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Interlude in Prague

  • 2017
  • 1h 43min
VALUTAZIONE IMDb
6,2/10
862
LA TUA VALUTAZIONE
Samantha Barks and Aneurin Barnard in Interlude in Prague (2017)
Trailer for Interlude in Prague
Riproduci trailer1: 37
1 video
30 foto
Period DramaTragedyTragic RomanceDramaHistoryMusicRomance

Aggiungi una trama nella tua linguaThe incredible tale of Mozart's Prague years.The incredible tale of Mozart's Prague years.The incredible tale of Mozart's Prague years.

  • Regia
    • John Stephenson
  • Sceneggiatura
    • Helen Clare Cromarty
    • John Stephenson
    • Brian Ashby
  • Star
    • Aneurin Barnard
    • James Purefoy
    • Samantha Barks
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,2/10
    862
    LA TUA VALUTAZIONE
    • Regia
      • John Stephenson
    • Sceneggiatura
      • Helen Clare Cromarty
      • John Stephenson
      • Brian Ashby
    • Star
      • Aneurin Barnard
      • James Purefoy
      • Samantha Barks
    • 14Recensioni degli utenti
    • 9Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Interlude in Prague
    Trailer 1:37
    Interlude in Prague

    Foto30

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    + 25
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    Interpreti principali62

    Modifica
    Aneurin Barnard
    Aneurin Barnard
    • Mozart
    James Purefoy
    James Purefoy
    • Baron Saloka
    Samantha Barks
    Samantha Barks
    • Josefa Duchek
    Morfydd Clark
    Morfydd Clark
    • Zuzanna Lubtak
    Dervla Kirwan
    Dervla Kirwan
    • Frau Lubtak
    Ian Bonar
    Ian Bonar
    • Laporel Bloch
    Adrian Edmondson
    Adrian Edmondson
    • Herr Lubtak
    Krystof Hádek
    Krystof Hádek
    • Johann Bohac
    Veronika Lapková
    • Greta (Cherubino)
    Anna Stropnická
    Anna Stropnická
    • Terezie
    Nickolas Grace
    Nickolas Grace
    • Marek Novak
    Jitka Jezková
    Jitka Jezková
    • Frau Vogt
    Adam Vacula
    Adam Vacula
    • Herr Smitt
    Ross William Wild
    • Herr Burgen
    Gregory Gudgeon
    • Count Muti
    Lucia Siposová
    Lucia Siposová
    • Frau Landers
    Hana Vagnerová
    Hana Vagnerová
    • Frau Smitt
    • (as Hana Vágnerová)
    Jan Révai
    Jan Révai
    • Franz Dushek
    • Regia
      • John Stephenson
    • Sceneggiatura
      • Helen Clare Cromarty
      • John Stephenson
      • Brian Ashby
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti14

    6,2862
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    Recensioni in evidenza

    5basseyeu

    Disappointed

    I love Mozart, and am very familiar with Le Nozze di Figaro and particularly Don Giovanni. Whilst the sets and costumes were nice, the acting was much below an agreeable standard. The directing left a lot to be desired. The interpretation of the music was lacklustre. They didn't even use the climactic scene of Don Giovanni where he must confront the Commendatore.

    In summary, this was the manifestation "Missed Opportunity"

    Only writing this in case someone else plans to interpret Mozart again.
    suefurnell

    Great film - had to watch it twice on realising it was based on true events

    Really enjoyed this based on relatively unknown period in Mozart's life when he had an affair and was writing Don Giovanni. Beautifully directed, lovely music as you'd expect, and lots of insight into Mozart though the gripping story..
    4animaobscura

    theres still a plenty room of improvement

    Positive aspects: the settings in the style of 18th century, the costumes, the music of Mozart

    but regrettably there are too much negative aspects in it: the script could be better - and no, it´s not based on facts as another review claimed: it's a fantasy story with fantasy persons, Mozart never met a Baron with name Saloka or a woman Suzuzana Lubtak, the story is completely fiction...lame fiction...only Josepha Duschek existed really. Besides that, most of the persons are wearing permanently wigs but those were already dated during this time period (1788)...moreover Mozart never visited Prague in this year (longer stays 1787,1791) and the film music in modern style between Mozarts music sucks really...it ruins the last oddment of authentic atmosphere in this movie. Don´t know what the filmmakers thought whilst deciding for this unsuitably music. Why don´t they use Mozarts music for all the scenes (they can choose from thousands of movements)
    9VorpalJay

    Way more than a costume drama

    This movie is a nuanced presentation of how toxic masculinity affected women in the 1700s. While ostensibly about Mozart and a performance of the marriage of Figaro in Prague, the movie provides a speculative fiction of how Mozart came to compose Don Giovanni, based on "real life" occurrences. We are presented with a highly credible representation of an abusive, powerful man who exploits women of all backgrounds with impunity. Although the theme is tragic, the celebration of the era's lifestyles and the magnificent music sugarcoat the grim message. Beautifully photographed with B role of historic Prague to enjoy, fine acting performances, and gorgeous costumes, it is suitable for 14+ audiences and serves as an important warning to girls and young women today.
    7DoctorStrabismus

    An interesting reconstruction of the origins of Don Giovanni

    My title does not say that it is an accurate reconstruction, and it probably does not set out to be, as just how much is known of the events of October 1787 might be up for debate. That the overture was a last minute composition is apparently true, as is the fact that the Duscheks were prominent in Prague's operatic world, but I expect that much of the rest was a rich blend of fantasy and artistic licence. However, the location choice of the Estates Theatre, the genuine venue of the opera's premiere, was a terrific touch.

    Seeing Cilla Black's hubby pop up as Mozart was a surprise, but he did a far better and more credible job than.the clown-like Tom Hulce in 'Amadeus' some 33 years earlier. And having a real life Don Giovanni imposing his attentions on the women of the city was an interesting twist as a suggestion of Mozart's inspiration for the story, especially with a servant named Laporel, so similar to the opera's Leporello.

    But the truth is that Mozart only arrived in the city 11 days prior to the planned premiere, so by that point he must have already composed just about everything, if not the overture. That premiere was postponed by two weeks, but apparently only for organisational reasons.

    I have seen Don Giovanni countless times over the last 60 years or so, and that made it intriguing viewing for me. However the shooting was way too dark - yes, I know they only had candles and oil lamps in 1787, but as an audience we need to be able to see the faces and have a clear grasp of what is going on. And the dialogue was at times so mumbled that I would have liked subtitles. So in conclusion, 7/10 is a fair score.

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    Trama

    Modifica

    Lo sapevi?

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    • Connessioni
      Featured in Interlude in Prague: Behind the Scenes Featurette (2017)
    • Colonne sonore
      Porgi Amor - From The Marriage Of Figaro
      Written by Wolfgang Amadeus Mozart (as W A Mozart) (1786)

      Performed by The City of Prague Philharmonic Orchestra

      Vocals by Samantha Barks

      Solo Violin by Lucie Svehlova

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    Domande frequenti17

    • How long is Interlude in Prague?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 25 maggio 2017 (Regno Unito)
    • Paesi di origine
      • Repubblica Ceca
      • Regno Unito
    • Siti ufficiali
      • Official Site
      • Official site (Japan)
    • Lingue
      • Inglese
      • Italiano
      • Latino
    • Celebre anche come
      • Интерлюдия в Праге
    • Luoghi delle riprese
      • Praga, Repubblica Ceca
    • Aziende produttrici
      • Longford Films
      • Stillking Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 5.000.000 £ (previsto)
    • Lordo in tutto il mondo
      • 14.699 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 43 minuti
    • Colore
      • Color
    • Proporzioni
      • 2.39:1

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