La fabbrica dei biscotti

I HAVE REVIEWED OVER 400 (C H R I S T M A S ) MOVIES AND SPECIALS.

BEWARE OF BOGUS REVIEWS. SOME REVIEWERS HAVE ONLY ONE REVIEW. WHEN ITS A POSITIVE REVIEW THERE IS A GOOD CHANCE THEY WERE INVOLVED WITH THE PRODUCTION. NOW I HAVE NO AGENDA! I AM HONEST! I REVIEW MOVIES & SPECIALS AS A WAY TO KEEP TRACK OF WHAT I HAVE SEEN!

Aunt Sally's Christmas Cookie Company is sold to a large conglomerate and executive Hannah (Wagner) must seal the deal and shut down the factory, which is the small town of Cookie Jar's lifeblood. What was supposed to be a simple assignment for Hannah becomes complicated when she meets Jake (Brown), the factory owner who's determined to keep the factory in town. Despite not being a fan of the holiday, the Christmas spirit in this small town is infectious and she gets swept up in the joy of the season

This film is very easy to enjoy. The location work in the film is well done. My favorite part of any Christmas movie is to see how they decorate the sets. This is one of the best visual designed films that I have seen this year.

AS for the film? Well its good. You know how it will end. I am more than happy to say that it is "One of the better films" on the Hallmark Channels.

It's definitely not your normal Hallmark Christmas movie but it was so well done. They had great chemistry together and Jill was absolutely amazing as she is in every movie because she is believable. She genuinely ask the character out like it's herself and she does an amazing job. Her movies never disappoint me

This is, of course, "only" a Hallmark Channel Christmas movie - one among many.

But it's also one of the most charming ones I've seen. Jill Wagner is a revelation, and completely engaging as Hannah Harper, a New York executive sent to the town of Cookie Jar to close the sale of Aunt Sally's Christmas Cookie company to her large conglomerate. She must negotiate with the handsome nephew of the original owner, and sparks fly - it's a Hallmark movie, duh.

It will take oodles of cookies, lots of love, and a little bit of last-minute Christmas magic, but everything will be all right in the end.

A very sweet, tasty treat for Christmas 2016.

There has never been any bias for or against Hallmark Christmas films. Actually think there are a mix of good, bad (and worse in some cases) and somewhere between mediocre and decent, so it's a variable output really. One just needs to know what to expect and not to expect too much. Have always appreciated romantic dramas with touches of comedy, so yeah 'Christmas Cookies' was hardly one of those doomed from the start sort of films.

'Christmas Cookies' lived up to and exceeded mixed expectations, as it could have gone either way of being charming and cute or being sickly sweet and cheesy. And it manages on the most part to be the former. Despite what the appetising but somewhat sugary title suggests, obviously made up to tie in with the cookie company setting. A good lesson in not judging a film by its title, advertising or any previous exposure to Hallmark Christmas films whether positive or negative. As far as Hallmark Christmas films go, generally 'Christmas Cookies' is among the better ones.

By all means, 'Christmas Cookies' could have been better. The ending is too abrupt and like it was made up at last minute. Despite the setting, the basic story is standard Hallmark fare and what is seen here has been used frequently before but not as freshly here.

A lot of anything concerning the job is pretty unrealistic, like for example the portrayal of negotiation which is total fabrication. At times the music is overpowering, a common thing with Hallmark.

However, 'Christmas Cookies' looks great with some of the best locations and use of them of all Hallmark's festive output. Photographed beautifully and absolutely loved everything to do with the cookie factory. While the music didn't have me completely sold in terms of balance, tonally it fitted at least and doesn't over-emphasise too much the mood. The dialogue can be corny, but it didn't feel stilted to me and was gently amusing and sincere.

Despite the story not being perfect, it is light on its feet and has a warm heart without being mawkish ot sugary sweet. Tonally it clearly knew what it was trying to be. Nothing charmless about it either and certainly makes one hungry for cookies during the film and after. The characters engage at least and are not too reminiscent of stereotypical ciphers, there is substance to them and nothing about them frustrated me. The acting is not bad at all and quite good in the case of the two leads, who have a sweet chemistry together. Nice to have a female lead that has positive traits without being too perfect or having any flaws exaggerated, have seen both extremes in a lot of Hallmark Christmas films and the film just about manages in my opinion to avoid both.

In conclusion, nice film. Just know what to expect. 7/10

I bet most of us have a separate rating scale for the Hallmark/Lifetime Christmas romance genre. They are low budget, quantity over quality films, so best to enter with a generous mindset.

For me, the number one strength or dealbreaker is the 2 leads. If they can both act, neither is annoying and there's some chemistry-boom, that makes it a rare bird. I DVR and delete at least half these movies after watching 10-15 minutes because I know I can't take 90 minutes of one of the leads.

Jill Wagner and Wes Brown are as good as it gets, and their 'introduction' scene conveyed some real sparks of friction. Their getting-to-know-you meet-ups were convincing, fun and served the plot. The supporting cast was also good, with extra points for a real sense of family in the scenes with Jake's relatives, especially his cute niece.

My number two criteria is sense of place, given these movies are short on plotting and long on setting. Some of them have little or no real in-town scenes and no feel of a distinct place, even as the dialogue constantly refers to how special ________town is.

In Cookie Jar, (yes, Cookie Jar) the cafe anchors the town, the tobogganing scenes practically smelled like pine and mountain air and the sets for Christmas events were lovely and realistic. Again, better than the vast majority of these films.

I would've rated this higher except for two major weak points. First, the resolution felt very slapdash and unbelievable. Like a cringe-y afterthought. Second, the business-related details rang so false they were distracting. Who travels to a small town on behalf of a 'conglomerate' without a rental car? With no public transport to rely on. Who would go out, solo, to close a deal with a biz owner after zero communications between the two? With no legal representation and no authority to revise the deal? We didn't need much detail about the business end-we just needed some logic there.