Begum Jaan

Great casting! Apt locations! But am I the only one who thinks there was really no story to support the movie? Two aspects that were beyond my understanding - First, I am at a loss to understand a compelling reason for the ladies to live in that house, even at the cost of their lives. It is not as if a rogue neighbor or a local goon was kicking them off their property (and they didn't own the house either; the King did!]). It was a freaking partition of the country! And they weren't the only ones being marginally inconvenienced. Millions of people lost their homes and life savings; hundreds of thousands lost their lives because they couldn't escape early enough. Why did the ladies want to live there? They weren't leaving their farms behind. They could continue with their profession wherever they relocated! Second, the two gentlemen assigned to put a fence along the partition line - what was so compelling that they couldn't move the partition line by 100 meters so the house would safely fall in either of the countries? The ladies did not care if they were in India or Pakistan - all they wanted was live where they were and continue with their lives. What was so important that the country line had to be drawn through their house? What was so important about that piece of land that made it more important than the tens of lives they were willing to sacrifice? There are reasons why people prefer to fight for their rights even at the cost of their lives. And there are principles folks follow even if it costs lives. But neither of these seemed like a valid reason in the story.

A brilliant director , wonderful actors and a theme beyond imagination even then the film was disappointing. With all these advantages the film failed miserably to convey the emotional trauma of of displacement from home. The director has failed to take advantage of the theme , the team and of course the time of the story . Instead of making a film of Oscar dimensions what is churned out is a substandard film . At moments the film appeared dragging as it failed to narrate the human tragedy in its real sense . It failed to translate the human suffering when fate of poor people are decided by the power centers elsewhere and the orders are followed by petty officials clinging to their briefs in total disobedience to the travails of individuals driven out of their homestead resulting in human tragedy of catastrophic dimensions

Begum Jaan works only because of Vidya Balan. As a performer, Vidya has never disappointed. Since her debut Parineeta, Vidya showed us why she's one versatile actor to watch out for. As Begum Jaan, Vidya gives the film her all. She's totally convincing as the owner of a brothel who's worldly wise and spouts philosophy at the drop of a hat. The only thing unconvincing about her appearance (and that's not entirely her fault!) is her unibrow. I don't understand why would the director ask Vidya to sport a unibrow while all the other girls in the brothel have perfectly shaped eyebrows. But that's just nitpicking in an otherwise brilliant performance. Now let's move on to the other aspect of this movie, I think it's the direction that falters the most. I never understood what the director is trying to tell us through this movie. He seems really confused about how to get his point through. There are a lot of scenes in the movie which don't seem to add to the actual plot of the movie. We never get to sympathise with Begum Jaan's plight to save her brothel. We know that she's emotionally attached to her house and that's about it. The time of The Partition was a tough one and we know that a lot of people were leaving their houses as they had no other choice. Then why would Begum Jaan try to challenge this movement at the cost of so many people's lives at her brothel? I mean, she's not the only one who is asked to leave her house at that time! Also, the background score seems too loud at some point and absolutely unnecessary at some. Talking about the supporting cast, I must say Vidya gets ample support from them. Gauahar Khan lends credibility to her role as Rubina, Begum's right hand woman. Pallavi Sharda also shines in some of the scenes. But the surprise package is Chunky Pandey in his never before seen evil avatar.

Overall, Begum Jaan could have been a much better film had the director put some thought on how to build up an engaging plot without unnecessary melodrama and sub plots. Still, it can only be enjoyed for Vidya and Vidya's performance only!

Why the rating is so poor when "sex" is a positive religion. No mind thinks twice while sex, what is caste, religion, rich and poor. In my guess, all the reviews were based on Pakistan, these days India has hostile relation with Pakistan. The movie reflects the present situation of women in society, they face sexual harassment in every step. One scene makes my sight so cruel when the old woman and young girl stripped her dress.

Murder, rape and shattered families: 1947 Partition. The horror and the magnitude of suffering was unimaginable. Religious riots along with acts of oppression and cruelty marked this huge event as a dark blot on the history of the World.

Vidya Balan dives into her character with the fierceness and aggression, She is just amazing. Srijit Mukherji's direction appears to be colorless and purposeless at times. Background Music is not much good.

While the story is unique and interesting (written by Srijit Mukherjee, the director of the film), the movie has a bunch of good actors, it is the direction that falters at several points. This Story is so vast and heart-rendering, if they had made this movie so brilliantly then this movie was going to get an Oscar, Unfortunately missed! After all the faults you should watch this movie and feel the painful times during 1947.