Ispirato da eventi realmente accaduti, un avvocato aiuta il proprietario di un'impresa di pompe funebri a salvare l'azienda di famiglia da un colosso aziendale, mettendo in luce una compless... Leggi tuttoIspirato da eventi realmente accaduti, un avvocato aiuta il proprietario di un'impresa di pompe funebri a salvare l'azienda di famiglia da un colosso aziendale, mettendo in luce una complessa rete di razza, potere e ingiustizia.Ispirato da eventi realmente accaduti, un avvocato aiuta il proprietario di un'impresa di pompe funebri a salvare l'azienda di famiglia da un colosso aziendale, mettendo in luce una complessa rete di razza, potere e ingiustizia.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 4 candidature totali
- Reggie Douglas
- (as Dorian Crossmond Missick)
Riepilogo
Recensioni in evidenza
Ending is a bit predicable but still riveting and makes you believe that good will always win over evil.
I highly recommend this movie because you'll certainly feel really good after watching it. Not all movies need to have violence and sex at the forefront.
It all begins with a funeral business owner that is going to lose all his savings and he turns into the least expected lawyer to turn to. It is a story about a small business owner against the greedy corporate, but it is also a story about race differences, bridging between those and also about unexpected friendships, that are forged through this long path of the trial.
TLJ and Fox demonstrate an amazing chemistry and this movie works, a lot, because this special bond. The story is great and written well and has a lot of comic relieves in it, to break any tension or drama and those pauses are not taking over the movie, but blend perfectly into the plot and general tone of it.
The movie is almost light headed, but when a real dramatic pause is needed, it knows its way around thanks to its director - Maggie Betts on her third movie as a director. She manages to collect an impressive team of actors, which contains some veterans like Bill Camp, Pamela Reed (Always Phoebe O'Hara from the " Kindergarten Cop") and even Alan Ruck (that I'll never forget from his appearances in "Spin City").
Betts also wisely uses two bright youngers stars on a great performances as Jurnee Smollett and the young Mahershala Ali look-A-Like: Mamoudou Athie. It's just a fantastic movie that couldn't get higher, due to his leaning of a true story, but in a most dramatic and anticipated way. Good job and waiting for Betts next projects, in order to see if she fulfills the promising career that is expected from her.
The narrative unfolds like a cinematic tale, depicting the struggle of a small businessman against the machinations of a powerful corporation. The film delves into the company's attempt to undermine the entrepreneur, aiming to acquire his business at a fraction of its worth and subsequently turning that investment into substantial millions. The pursuit of wealth becomes so consuming that these corporate leaders lose touch with the very basics of life, such as the cost of their own sustenance.
Tommy Lee Jones and Jamie Foxx deliver exceptional performances, bringing sheer class to their roles in this compelling courtroom drama-a definite must-watch.
Elderly Tommy Lee Jones is a funeral-home-business owning guy, not poor, but a working man. Due to faults not of his own, he gets into business with Evil Canadian Corporation, who then try to stiff him.
TLJ resorts to hiring successful TV lawyer Jamie Foxx. Now, this guy is a BLACK lawyer. He exploits this by filing his suits in the poorest, most predominantly black circuits, and plays the Victim Of The Man card to win his cases - with, apparently, massive success.
Evil Corportation puts against him equally black lawyeress Jurnee Smollett, up'n' coming Harvard lawyer ready to throw back in his face the race card.
While the film is not race-based, it does not pretend that race isn't a factor when Evil Corporation is willfully targeting the most impoverished areas of the south. There's a few tinges of Erin Brockovitch, and it's dialogue-heavy throughout, but man, you will not believe the quality of a performance that Jamie Foxx puts in for this movie. I would have never in a million years thought this comedy actor had the talent to pull out of his .. coat .. a straight courtroom drama. Don't get me wrong, Foxx plays to his strengths, but he also shows some finesse that, realistically, nobody could have predicted the man had.
NOT as great as Erin Brockovitch, but absolutely worth it.
8/10.
Lo sapevi?
- QuizJerry O'Keefe was a Marine pilot in World War II. He shot down five Japanese planes in one day on April 22, 1945, becoming an ace in one day. He shot down two more on April 28, 1945. He was awarded the Navy Cross and the Distinguished Flying Cross.
- BlooperPunitive damages are not awarded in contract cases. Expectancy damages (i.e. how much Jeremiah O'Keefe would have anticipated to have received if the contract went through) are. In order to receive punitive damages, there needed to have been a tort element to the contract case (e.g. tortious interference).
- Citazioni
Hal Dockins: I mean, Jerry's a... a dream client. He's got a great narrative. He's a war hero. A decorated war hero. He served in World War II. He was, he was awarded the Distinguished Flying Cross... for service for his country.
- Curiosità sui creditiSpecial appearance in the credits by one of the real people depicted in the movie.
- ConnessioniReferenced in Film Junk Podcast: Episode 917: Priscilla (2023)
- Colonne sonoreTrust in the Lord
Written by Andre Littlejohn and Larry J. Mccullough
Courtesy of APM Music
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- The Burial
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 32.500.000 USD (previsto)
- Tempo di esecuzione2 ore 6 minuti
- Colore
- Proporzioni
- 2.35 : 1