Steven, un chirurgo carismatico, è obbligato a compiere un sacrificio impensabile dopo che la sua vita inizia ad andare in pezzi, quando il comportamento di un adolescente che aveva preso so... Leggi tuttoSteven, un chirurgo carismatico, è obbligato a compiere un sacrificio impensabile dopo che la sua vita inizia ad andare in pezzi, quando il comportamento di un adolescente che aveva preso sotto la sua protezione si fa sinistro.Steven, un chirurgo carismatico, è obbligato a compiere un sacrificio impensabile dopo che la sua vita inizia ad andare in pezzi, quando il comportamento di un adolescente che aveva preso sotto la sua protezione si fa sinistro.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 53 candidature totali
- Dr. Larry Banks
- (as Barry Bernson)
- Doctor at Conference and Event Dinner
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- Bunraku Puppeteer
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- Conference Guest
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- Medical Conference Attendee
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- Conference Guest
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Recensioni in evidenza
From the opening shot, the film wears its tone not only on its sleeve, but also on its chest, face, and everywhere else: Its gonna make you uncomfortable. From the haunting score that seems to creep its way into every scene, to the awkward and robotic characters, to the downright scary Martin (played excellently by Barry Keoghan), the movie feels 'off.' We've seen this "seemingly perfect upper- class family has a darkness that tears them apart" type story before, but never so viscerally displayed as it is here.
If the characters' inhuman mannerisms, conversations, and actions aren't unsettling enough, the film also delivers enough on-screen gross outs to hammer home a truly affecting experience. The film is objectively well-shot, and delivers a capable, if slightly subdued plot, while building to a frightening conclusion. It's not a horror movie sort of frightening either, but more of a, "I can't believe I'm about to watch this" feeling.
I know that's a tough sell. The Killing of a sacred Deer is not going to make you feel good. The film is filled with an overarching, all-consuming darkness that lingers even after it's over. Still, it's a truly unique and deeply affecting film that's worth watching, even if only once.
While The Killing Of a Sacred Deer will be dismissed by the mainstream, for it's very unconventional acting, pacing, and plot, for other's it offers a discomforting conversation on the dark reality of nature and justice. You aren't supposed to ENJOY it, you are supposed to appreciate it.
The intentionally cold and flat reactions from it's characters will turn many off, but give insight into empathy and trust. The subtraction and skewing of emotion allows us to get a closer look at ourselves and our expectations for coping with threats and loss. It's maddening and incredibly uncomfortable to watch, but that is it's aim and success. You have to stop wanting the movie to be what you want it to be, and start wondering why it is the way it is, if you want to take something away from it.
While the movie doesn't meet it's impact potential by missing some opportunities for heavier moments and more character development, it is still fascinating, challenging, and rewarding for an open mind.
For people that appreciate brain teasers like 2001: A Space Odyssey, Mulholland Drive, Borgman, Under The Skin, and Sleeping Beauty.
The Killing of a Sacred Deer is about Steven, a surgeon, whose family and life takes a turn for the worst after he befriends a teenager named Martin.
This film gave me a very disturbed feeling during it and after it had ended. It's rare to see a film like this being made in such a unique and uncomfortable manner. It shows to me what a different director Lanthimos is and how he stand out from the crowd. From the chilling music to the character interactions, everything provided an uneasy feeling. The way each person spoke kept on freaking me out due to the absurdity of the dialogue and how wooden and emotionless each actor's performance was. It just seemed very unnatural and robotic which sparked this antsy feeling within me.
Another huge part of the film was the music. The music had a very disturbing tone to it which added to the strange atmosphere and increased the anxiety levels. The camerawork was very strange and unlike anything I've seen in a film. Sometimes the camera would be extremely far away from the characters, making them seem very small in comparison to the size of the room. Techniques like these gave a very subtle reminder as to how powerless the family were and it conveyed to me how talented of a filmmaker Yorgos Lanthimos is.
You can argue that the performances are really bad since everyone had the same monotone, expressionless and wooden dialogue delivery but it's very obvious how intentional this was. Colin Farrell was really good. It's been a while since I saw Nicole Kidman and it felt great to see her perform this well. The star, however, was Barry Keoghan who seemed the most human out of everybody. His character was very interesting and he absolutely killed it in his role.
I'll be checking out Yorgos Lanthimos's other work for sure. This film really got under my skin and didn't leave until it ended. It's not everyone's cup of tea but if you like offbeat movies, The Killing of a Sacred Deer is for you.
I won't go into the story because its simple and like Eraserhead, its the least interesting part of the movie. Unlike Eraserhead, however, it actually has no subtext to back up the reason for creating the movie rather than adapting Greek myths into the modern day. It's a simple revenge story with supernatural themes that is never explained but is only shown to the smallest of degrees. This tell don't show is also a big reason for why I couldn't get into the movie. It tells you about this briefly but it never goes into that story to any significant degree, not even in a way to keep it subtle.
The worst part really is that there's some very good scenes that get their very disturbing feeling but the pacing and how dramatized to the extreme some of the other scenes are, I just couldn't take the movie seriously for a big portion of the run time. It's even worse because I wanted to love this movie, maybe I should give it another try and think it over a bit more but I just keep questioning why it just didn't interest me in the characters or the story which just makes the surreal and disturbing elements feeling just feel like filler.
In short, I didn't hate it but couldn't like it or love it even as a huge lover of art-film and surrealist film in general. Maybe it just wasn't just right for me. There's scenes I like, the beginning is great but as it went along, I just got less interested with each passing minute of the film's progression. All this ending with a diner scene so pretentious that it nearly ruined the whole movie for me, it was just film-student like quality in a film that started off incredibly unique and interesting. But even though a film is unique and can be disturbing doesn't mean that its good and here it sadly wasn't the case, at least in my opinion.
This is probably going to be a controversial review but I expected so much more from this director from his other work but this just disappointed me more and more as it went along.
Lo sapevi?
- QuizHeart surgery scenes in the film are real. They were filmed during an operation on a real patient who was undergoing quadruple bypass surgery which Colin Farrell attended.
- BlooperWhen Martin talks about his father's favorite film, Barry Keoghan's Irish accent can be heard on the word "father"
- Citazioni
Martin: You know, not long after my dad died, someone told me that I eat spaghetti the exact same way he did. They said what an extraordinary impression this fact had made on them. Look at the boy, look how he eats spaghetti. Exactly the same way his father did. He sticks his fork in. He twirls it around, around, around, around, around. Then he sticks it in his mouth. At that time, I thought I was the only one who ate spaghetti that way. Me and my dad. Later, of course, I found out that everyone eats spaghetti the exact same way. Exact same way, exact same way. This made me very upset. Very upset. Maybe even, um, more upset than when they told me he was dead. My dad.
Martin: I don't know if what is happening is fair, but it's the only thing I can think of that's close to justice.
- Colonne sonoreStabat Mater D383: I. Jesus Christus schwebt am Kreuzel (Chor)
Composed by Franz Schubert
Performed by Michel Corboz
Licensed courtesy of Warner Music UK Ltd
I più visti
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- Is it just me or does this movie heavily borrow cinematography style and even incidental music style from 'The Shining'?
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- El sacrificio del ciervo sagrado
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 2.291.901 USD
- Fine settimana di apertura Stati Uniti e Canada
- 115.120 USD
- 22 ott 2017
- Lordo in tutto il mondo
- 6.938.106 USD
- Tempo di esecuzione2 ore 1 minuto
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1