Innan vi dör

I enjoyed watching this. The basic plot has been seen before but there was a freshness and some originally to this series. The acting and overall production is good. The script is well paced and in the last episode we learn something that refers us back to opening episode. A satisfying finale.

There was a flow to this show that is hard to replicate and the bad reviews from some users boggles my mind. I'm not a fan of reading subtitles, but after watching this show, I've changed my mind. It was gripping from the first episode and I couldn't figure out all the twists and turns, which kept me very engaged through each. I'm the type who can't watch a show unless I get drawn in through a great plot and excellent acting... this contained every bit of that and more. The filming was top notch, and each actor (besides maybe one or two) played their roles flawlessly. There were a couple questionable moments (no spoilers) that kept me from giving this a 10 star review, but by the end, they sort of made sense. There is nothing worse than watching a show with a terrible ending... but fortunately this ending was well worth the wait. I am hoping season two will be as well written as the first and in that, I hope this show gets more views. American thrillers have been far less interesting then in previous years, so I will be looking for more shows like this in the Nordic Noir genre, which is purely based off of this show. If half of them produce anything close to what I just watched, I will be a fan for life.

"Before We Die" ("Innan vi Dör") is a Swedish crime drama series, one of the best made, in a long time. There's not much to complain about, and even though the series is in 10 episodes within the same story-line, it manages to keep the quality, as well as the pace.

In a script that is both clever and very well written, the actors manage to be as credible as the story is. This is a raw, relentlessly drama that starts with the police Hanna Svensson, played by Marie Richardson – who isn't as boxy as Saga Norén in "Bron" ("The Bridge") – but you cannot exactly accuse her for being socially elegant. Instead, she's pushy and zealous, but with a large sense of justice. Even up to the point when she puts her own son - Christian - behind bars for two years for drug trafficking.

Marie Richardson carries the series and she does it with a nervy presence that engages. Magnus Krepper is wonderfully sleazy as her police colleague. Adam Pålsson does a poignant interpretation as Hanna's son, who wants to make old injustices right again and Alexej Manvelov works perfectly as the villain. With some reservation of stereotyping the bad guys, but that is something you will soon overlook.

I really hope this series will be out there with English subtitles, because I heartily recommend it.

Over the past decade or so, we've seen a remarkable rise in high-quality Scandinavian "new wave" crime series-shows that break away from the traditional one-case-per-episode format, like Wallander or Beck. Instead, they focus on complex, interconnected characters and storylines, weaving suspense and psychological depth into a larger, season-long arc. When done well, as in this case, the result is gripping and multi-layered storytelling.

The series in question is filled with tension and unease, keeping the viewer constantly on edge. Many twists, which may initially seem overly intricate or even implausible, gradually unfold with logic and depth-sometimes only several episodes later-providing satisfying resolutions. Notably, each episode ends with a compelling reveal or dramatic turn in the final scene, practically demanding you start the next one immediately.

As for how realistically the show reflects Swedish society-its portrayal of crime, corruption, and the murky relationships between cops and criminals-it's hard to say. But from a viewer's perspective, it's captivating to watch and emotionally engaging.

In terms of casting, many of the lead roles are filled by familiar faces from similar Nordic noir series, and all deliver memorable performances once again. Refreshingly, the show avoids the cliché of keeping major stars alive until the finale-here, no one feels truly safe. I'd especially like to highlight Adam Pålsson, who deservedly won the Kristallen award in 2017 for Best Male Actor in a TV production. His performance adds a strong emotional core to the story.

All in all, I'd rate the first season a solid 8.5 to 9 out of 10. I'm definitely curious if a second season exists-the final scenes leave plenty of narrative threads open for continuation.

P. S. Season 2 is a bit "thinner" in terms of complexity, but still offers compelling twists, strong character moments, and excellent performances that make it well worth watching.

The second one get way too far fetched. writing is less focus. Even if in first one some progressions felt unreal, it is much worse in second. it is also true that season 1 dosent hold under scrutiny with the many plot holes but really, not much do in TV and movies. we are here for cheap escapism . The main inspector , she is also a terrible hypocrite and absurd mother. ahhhh, melodrama.