The Moorside

The standout performance here is Gemma Whelan's -- very real, memorably so, and, if you'll forgive the cliché, brave. (Reminded me of Lorraine Stanley, similarly brilliant in "London to Brighton.") I'm always impressed when an actress who, on the evidence of photos, normally looks clever and pretty can play a character as fat, dumb, weak, and unattractive as Shannon Matthews (and can make her genuinely interesting).

Among the remarkably unappealing folk of Moorside (coarse, creepy, loutish-looking men, pulpy obese women, all speaking in almost unintelligible Yorkshire accents), the neighbor played by Siân Brooke, relatively slim, soft-spoken, and beautiful, stuck out like another species. I admit to finding her the most sympathetic character in the drama.

However, the story's heroine is clearly supposed to be Julie Bushby, the self-appointed community leader, played by Sheridan Smith. She struck me as somewhat obnoxious and self-important in the first episode, and I was pleased to see her taken down a peg, if only briefly, in the second.

The way she rallied the neighborhood on behalf of the missing girl seemed useless and rather ridiculous -- parades, candlelight vigils, singalongs, etc. -- but maybe the Moorsiders actually went in for such virtue-signaling stunts. At one point episode 2 actually has them singing Kumbaya.

This drama was marred, for me, by a few scenes of horribly contrived preachiness and exposition, especially one in which Brooke and Smith discuss pedophilia. The dialogue seemed totally fake. (It was also marred, in places, by sloppy editing, such as a scene between four women in a car that focuses so disproportionately on three of them that you wonder if the fourth, played by the ubiquitous Siobhan Finneran, is even in the car with them.)

The biggest surprise, for me, was how pleasant, or at least not shabby and ugly, the Moorside council estate is. While the individual houses are crowded together, as in any development, they look, at least on the outside, fairly attractive -- quite a contrast to the multilevel council flats one sees in many movies.

The true story behind this two-part drama is not really known in the U.S. so the reviews from the U.K. with spoilers or references to the real story won't mean much to those of us from elsewhere. I found it a very interesting story about rough living and choices for those in difficult situations with seeminly limited options. The directing, editing, and score bring to life a neighborhood and neighbors in the best and worst of circumstances, and the acting by all the female leads is absolutely tremendous.

Found this disappointing. It told the story from mostly From Karen Matthews friend, Julie's viewpoint. It didn't tell us anything new from what was reported at the time. It didn't show much of the police investigation. The ending felt like an afterthought. Trying to make excuses for what she did and suggesting it was everyone else fault than her own.

I did agree that in all honesty she wasn't evil just misguided and was overwhelmed by what happened. While she wanted and enjoyed the attention, once the estate was involved it was hard to find a way out.

However it did not ever really show her in a bad light or confirm she was involved. It also didn't show how the estate felt about being lied too when they were so passionate about finding the girl.

It was acted well but it didn't tell us anything you can't read about on the internet. It also seemed to be saying that if you are poor then you can't be held responsible for your actions. The estate was also shown as all wonderful people. I have worked for Kirklees Council in Dewsbury on a number of occasions. While there are some lovely people there, some people are really awful. A shame this was so much of a lecture and waste of a decent cast.

A wonderful program and Sheridan Smith shines in this (she does in everything she is in). These are the kind of programs I love and the UK is easily the best at making them. I didn't know too many of the details before watching but looking back on old news stories refreshed my memory. If you like gritty UK dramas, you'll love this.

The Moorside tells the story of the staged abduction of Shannon Matthews from the viewpoint of Julie Bushby, the person who led the community effort to find the 9 year old Dewsbury schoolgirl. As she tells the press: 'When chips are down and one of us has a problem, we are all there to help, we stand shoulder to shoulder with one another, we will never give up hope'

The rallying cry felt hollow in this docudrama as we knew Shannon's mother was involved in this bizarre abduction. Even when Shannon went missing, there was an outcry that people living in council estates did not merit the sensitive media attention that the parents of Madeline McCann had got a year earlier.

The first episode focuses on Karen Matthews and her dysfunctional family. She had children from several men, her present partner seems to be more interested in surfing the internet. Some of the other relatives crave the media attention. Karen herself comes across as dimwitted and maybe even manipulative as well. Suspicions are aroused early when she starts dancing to a ringtone of a mobile phone.

By the end of the first episode, Shannon is found under the bed of Karen's boyfriend's uncle. A cack-handed stunt to get money from the media it seems.

In the second episode the police now turn their attention towards Karen. Her friends and neighbours who rallied for her now have doubts about her story. The community now vilify Karen Matthews but Julie Bushby saw her as weak, a symptom of a broken Britain where too many women from an early age were let down by men. In the drama Julie and one of Karen's neighbour talk about how both were sexually abused as youngsters.

The drama was strongly acted by the leads, Gemma Whelan, Sian Brooke and Sheridan Smith but I felt it still lacked freshness, too much about it that delved on 'council house scum.' I can imagine that wounds are still raw in parts of Dewsbury and although we do not see the character of Shannon, I could not help thinking that this drama did not do her much good given she is now 18 years old.