Dopo che una misteriosa nebbia si propaga in una piccola città, i residenti la dovranno combattere per mantenere la loro moralità e sanità mentale.Dopo che una misteriosa nebbia si propaga in una piccola città, i residenti la dovranno combattere per mantenere la loro moralità e sanità mentale.Dopo che una misteriosa nebbia si propaga in una piccola città, i residenti la dovranno combattere per mantenere la loro moralità e sanità mentale.
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Very disappointed to watch 10 hours of The Mist to finish on a cliffhanger which I've read hasn't been putto a second series. A complete waste of time. Why can't something be announced that says this series won't continue. It should have not been left at that ending.
In The Mist we get to know a small American town in which everyone seems to want to come across as incompetent, over-reactive, small-minded, humorless but above all very unfriendly. Everyone seems to hate each other, and the few people who form the exception, the people who do not constantly act like an idiot, and thus with whom I could best identify, are also the first to die (already in episode 1). This phenomenon is increasingly seen in drama series. At the The Walking Dead I decided to discontinue watching after three seasons (I was ultimately in favor of the zombies, which is not the maker's intention I assume). What makes The Mist even easier to dismiss are the worthless special effects and terrible acting. If you make a television show that is located in a thick layer of mist, you want to make sure that the fog looks like a fog. I suspect the makers were trapped inside their own cloud of incompetence.
Shows like The Mist and The Walking Dead are based on a very simple premise of threat (usually super/bio/natural) and the need for survival as a group in challenging circumstances. These shows can pull in good audiences, but it is impressive how frequently this simple premise cannot be executed boldly and instead runs off into a series of sub-plots that detract from the core premise until the core premise is lost. The Mist suffers this fate.
First, the premise is sound enough. The simplicity of the idea is its great attraction. The problem with this show is, like TWD the premise becomes secondary to the sub-plots and poor character decisions that then consume the show.
So, Stephen King penned 'The Mist' - it's an alternate take on 'The Fog' just taking the concept in a different direction. In this envisioning the Mist descends on a small town in the US cutting of communication and isolating the town. Within the realms of this genre, this is a suitable plot that comes with full license for the associated suspension of disbelief.
We have a good set. The weakness then is the lack of courage to execute on the core premise, instead drifting into the sub plots of the various irrational characters. If this show had been given the benefit of stronger oversight of the storyline this might not have led to the shows demise and could with the right writing have seen additional seasons tagged on.
When a writer must fall back on the stupidity of characters to carry the story then you know the series is in trouble. Even B movies fans like intelligent characters in B movies.
The Mist is a missed opportunity - a show that should have had a stronger tighter focus on the core plot. Less silly character sub plots. A clearer definition of what it was and a willingness to stay true to that.
I believe there is still very much a market for this type of a show - if only writers of sufficient quality could be found to build the episodes that build ON the core premise, not away from it.
First, the premise is sound enough. The simplicity of the idea is its great attraction. The problem with this show is, like TWD the premise becomes secondary to the sub-plots and poor character decisions that then consume the show.
So, Stephen King penned 'The Mist' - it's an alternate take on 'The Fog' just taking the concept in a different direction. In this envisioning the Mist descends on a small town in the US cutting of communication and isolating the town. Within the realms of this genre, this is a suitable plot that comes with full license for the associated suspension of disbelief.
We have a good set. The weakness then is the lack of courage to execute on the core premise, instead drifting into the sub plots of the various irrational characters. If this show had been given the benefit of stronger oversight of the storyline this might not have led to the shows demise and could with the right writing have seen additional seasons tagged on.
When a writer must fall back on the stupidity of characters to carry the story then you know the series is in trouble. Even B movies fans like intelligent characters in B movies.
The Mist is a missed opportunity - a show that should have had a stronger tighter focus on the core plot. Less silly character sub plots. A clearer definition of what it was and a willingness to stay true to that.
I believe there is still very much a market for this type of a show - if only writers of sufficient quality could be found to build the episodes that build ON the core premise, not away from it.
A mist has descended upon the town of Bridgeville, Maine and something inside is killing people. Bryan Hunt in military uniform tries to warn the police but he's locked up by chief Heisel on suspicion of being intoxicated. An unstable Mia Lambert is the other prisoner. The Copeland family is split between the police station and the mall.
I do like the 2007 movie but that movie's biggest moment is its shocking ending. Presumably, that cannot be done on the TV show unless it intends to ends quickly. When it does suicides early, they're unearned emotionally and it lacks any shock value. The problem starts with the characters. None of them are likeable. Everybody has some deep dark secret or other crazy characteristics. Their actions are questionable. A guy is willy nilly letting out prisoners without authorization and that's before it gets crazy. Drawing lot is silly especially only a few people would know the location of the radio and how to use it. It makes little sense to send random strangers stumbling into the office searching for the thing and why aren't people waiting for them on the other side of the door? I know why. They would hear the gunshot and the writers needed to connect the dots no matter how ugly the line. Almost none of the characters make sense unless the mist turns them into non-sense. That's certainly possible but it would leave nobody with rooting interest. They want the girl to be that but she is too infuriating to be appealing. I don't care about anybody and I don't care about their secrets.
The show still has the creature feature aspect. It should have started with a scary horror scene at the base but it meanders around with a slow reveal of some teenage drama. Stranger Things started with a monster at the base and that show does OK. It's a standard move which this show fails to understand. The start is off-putting, boring, and tiresome. As for the creatures, the small insects come with certain issues and the show leaves some nagging questions about the logic of this world. The smoke monsters are problematic for different reason. Neither are satisfying although not bad enough to be decisive. The logic of people is so upside down that the crazy lady actually makes sense. The creature feature aspect gets morphed into body horrors territory. I can roll with all these differences if I actually cared about anybody in here.
I do like the 2007 movie but that movie's biggest moment is its shocking ending. Presumably, that cannot be done on the TV show unless it intends to ends quickly. When it does suicides early, they're unearned emotionally and it lacks any shock value. The problem starts with the characters. None of them are likeable. Everybody has some deep dark secret or other crazy characteristics. Their actions are questionable. A guy is willy nilly letting out prisoners without authorization and that's before it gets crazy. Drawing lot is silly especially only a few people would know the location of the radio and how to use it. It makes little sense to send random strangers stumbling into the office searching for the thing and why aren't people waiting for them on the other side of the door? I know why. They would hear the gunshot and the writers needed to connect the dots no matter how ugly the line. Almost none of the characters make sense unless the mist turns them into non-sense. That's certainly possible but it would leave nobody with rooting interest. They want the girl to be that but she is too infuriating to be appealing. I don't care about anybody and I don't care about their secrets.
The show still has the creature feature aspect. It should have started with a scary horror scene at the base but it meanders around with a slow reveal of some teenage drama. Stranger Things started with a monster at the base and that show does OK. It's a standard move which this show fails to understand. The start is off-putting, boring, and tiresome. As for the creatures, the small insects come with certain issues and the show leaves some nagging questions about the logic of this world. The smoke monsters are problematic for different reason. Neither are satisfying although not bad enough to be decisive. The logic of people is so upside down that the crazy lady actually makes sense. The creature feature aspect gets morphed into body horrors territory. I can roll with all these differences if I actually cared about anybody in here.
Title says is all. Modern day series can be as boring as watching water before it boils. And just when you think it will boil, someone shuts down cooking stove.
Lo sapevi?
- QuizOn September 28, 2017, it was announced by Spike that it will not get a second season.
- ConnessioniFeatured in WatchMojo: Top 10 Worst Horror TV Shows (2019)
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