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6,4/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn in-depth portrait of MANOLO BLAHNIK, self-confessed 'cobbler' and the man regarded by most influential fashion figures as 'the best shoe-maker of the 20th and 21st centuries. A film for a... Leggi tuttoAn in-depth portrait of MANOLO BLAHNIK, self-confessed 'cobbler' and the man regarded by most influential fashion figures as 'the best shoe-maker of the 20th and 21st centuries. A film for anyone who has ever looked longingly at a pair of... 'Manolos'An in-depth portrait of MANOLO BLAHNIK, self-confessed 'cobbler' and the man regarded by most influential fashion figures as 'the best shoe-maker of the 20th and 21st centuries. A film for anyone who has ever looked longingly at a pair of... 'Manolos'
- Regia
- Sceneggiatura
- Star
Elsa Fernández Santos
- Self
- (as Elsa Fernandez-Santos)
Gioacchino Lanza Tomasi di Lampedusa
- Self
- (as Gioacchino Lanza Tomasi)
Recensioni in evidenza
Greetings again from the darkness. Despite my lack of interest in high heels, or really high fashion in general, it's always exciting to gain some insight into the creative process of an acclaimed artist such as Manolo Blahnik. Unfortunately, Michael Roberts' (fashion writer by trade) directorial debut delivers more of a tribute than any type of peek behind the curtain. Heck, let's call it what it is
it's a fluff piece, plain and simple.
Mr. Blahnik has been labeled "the best shoemaker of the 20th and 21st centuries", despite his claims of being merely a humble cobbler. There are dramatizations mixed with interviews, and plenty of famous faces to fill the screen. In fact, Vogue editor Anna Wintour seems to log nearly as much screen time as Blahnik himself and shockingly, she's giggling and smiling through most of it. Mr. Blahnik does make many of his own statements, including an admission of having no interest in politics or relationships. It seems designing the shoes is what keeps him going each day. And it's this point where the filmmaker misses the real opportunity to dive deep into the creative process.
As is common in the fashion world, celebrities are usually front and center. There is an extended segment with Rhiannon, and there's a glimpse of Donald Trump near the runway. Bianca Jagger, Diana Vreeland, and Sarah Jessica Parker all have their moments. We are shown a clip of Princess Diana wearing Manolo stilettos, and of course, a scene from "Sex and the City" is included confirming the real audience for the film. Director Sofia Coppola describes her reasons for dressing the titular character of her film MARIE ANTOINETTE in Manolos, and there is an odd and slightly uncomfortable portion where Blahnik buddy Rupert Everett discusses Manolos for men, though seemingly in a contradictory manner.
There is nothing wrong with a lovefest celebration, but it is somewhat frustrating to listen to the gushing of admirers when a more insightful project is deserved, and would have been welcome.
Mr. Blahnik has been labeled "the best shoemaker of the 20th and 21st centuries", despite his claims of being merely a humble cobbler. There are dramatizations mixed with interviews, and plenty of famous faces to fill the screen. In fact, Vogue editor Anna Wintour seems to log nearly as much screen time as Blahnik himself and shockingly, she's giggling and smiling through most of it. Mr. Blahnik does make many of his own statements, including an admission of having no interest in politics or relationships. It seems designing the shoes is what keeps him going each day. And it's this point where the filmmaker misses the real opportunity to dive deep into the creative process.
As is common in the fashion world, celebrities are usually front and center. There is an extended segment with Rhiannon, and there's a glimpse of Donald Trump near the runway. Bianca Jagger, Diana Vreeland, and Sarah Jessica Parker all have their moments. We are shown a clip of Princess Diana wearing Manolo stilettos, and of course, a scene from "Sex and the City" is included confirming the real audience for the film. Director Sofia Coppola describes her reasons for dressing the titular character of her film MARIE ANTOINETTE in Manolos, and there is an odd and slightly uncomfortable portion where Blahnik buddy Rupert Everett discusses Manolos for men, though seemingly in a contradictory manner.
There is nothing wrong with a lovefest celebration, but it is somewhat frustrating to listen to the gushing of admirers when a more insightful project is deserved, and would have been welcome.
10Millie_B
I loved this film! I was smiling from start to finish! It's a fascinating and entertaining insight into the world of Manolo Blahnik! It's so interesting to learn about his path into the footwear industry, the hands on approach he has to the making of the footwear and the people he collaborates with from photographers to designers to models! A must watch for all who love fashion, especially shoes!
This is a documentary that probably should not have been made. It's rather boring actually and filled with poseurs who have way too much time on their hands.
Manolo himself is marginally interesting as a personality, but it wears thing within 10 minutes.
The fashion icon after fashion icon interviews just solidify the idea that these people are clueless about real life and live in this really shallow bubble.
If his shoes are great, god bless. But the wiki entry of him is really all you need to know.
Manolo himself is marginally interesting as a personality, but it wears thing within 10 minutes.
The fashion icon after fashion icon interviews just solidify the idea that these people are clueless about real life and live in this really shallow bubble.
If his shoes are great, god bless. But the wiki entry of him is really all you need to know.
"Manolo: The Boy Who Made Shoes for Lizards" is a Documentary - Biography movie in which we follow the life of Manolo Blahnik, the man who is considered by many people the most influential fashion figure and also the best shoe-maker of the 20th and 21st centuries.
Since I didn't have high hopes or expectations from this movie I wasn't disappointed by it and I would consider this film as an average or even below average documentary. I believe that "Manolo: The Boy Who Made Shoes for Lizards" is a boring documentary in which we watch a lot of people talking about Manolo Blahnik and of course himself about his work but I felt that they really don't know anything about real life. I don't recommend this documentary to anyone and I believe that even if you are a fan of those fashion icons and a fan of Manolo Blahnik you will waste your time watching it.
Since I didn't have high hopes or expectations from this movie I wasn't disappointed by it and I would consider this film as an average or even below average documentary. I believe that "Manolo: The Boy Who Made Shoes for Lizards" is a boring documentary in which we watch a lot of people talking about Manolo Blahnik and of course himself about his work but I felt that they really don't know anything about real life. I don't recommend this documentary to anyone and I believe that even if you are a fan of those fashion icons and a fan of Manolo Blahnik you will waste your time watching it.
This film was so fresh and insightful. Manolo Blahnik has such an interesting life and it was a pleasure to be able to experience his world. To learn about his influences and history was so inspiring to watch.
The illustrations are really cute and something to look out for when watching this film! Great music, anecdotes and cinematography.
The illustrations are really cute and something to look out for when watching this film! Great music, anecdotes and cinematography.
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- Manolo, the Boy Who Made Shoes for Lizards
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Botteghino
- Lordo Stati Uniti e Canada
- 60.056 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8186 USD
- 17 set 2017
- Lordo in tutto il mondo
- 64.889 USD
- Tempo di esecuzione1 ora 29 minuti
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