Cold Hell - Brucerai all'inferno

I suspect the more perceptive viewer might suggest that this was not just a good action flick, but a comment on misogyny and prejudice. That aside, I thought this was a decent, gritty drama with a thrilling plot. The villain's sadistic tendencies make him a thoroughly hateful character, whilst the protagonist is flawed but admirable. Recommended.

Gabriel Millsom

Ozge, a young Turkish born taxi driver, who is also a Thai boxer. She keeps to herself mostly. One day she witnesses a murder and also the one who is responsible for it. The events that takes place after this is the basic plot of the movie.

The movies main positive is the lead actress violetta schurawlow. She is just amazing. We can see the anger, fear, intensity, just everything in her performance. You can just watch this movie for her performance. The action sequences were really good, especially the one in the metro train. The cinematography, the sound design and all the other aspects were good. The writing was really good in some places, the thrilling elements worked really nicely. I loved the sequences towards the climax very much.

The only issue i had with the movie is, i felt we could have spent a little more time with the character before the inciting incident. Rather we get to know the character more after the inciting incident, which makes the movie little slow in few places.

The movie is a solid one time watch. Give it a try if you love action thriller movies.

"Cold Hell" is an impressive German film released in 2017. The lead character's performance is simply outstanding. Right from the beginning, you can't help but empathize with her, but as the story progresses, she becomes someone you can't help but dislike. It's a realistic portrayal of a person with a troubled past, as often happens in real life, where people tend to push others away and reject help. However, despite its strengths, the movie could have benefited from more suspense and a stronger antagonist to heighten the overall experience.

The film effectively captures the audience's attention with its engaging storyline and the exceptional acting prowess of the main character. From the very start, we are drawn into her world, feeling a deep sense of empathy for the challenges she faces. As the narrative unfolds, we witness her transformation into a character we find it hard to root for. This evolution is a testament to the actress's remarkable talent in portraying complex emotions and internal conflicts.

"Cold Hell" does a commendable job in shedding light on the harsh realities of life, particularly when it comes to individuals who have endured difficult circumstances. The film authentically portrays the tendency of some people to reject assistance and further isolate themselves, even when presented with opportunities to make positive choices. This portrayal adds depth and relatability to the story, allowing viewers to reflect on the complexities of human behavior and the consequences of personal history.

While "Cold Hell" excels in its character development and exploration of real-life struggles, it falls slightly short in terms of suspense and the strength of its antagonist. Though the film keeps you engaged, it could have benefited from a more palpable sense of tension and anticipation throughout. Additionally, a more formidable and memorable killer would have enhanced the overall impact of the story. By intensifying these elements, the movie could have provided a more gripping and thrilling experience for the audience.

Overall, "Cold Hell" is a solid German film that delivers powerful performances and delves into the intricacies of human nature. It effectively portrays the complexities of a character shaped by a difficult past and the repercussions of her choices. While it could have offered more suspense and a stronger antagonist, the film still manages to captivate viewers with its emotional depth and thought-provoking themes.

After witnessing a brutal murder, a woman finds herself targeted by a misogynistic serial killer who uses his religion as an excuse to butcher women. 'Cold Hell (2017)' is a gritty neo-noir thriller clearly inspired by works such as 'Taxi Driver (1976)', especially in its bluesy score. It's downbeat and gritty, though it does have moments of levity sprinkled throughout, and it deals with some tough subject matter in a compelling way. The lead character is especially stoic but you're always on her side, even when she makes some questionable decisions, and her dark past is revealed to us slowly but surely over the course of the narrative. Her typically unspoken backstory gives good reason for her to be as guarded as she is, adding a layer of subtext to the closed-off performance by a consistently good, if not flashy, Violetta Schurawlow. There are several well-choreographed fights and chases that have an appropriate amount of weight to them, with the violence typically being brutal and crunchy. It gets you on the edge of your seat on more than one occasion. Often, you can't help but get a little giddy, I suppose, when the protagonist is bashing a bad guy's head in; it's not fun violence, don't get me wrong, but it's good to see the often battered lead finally get her own back. One thing that is good about the piece is the fact that the hero knows how to handle herself right from the off, yet is still fallible to the same mistakes anyone would make if being hunted by a monstrous killer. Just because she knows how to fight doesn't mean she isn't scared of the concept of someone trying to end her life. It's a fine-tuned dynamic that undeniably adds believability to the plot. The picture, of course, isn't perfect. It is rather slow and, even, somewhat repetitive in its mid-section, almost becoming a different type of film to what you'd expect. This isn't too detrimental, since the thing is always entertaining and engaging, but it does lose a little bit of steam before it picks up the pace again for its final act. Still, the flick is effective overall. It's a solid thriller that easily keeps you watching from beginning to end. 7/10.

You better damn well tip this Taxi Driver.

I love kick-ass women who can surely kick any ass, but this one...such depth, so much history and so little words, she is the ultimate antihero hero. I loved her.

Get your blenders on, this movie is all parts: Death Wish, The Transporter, I Spit on Your Grave, The Bourne Identity, Rear Window, The Girl with the Dragon Tattoo and Taxi Driver, just to name a few. But, don't worry; the film just borrows from them. The real story is: the Fantastic Not-Angelina Jolie.

There is a central plot thread, but it's almost overshadowed by the lives and drama of Not-Angelina Jolie. The basic story: troubled loner (with very good reasons) witnesses a brutal murder from her bathroom window. That would be bad enough, but the killer surely sees her see him and the threat is on. Almost comically - but really, sadly, she spends a good chunk of the film trying to crash at someone else's place over and over only to remember why she didn't involve herself with these people since they previously wronged her.

With no one to help her and the killer stalking her, she's pretty much on her own. I wouldn't worry too much, though. Not-Angelina Jolie can seriously mess you up.

She's not Supergirl. She's absolutely human even though she's got a pretty good shield: drive. What she's been through in her life - and you'll learn pretty much all of it from extremely clever writing and the show/don't tell acting and scenes - nine out of ten people couldn't handle. This makes her thoroughly interesting and captivating.

Now, it does help that through a lot of the drama here, there's some awesome action scenes and an incredibly satisfying final act. Contrary, some of the slower and definitely predictable scenes do muddy the waters. Mercifully, they don't linger on too long and we get back to the character worth watching the whole movie for: Not-Angelina Jolie, of course.

***

Final thoughts: I love extremely strong characters in cinema, namely smart female leads with the odds stacked against them and their fists/wits prevail. So much so, I constantly give passes to other flaws, plot-holes or clichés in the films they're in. So, know this: Cold Hell isn't perfect. It does have one unintentionally hilarious "Oh, that's where he is!" revelation that I wouldn't knocked down the movie more so, but damn, they did correct themselves almost instantly and all is forgiven.