VALUTAZIONE IMDb
5,5/10
1725
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn unknown actress falls in love with a famous actor. After getting married, she realizes she has fell in love with a character her future husband plays and not with the real person.An unknown actress falls in love with a famous actor. After getting married, she realizes she has fell in love with a character her future husband plays and not with the real person.An unknown actress falls in love with a famous actor. After getting married, she realizes she has fell in love with a character her future husband plays and not with the real person.
- Regia
- Sceneggiatura
- Star
Emilia Ladogana
- Celina
- (as María Emilia Ladogana)
Ángel De Brito
- Movilero 1
- (as Angel De Brito)
Recensioni in evidenza
In Argentina "boludo" or "pelotudo" mean literally "having big balls" but in everyday conversation the words actually mean idiot, moron or sometimes just clumsy or maladroit.
This movie pairs Adrian Suar and Valeria Bertuccelli, is directed by Juan Taratuto and scripted by Pablo Solarz, the four together for the second time; the first was A Boyfriend for my Wife (2008). Compared with A Boyfriend this film is based on a more credible premise, and has some clever observations on playacting in real life and a few good jokes like Suar's screen name or a love scene with "Hitchcock music." However it does not wholly succeed; the script requires lengthy explanations from character to character that slow down the pace.
Suar and Bertuccelli play well together, and the rest of the actors do a very good job. You will enjoy the dialog better if you are familiar with Buenos Aires slang, otherwise much is lost in translation.
This film was one of the greatest commercial successes in the history of Argentine cinema. It was equally popular in Uruguay, on the other shore of the River Plate.
Director Taratuto has made a name for himself in the light comedy genre, but has also tackled successfully more ambitious material as in The Reconstruction (2013).
This movie pairs Adrian Suar and Valeria Bertuccelli, is directed by Juan Taratuto and scripted by Pablo Solarz, the four together for the second time; the first was A Boyfriend for my Wife (2008). Compared with A Boyfriend this film is based on a more credible premise, and has some clever observations on playacting in real life and a few good jokes like Suar's screen name or a love scene with "Hitchcock music." However it does not wholly succeed; the script requires lengthy explanations from character to character that slow down the pace.
Suar and Bertuccelli play well together, and the rest of the actors do a very good job. You will enjoy the dialog better if you are familiar with Buenos Aires slang, otherwise much is lost in translation.
This film was one of the greatest commercial successes in the history of Argentine cinema. It was equally popular in Uruguay, on the other shore of the River Plate.
Director Taratuto has made a name for himself in the light comedy genre, but has also tackled successfully more ambitious material as in The Reconstruction (2013).
Well, this was a really smart and kind of intelectual rom com, until they had to wrap up the story and they kind of failed miserably.
A movie that touches the themes about what is love, if there is a limit in the extension of the honesty required for a couple to actually work in real life and not only theorically. There is a question of whatever "acting" has any part in loving another person or not.
All this, of course, in the middle of a fairly humorous movie, which fails to end it in a satisfaying way.
The third act gets a bit melodramatic and over the top, kind of escaping of giving any kind of answer or resolution to all the questions I THINK it raised (maybe it wasn't the intention). It chooses instead for a more literal interpretation of the problem of the couple (they are famous, and the press is not helping their relationship), instead of the more nuanced and psychological aspects.
But, it is a good movie. It just avoids aiming for more.
A movie that touches the themes about what is love, if there is a limit in the extension of the honesty required for a couple to actually work in real life and not only theorically. There is a question of whatever "acting" has any part in loving another person or not.
All this, of course, in the middle of a fairly humorous movie, which fails to end it in a satisfaying way.
The third act gets a bit melodramatic and over the top, kind of escaping of giving any kind of answer or resolution to all the questions I THINK it raised (maybe it wasn't the intention). It chooses instead for a more literal interpretation of the problem of the couple (they are famous, and the press is not helping their relationship), instead of the more nuanced and psychological aspects.
But, it is a good movie. It just avoids aiming for more.
Lo sapevi?
- QuizSecond collaboration between Adrián Suar, Valeria Bertuccelli and director Juan Taratuto after the success of Un novio para mi mujer (2008)
- ConnessioniReferences La Mary (1974)
- Colonne sonoreVivir Así es Morir de Amor
(as "Vivir Así Es Morir De Amor" (Versión Escena Karaoke))
Written and performed by Camilo Sesto
Courtesy of Sony Music
Edited by Universal Music Publishing
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- I Married a Dumbass
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 9.958.164 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
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By what name was Me casé con un boludo (2016) officially released in Canada in English?
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