VALUTAZIONE IMDb
7,1/10
4443
LA TUA VALUTAZIONE
12 agosto 1945, ore 11:00. Due misteriosi estranei vestiti di nero compaiono alla stazione ferroviaria di un villaggio in Ungheria. Nel giro di poche ore, tutto cambia.12 agosto 1945, ore 11:00. Due misteriosi estranei vestiti di nero compaiono alla stazione ferroviaria di un villaggio in Ungheria. Nel giro di poche ore, tutto cambia.12 agosto 1945, ore 11:00. Due misteriosi estranei vestiti di nero compaiono alla stazione ferroviaria di un villaggio in Ungheria. Nel giro di poche ore, tutto cambia.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 5 candidature totali
Angelus Iván
- Sámuel Hermann
- (as Iván Angelusz)
Recensioni in evidenza
This movie is a masterpiece! It depicts antisemitism and guilt after WWII really well. The cinematography, the music and the direction are really stunning. Bergman would have loved it. 10/10. Never forget. We remember.
During wars, people do hidious crimes. At WW2 many decent, next door people like you and me, took advantage of the anti-jewish pogrom and stole their property. But the war ended in 1945, and some of them manage to return and reclaim their properties... what happened then? The guilt of course, that's what happened. I think it's the only Hungarian film i have ever watched and if you come across it, don't pass it by. Its a film worth seeing.
Almost to the end of "1945", writer/ director Ferenc Torok keeps the audience in the dark regarding the rationale of the players. It is a masterful screenplay, full of mystery and expectation, which makes the pacing seem sluggish. Gradually, however, the pieces and clues all fit together in this post-WWII story of past betrayal and cupidity.
The picture was shot in black and white and with an authentic feel of a 40's film. Torok assembled a cast of talented actors, most unknown outside of Hungary, and there is not an amateur performance among them. The star is Peter Rudolf who plays Istvan, the town clerk mainly responsible for what has befallen the town, as the two Hasidic men walk slowly into town with their 'cargo'. I am not going to tip off the reasons behind the plot, but "1945" may be the best film that has played on American soil this year. Be prepared to use your best powers of deduction as the tantalizing story unfolds, because this one will require all your concentration.
The picture was shot in black and white and with an authentic feel of a 40's film. Torok assembled a cast of talented actors, most unknown outside of Hungary, and there is not an amateur performance among them. The star is Peter Rudolf who plays Istvan, the town clerk mainly responsible for what has befallen the town, as the two Hasidic men walk slowly into town with their 'cargo'. I am not going to tip off the reasons behind the plot, but "1945" may be the best film that has played on American soil this year. Be prepared to use your best powers of deduction as the tantalizing story unfolds, because this one will require all your concentration.
An unflinching portrait of the power of conscience and the human effect of its avoidance. The post-modern narrative of identity politics and Nietzschean and victim culture here vaporizes into the dustbin of history. Human choices matter. Memory matters. Morality matters. Selfishness and structural, political complicity therewith lead to social disintegration. As C.S. Lewis wrote, revenge is the predictable arc of human affairs. There is only one thing that breaks the cycle of material human history and that is forgiveness.
Go. See. This. Film.
It reminds me "The Visit of Old Lady" by Friedrich Durrenmatt. it reminds the Old Greak tragedies. in special sense. in specific manner. two Jews in a Hungarian village. two hutches. a way. a wedding. memories about dark past. and everything becomes different.
for me, a masterpiece. for the clash between minimalism of the presence of the two strangers and the community storm. for the performances. and impecable craft of story. but, more important, for the status of near story. from the past of grandparents of Central Europe. for the force of cinema to give a sort of social exorcisation. for the art to give the realistic portrait of a world. for define the sin. and the choices behind the deep fears. a film about hidden demons. memories. papers. ambitions of actuary. answer of a husband. indifference of a priest. decision of a son. and the train. in the station of a village.
for me, a masterpiece. for the clash between minimalism of the presence of the two strangers and the community storm. for the performances. and impecable craft of story. but, more important, for the status of near story. from the past of grandparents of Central Europe. for the force of cinema to give a sort of social exorcisation. for the art to give the realistic portrait of a world. for define the sin. and the choices behind the deep fears. a film about hidden demons. memories. papers. ambitions of actuary. answer of a husband. indifference of a priest. decision of a son. and the train. in the station of a village.
Lo sapevi?
- QuizFor the role, Péter Rudolf gained 33 pounds (15 kg)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is 1945?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Fortyfive
- Luoghi delle riprese
- Kalocsa, Ungheria(location)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.467.000 € (previsto)
- Lordo Stati Uniti e Canada
- 1.006.193 USD
- Fine settimana di apertura Stati Uniti e Canada
- 20.365 USD
- 5 nov 2017
- Lordo in tutto il mondo
- 1.240.738 USD
- Tempo di esecuzione
- 1h 31min(91 min)
- Colore
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti