brothers and Centropolis Entertainment logos are interspersed with footage of the Apollo 11 mission, and are all together in black and white with TV static.
- Colonne sonoreAfrica
Performed by TOTO
Written by David Paich and Jeff Porcaro (as Jeffrey Porcaro)
Published by Hudman Publishing Co. Inc. and Rising Storm Music (ASCAP)
Administered by Spirit Four Music (GMR)
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Trăng Rơi
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 150.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 19.060.660 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9.868.997 USD
- 6 feb 2022
- Lordo in tutto il mondo
- 67.319.703 USD
- Tempo di esecuzione
- 2h 10min(130 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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