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Killers of the Flower Moon

  • 2023
  • 6+
  • 3h 26min
VALUTAZIONE IMDb
7,6/10
286.613
LA TUA VALUTAZIONE
POPOLARITÀ
323
32
Robert De Niro, Leonardo DiCaprio, and Lily Gladstone in Killers of the Flower Moon (2023)
Members of the Osage tribe in the United States are murdered under mysterious circumstances in the 1920s, sparking a major F.B.I. investigation involving J. Edgar Hoover.
Riproduci trailer1: 07
34 video
99+ foto
CrimineDrammaDrammi storiciEpica occidentaleEpicoOccidentaleStoriaTragediaVero crimine

Quando i membri della tribù Osage negli Stati Uniti vengono uccisi in circostanze misteriose nel corso degli anni venti, parte una grossa indagine dell'FBI che coinvolge J. Edgar Hoover.Quando i membri della tribù Osage negli Stati Uniti vengono uccisi in circostanze misteriose nel corso degli anni venti, parte una grossa indagine dell'FBI che coinvolge J. Edgar Hoover.Quando i membri della tribù Osage negli Stati Uniti vengono uccisi in circostanze misteriose nel corso degli anni venti, parte una grossa indagine dell'FBI che coinvolge J. Edgar Hoover.

  • Regia
    • Martin Scorsese
  • Sceneggiatura
    • Eric Roth
    • Martin Scorsese
    • David Grann
  • Star
    • Leonardo DiCaprio
    • Robert De Niro
    • Lily Gladstone
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,6/10
    286.613
    LA TUA VALUTAZIONE
    POPOLARITÀ
    323
    32
    • Regia
      • Martin Scorsese
    • Sceneggiatura
      • Eric Roth
      • Martin Scorsese
      • David Grann
    • Star
      • Leonardo DiCaprio
      • Robert De Niro
      • Lily Gladstone
    • 1.4KRecensioni degli utenti
    • 384Recensioni della critica
    • 89Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 10 Oscar
      • 135 vittorie e 421 candidature totali

    Video34

    Final Trailer
    Trailer 1:07
    Final Trailer
    Official Trailer 2
    Trailer 2:25
    Official Trailer 2
    Official Trailer 2
    Trailer 2:25
    Official Trailer 2
    Official Trailer
    Trailer 2:24
    Official Trailer
    Official Teaser Trailer
    Trailer 1:52
    Official Teaser Trailer
    Killers of the Flower Moon
    Trailer 2:26
    Killers of the Flower Moon
    Killers of the Flower Moon
    Trailer 2:24
    Killers of the Flower Moon

    Foto936

    Visualizza poster
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    + 932
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    Interpreti principali99+

    Modifica
    Leonardo DiCaprio
    Leonardo DiCaprio
    • Ernest Burkhart
    Robert De Niro
    Robert De Niro
    • William Hale
    Lily Gladstone
    Lily Gladstone
    • Mollie Burkhart
    Jesse Plemons
    Jesse Plemons
    • Tom White
    Tantoo Cardinal
    Tantoo Cardinal
    • Lizzie Q
    John Lithgow
    John Lithgow
    • Prosecutor Peter Leaward
    Brendan Fraser
    Brendan Fraser
    • W.S. Hamilton
    Cara Jade Myers
    Cara Jade Myers
    • Anna
    Janae Collins
    Janae Collins
    • Reta
    • (as JaNae Collins)
    Jillian Dion
    Jillian Dion
    • Minnie
    Jason Isbell
    Jason Isbell
    • Bill Smith
    William Belleau
    William Belleau
    • Henry Roan
    Louis Cancelmi
    Louis Cancelmi
    • Kelsie Morrison
    Scott Shepherd
    Scott Shepherd
    • Byron Burkhart
    Everett Waller
    • Paul Red Eagle
    Talee Redcorn
    Talee Redcorn
    • Non-Hon-Zhin-Ga…
    Yancey Red Corn
    Yancey Red Corn
    • Chief Bonnicastle
    Tatanka Means
    Tatanka Means
    • John Wren
    • Regia
      • Martin Scorsese
    • Sceneggiatura
      • Eric Roth
      • Martin Scorsese
      • David Grann
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti1.4K

    7,6286.6K
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    Riepilogo

    Reviewers say 'Killers of the Flower Moon' is acclaimed for its powerful performances by Lily Gladstone, Leonardo DiCaprio, and Robert De Niro. The film is lauded for its historical significance and emotional depth. However, criticisms include its lengthy runtime, pacing issues, and missed opportunities to explore the Osage Nation's cultural and historical context more deeply. Despite these drawbacks, the cinematography and production values are generally appreciated.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    7jordverburg

    Less is more

    Before a premiere, I try to steer clear of trailers, reviews and other opinions. I just got a glimpse of a few loving reviews. Nevertheless, my expections were high because of Scorsese, De Niro and DiCaprio.

    I hoped for a masterpiece, but this isn't one. It's a very well told story, that's historically relevant. The greed motives are very well implemented in this movie. As expected, the acting and casting was pretty good. De Niro was great, Leo did well (although at some points it felt a little over the top), but Lily Gladstone stole the show for me as Mollie. There's only one big BUT that doesn't make me give this a higher rating.

    I looked a LOT at my watch too see how long was left. I don't mind slow pacing, but this is just too much. There's not really a point for this to be 3.5 hours long. In The Irishman I wasn't bothered by it. Now I was. Every other aspect was good - but not great.

    The costumes, camerawork and scenery were lovely.
    7ScottoMac

    Grim & an hour too long

    This is a very good movie, but it could have been told in an hour less. The material is grim, but I guess that's part of the story telling.

    I can't understand why this couldn't have been done in 2 hours. The plot didn't warrant it, and the acting almost held it up. But we could all see where this was going.

    The court sequence was way too long and muddled the nature of the story. Is it an historical account of what happened to these poor people? Is it a story about duplicity in a relationship? Is it about greed and human nature? Is it about psychopaths? Or a court room drama?

    For me, it would have been an 8/10 if it didn't drag on unnecessarily. Great acting. Great story. Just drawn out.
    7petervd

    Somewhere in the middle for me

    I'm not a die-hard Martin Scorsese fan. I have a deep appreciation for some of his movies, while others don't quite resonate with me. This particular film fell somewhere in the middle for me.

    Considering its extensive three-hour runtime, the pacing held up well. I never found myself bored, though I can't say I was thoroughly thrilled either. There were moments when it seemed like some of the conversations lacked significant impact on the narrative. The movie truly hits its stride in the final third, where the tension escalates significantly.

    The acting across the board was outstanding, especially from the lead cast. DiCaprio and De Niro, as always, delivered great performances, and I've become a fan of Lily Gladstone. The visual and set design were also top-notch.

    I believe it's an important story, and it's skillfully told. While I don't have a strong urge to watch it again, I'm glad I had the chance to see it.

    07/10.
    5reelreviewsandrecommendations

    Extremely Long & Incredibly Morose

    Some films warrant long runtimes. Epics like 'Lawrence of Arabia' or 'Das Boot' are both over three hours in length, and rocket along at a brisk pace, largely because of fastidious editing. The duration of both those pictures is necessary, one could argue, to tell their stories without sacrificing details, coherence or excitement. Then, there are films like 'Heaven's Gate,' which also has a runtime of over three hours, and is a bloated, self-indulgent and unaffecting watch thanks to director Michael Cimino's arrogant refusal to cut anything.

    Martin Scorsese's 'Killers of the Flower Moon' teeters somewhere between both camps. It has elements deserving of high praise, but is inarguably too long, with pacing, structural and narrative issues galore. Based on the non-fiction novel of the same name by David Grann, the film centers on Emmet Burkhart, a simple-minded World War I Veteran who returns to The Osage Nation, to the home of his uncle William King Hale. There, Emmet falls for an Osage named Mollie, who- his uncle tells him- is set to inherit much of her people's oil headrights. Meanwhile, someone is killing off the wealthy Osage in the area; and it looks like Mollie's family might be next.

    On paper, it sounds like a fascinating, exciting picture, with dashes of psychological intrigue. However, Scorsese's version of the tale is dour, swollen and predictable. Grann's riveting story is transformed into a formulaic meditation on moral corruption and greed, lacking any kind of suspense or momentum. Screenwriters Scorsese and Eric Roth cram too much into the narrative- namely too many characters and unnecessary scenes leading to redundant dialogue and vice versa. They have to scrabble to end proceedings neatly; which they don't do, preferring to hastily sum up events rather than let them play out.

    Had Scorsese and longtime collaborator Thelma Schoonmaker been more active in the editing booth, things could have been different. There are some brilliant sequences in the movie, in fact, the first third is engaging and intriguing. The mystery is successfully set up, the location established and the characters introduced, then things start going downhill. The pacing slows to a crawl for the remainder of the runtime; until the end, of course, when it rushes to its sloppy conclusion. Beyond pacing, there are some fundamental flaws editing-wise that are inexplicable, considering Scorsese and Schoonmaker's prestige.

    For example, seemingly important characters are introduced, then disappear for long stretches of time. Similarly, the fate of some characters is either driven home multiple times, or overlooked; leaving us in the dark. Furthermore, at times, cuts occur just as someone is opening their mouth to speak. All this- including the fact that the runtime could have easily been trimmed by forty minutes without negatively affecting the narrative- is amateur work; far below Scorsese and Schoonmaker's level.

    This is not to say, however, that 'Killers of the Flower Moon' is without redeeming elements. To make a film about cultural appropriation is always a just cause worthy of commendation, no matter its effectiveness. Scorsese should also be applauded for trying something new- although he fails to deliver a compelling or insightful story about the exploitation of the Osage people. The film doesn't explore the historical or cultural context of the Osage Nation, nor the psychological and emotional impact of the murders on the survivors.

    Scorsese and Roth's narrative also fails to challenge the stereotypes and prejudices that the white characters have towards the Osage, or the systemic injustice that they face. Their characterisation lacks depth or nuance, relying on familiar tropes and cliched attitudes. Had he focused on the perspective and agency of the Osage, rather than the corrupt, inept white characters; Scorsese could have had a masterpiece on his hands.

    Conversely, Rodrigo Prieto's cinematography is evocative and enchanting. It makes for a stunning watch, proving Scorsese's eye for visuals has not been blinded. Under Scorsese's direction, Prieto captures the beauty and brutality of the Oklahoma landscape astutely, while Jack Fisk's detailed production design lends proceedings authenticity and textural richness; which Adam Willis's set decoration and Jacqueline West's costume design only compounds.

    Moreover, the late, great Robbie Robertson's score is striking, bearing a resemblance to the work of Ry Cooder. Full of sleazy slide guitars and Indian chants, it complements the narrative perfectly. The inclusion of period-accurate songs also lends the movie a dose of realism, which- in the times of Baz Luhrmann, who insists on bizarrely using modern music in period pieces- is most welcome. The last project Robertson worked on before his death; his contribution to the picture acts as a powerful swansong.

    Leonardo DiCaprio stars as Emmet, alongside Lily Gladstone as Mollie and Robert DeNiro as King Hale. DiCaprio has the ability to turn in brilliant performances, but here takes a page out of the Daniel Day Lewis playbook: the most intense acting must surely be the best. DiCaprio spends the whole film frowning, scrunching his mouth up and completely overdoing his character's expressions and eccentricities. In the first third, he has a bit of range; though for the latter two thirds gives a tonally one note performance.

    As does Lily Gladstone. Initially, she creates in Mollie a nuanced and witty character, who can see through people. She doesn't suffer fools, and we find her both compelling and captivating. However, after the first third of the film, she becomes subservient, unquestioning and dull- and all this before there are medicinal reasons for her being, shall we say, slowed down. DeNiro, for his part, plays King Hale like an evil George Burns: manipulative, darkly funny and morally bereft. Anytime he's on screen, the film is a joy; he's the best thing about it.

    They are supported by a large cast of talented actors, some of whom do great work. Ty Mitchell is excellent as John, a poor man drawn into Emmet and King Hale's plans, who has more dignity then the both of them combined. Jesse Plemons does typically fine work as FBI man Tom White, while Louis Cancelmi is seedily slick as Kelsie Morrison, a stooge of King Hale's. On the other hand, the likes of Cara Jade Myers- as Mollie's alcoholic sister- and Brendan Fraser- in a thankfully small role as King Hale's lawyer- are both so miscast and over the top, they distract from everything going on around them.

    It's a sad indictment of a film when its central message was summed up more succinctly in a Dean Martin song (The Money Song) from 1948: "Them that have it, get more of it. The less they need it, the more they love it." Such is the thesis of the film: greed spreads like a plague, and the richer you are, the greedier you are. It's not original, nor is it profound: this very same tale was told much more impactfully back in 1959, in Mervyn LeRoy's 'The FBI Story.'

    At the end of the day, 'Killers of the Flower Moon' is a truncated adaptation of a great non-fiction book, overlong and devoid of any original or meaningful message. Despite its stellar cinematography, evocative score and a few powerful performances, Martin Scorsese's 'Killers of the Flower Moon' is an underwhelming disappointment.
    9deospam-04962

    Mr Scorsese, I wish you a very long life

    I never heard of Osage Nation before this. It was a 3 hour 26 minute education not just of the oil wealth and of American Indian culture but of sensitive filmmaking crafted so beautifully Michelangelo would have cried. Lily Gladstone has a classic, timeless, renaissance Madonna face and Robbie Robertson's tender score embellished her sensitive performance perfectly. True to Mr Scorsese's form, it ran so long and needed a deus ex machine ending that while innovative, brought (for me) the film to a premature end. Dessert was served too soon. Otherwise, I could not say a bad thing about this show. Mr Scorsese, I wish you a very long life so you can continue your master craft for mere mortals like me for a long time to come.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      The case in Osage County was the first investigation presented to the newly-formed Federal Bureau of Investigation (FBI). It was led by J. Edgar Hoover, whom Leonardo DiCaprio portrayed in J. Edgar (2011).
    • Blooper
      At the end of William Hale spanking Ernest Burkhart, Robert De Niro hits Leonardo DiCaprio so hard that the paddle breaks, with a splintered crack in the middle of the paddle. An indication that this was accidental comes with De Niro attempting to hide it behind his leg, while the next scene has an unbroken paddle placed on the floor against the podium.
    • Citazioni

      Ernest Burkhart: I don't know what you said, but it must've been Indian for "handsome devil".

    • Versioni alternative
      The Australian theatrical version was cut for an M rating, given on 9 Oct 2023. The uncut version was previously rated MA15+ on 5 Sep 2023. Based on the two classifications, 'strong injury detail' was removed or replaced to obtain the new, more accessible rating.
    • Connessioni
      Featured in Amanda the Jedi Show: Never Trust the Standing Ovations | CANNES 2023 Indiana Jones, Killers of the Flower Moon (2023)
    • Colonne sonore
      Bull Doze Blues
      Written by Henry Thomas

      Performed by Henry Thomas

      Courtesy of Document Records

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    Dettagli

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    • Data di uscita
      • 19 ottobre 2023 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Osage
      • Latino
      • Francese
    • Celebre anche come
      • Los asesinos de la luna
    • Luoghi delle riprese
      • Bartlesville, Oklahoma, Stati Uniti
    • Aziende produttrici
      • Apple Studios
      • Imperative Entertainment
      • Sikelia Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 200.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 68.035.488 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 23.253.655 USD
      • 22 ott 2023
    • Lordo in tutto il mondo
      • 158.772.599 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      3 ore 26 minuti
    • Colore
      • Color
      • Black and White
    • Mix di suoni
      • Dolby Atmos
      • Dolby Digital
      • IMAX 6-Track
    • Proporzioni
      • 2.39 : 1

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