Hostiles: Ostili

John Ford felt that when you do a Western "the scenery is always your co- star". The size of Masanobu Takayangi's vision really is the star of Hostiles. Such breath taking cinematography puts the butchery going on in proper perspective. You sit there asking yourself one question; "Isn't this country big enough for all those people murdering each other down below?". Hats off to Takayangi's vision...Oscar worthy!

"Sometimes I envy the finality of death. The certainty. And I have to drive those thoughts away when I wake." Rosalie Quaid (Rosamund Pike)

Although Quaid's words might well be the anthem of this brutal, quiet, moving 1892 western, they harbinger the death of the Wild West and the birth of justice and equality as whites and Native Americans abandon slowly the death that brought little peace to either side. Appropriately the tone in unremittingly grave, and rightly so, for the film illustrates the wages of racism as well as any contemporary screed could try to do.

Writer/director Scott Cooper, who knows a thing or two about the passing of time and custom with his poignant Crazy Heart, drives home the loss of the Indian's world, the cost to the US troops, and the bereft families on each side. Captain Joe Blocker (Christian Bale), a legendary anti-Native American fighter, is charged with escorting Cheyenne war chief Yellow Hawk (Wes Studi), also a killer, and his family from New Mexico to his home in Montana, where the government determined he should be allowed to die.

Cooper is at his best filming landscapes occasionally punctuated with John-Ford-like door framed shots and themes of abduction and reconciliation. The threats along the way are external and internal, often soldiers just as culpable as the "savages" they hunt. Joe is a man on a mission to bring justice against the Indians, but like the times he's in, it is time to change to benevolence as the end of the century approaches and a kinder world of connection and cooperation begins, slowly and surely, like the film. The appreciation for a person regardless of race, is Cooper's ultimate aim. In ways, this Western is reminiscent of the revisionist Dances with Wolves, both of whose slow pace, almost at time painful, is reflective change's pace.

Cooper's shots are generous to the beautiful faces, from Mrs. Quaid's lovely and the stoically-contemplative Joe's to the chief's landscaped leather. The ensemble is first rate, especially the feisty Ben Foster as Sgt. Charles Wills. The landscapes? well, look at Ford's and feel his tradition.

I'm disappointed at the low score and wannabe critics tearing this film apart politically, morally and historically.

This is not your typical Hollywood production, but instead, a very touching and beautiful film.

This is Scott Cooper's 4th film he both directed and wrote, and he nailed it. I hope to see much more from him in this caliber, and he is the one to watch as his resume grows.

This film was near perfect in every category. If the pace was a little faster and/or perhaps the 134 min length a little shorter, it would have been a perfect 10/10 from me.

It's been a while since I've seen a film so perfectly cast - all cast, ever single one of them, and they all performed just as great, especially Christian Bale and Rosamund Pike, who both were exceptional in their roles.

If you're expecting a wild west action Western, this isn't it. But if you want to see a near perfect film the way they used to be made, this is a gem. Ignore the negative reviews and just watch it. Would I see it again? Yes. Would I recommend it? Absolutely.

A well deserved 9/10 from me and mad props to Scott Cooper for this beautiful gem of a film.

Scott Cooper's 'Hostiles' is a poetic film, that explores life & death with gut-wrenching violence & a hard-hitting narrative. This isn't an easy watch & nor does it want to be. Its a film about hate, divide & circumstances, & Cooper along-with leading-man Christian Bale, deliver a deeply affecting & meditative experience.

'Hostiles' follows a U.S. Cavalry officer (Bale) who must escort a Cheyenne war chief (A Fantastic Wes Studi) and his family back to their home in Montana in 1892.

'Hostiles' is about people haunted by their past & their actions towards one-another. Every character here, be it the protagonist, or the characters around him, are unsettled & victims of hate & hatred. This is a story about people who want to question their hate for one-another, but are unable to, due to their given circumstances. This is a human story & the sheer brutality here depicts a side of humanity we all are aware off. Its told with honesty, albeit, with gut-wrenching aggression.

Scott Cooper is in top-form this time around. 'Hostiles' is a slow-moving, poetic piece, that sees the filmmaker in strong command. Cooper captures the bleakness & conflict, with remarkable understanding. Cooper's Vision is astonishingly captured by Cinematographer Masanobu Takayanagi, who paints 'Hostiles' into a visual marvel. Takayanagi's Camerawork is meditative & skillful to the point of perfection. Editing by Tom Cross adapts perfectly to the film's pace & offers sharpness overall. Art & Costume Design are pitch-perfect. Max Richter's Score is beautiful.

Performance-Wise: Christian Bale delivers a knockout performance. As the conflicted & haunted Cavalry officer, Bale portrays the part with rare conviction. Its no new fact that Bale is among our greats, but 'Hostiles' shows us a side of his that may have just put him up there, right next to the all-time screen giants. What a wonderfully nuanced performance by Bale. Of the rest of the cast, Wes Studi portrays his complex part fantastically. Rosamund Pike is restrained. She's controlled & believable all through. Jesse Plemons is solid, as always. Ben Foster plays a yet another unlikable character, with the perfect blend of menace & insanity. Rory Cochrane is first-rate. Timothée Chalamet makes a very brief appearance, yet he does his bit nicely. Stephen Lang, again in a cameo, is outstanding! Others lend good support.

On the whole, 'Hostiles' demands a viewing on the strength of its sheer merits. Don't Miss This One!

Hostiles is a quite interesting western that convinces with stunning landscapes, intriguing characters and strong acting performances. The movie has a quite slow pace, so don't expect a vivid American or Italian western from the fifties and sixties. This movie is a drama above all, situated in a historically intriguing period between the American Civil War and the emergency of the Industrial Revolution.

The story revolves around Captain Joseph Blocker, who has lost many friends and brothers in arms in battles against Apaches and who openly despises them. He tracks them down pitilessly and tells himself that he is doing his duty while people around him start becoming depressed and disillusioned. One day, a colonel gives him a final order before his retirement,direct from the President. Joseph Blocker must escort a dying Cheyenne Chief, his personal arch enemy, as well as his family back to their tribal lands as a sign of reconciliation with the First Nations. The captain, who has always obeyed orders, is about to refuse but is menaced and forced to cooperate. He gathers a few faithful brothers in arms and must also cooperate with some inexperienced rookies around him to go on this dangerous trip. On the way from New Mexico to Montana, the unusual group faces numerous challenges as they face difficult weather conditions, a hostile Comanche party and racist landowners among others. They are joined by numerous other intriguing characters such as a mentally unstable woman who has lost her entire family to the Apaches and a former brother in arms of the captain who is about to be hanged. However, their biggest challenge is to fight their inner demons and overcome their differences in order to survive in hostile territory.

The movie finds the right balance between violent sequences that focus on the witnesses' reactions rather than graphic elements and clever dialogues between the diversified cast of characters. The most fascinating character is Captain Joseph Blocker, who seems to be a pitiless racist at first sight but who turns out to be a man with a strong moral compass who goes through a coming-of-age on this fateful journey and ends up not only forgiving the Indians for killing his partners but even empathizing and sympathizing with them, ending up defending them beyond duty. His positive development exemplifies the difficult relationship between European settlers and America's First Nations and is ultimately a sign of forgiveness, hope and peace. This positive moral contrasts the quite sinsiter mood of the film with an elevated body count and sensitive topics such as depression, revenge and suicide as many characters shatter under the burden of the challenging order.

Hostiles is a film that needs some patience and time to unfold but ends up being particularly rewarding thanks to the strong moral behind the sinister mask. Christian Bale, one of the world's greatest actors, even delivers the best performance of his career as tough anti-hero with just as many flaws as strengths. Above all, Hostiles is a film that is profoundly human, in all its sickening darkness interrupted by some rays of light. The perfect ending exemplifies this mixture perfectly. Western and drama fans should experience this film at the cinema and fans of Christian Bale just can't get around this movie either. Hollywood should produce more westerns and less superhero movies.