Sono dappertutto

Ils Sont Partout is quite an entertaining movie. I don't watch a lot of French cinema but I watch it enough to recognize some of the actress/actors in this film.

I would understand, this film might be more interesting (and funnier) if you're Jewish. As a Muslim, living in the anti-Jewish Muslim world, this film explains to me the culture, the tradition and the struggle of the Jewish community faced, and it been laid out brilliantly.

I could not finish it at one shot watching it. I have to continue the next day because it is quite long, but this film is brilliant if you are into short film or if you want to learn other culture.

Overall I was bored while watching this movie. Several short stories make up the film and a couple of them were humorous. Most of them were heavy and somewhat dark. Dany Boon was terrific as always and Charlotte Gainsbourg was magnetic. I didn't really enjoy this movie but I was curious enough about what would happen that I watched through to the end.

This film is a must watch if you're Jewish and growing increasingly fed up with the growing levels of antisemitism across the west. I can only imagine its relatively poor score on this site is down to the fact that most reviewers don't fall into that category.

Because this film is funny - hilarious in fact. I was crying with laughter in places. But it may only be funny if you're Jewish and recognise the stereotypes, both in the sketches and in the main character, a Jewish man seeking therapy for being obsessed with the Jews and anti-semitism.

Excerpts from his therapy sessions are interspersed with what are essentially short stories, each one revolving around a Jewish stereotype and featuring a cast of characters who don't reappear. There's the Jew who wonders why he isn't rich when all the others are; the Nazi who belatedly discovers that he is a Jew; two Jews arguing over increasingly outlandish hypotheticals relating to chimney sweeps. The oddest short story involves a Mossad agent who travels back in time to kill Jesus, proving once again that in French cinema, literally anything can happen.

At times it's quite poignant and thought provoking, the director has been clever enough not to go just for laughs all the time, the result being that when they do come, they act as much as comic relief as mere entertainment. Which is precisely what we Jews need in this day and age, isn't it? A bit of comic relief.

Although it's about Jews, the satirical presentation makes any maligned group ask themselves the same question. Why do they hate us? Whether it's a redhead, a tribe, a race, you name it. If you begin to dwell on the prejudice and suffering, you will always see the 'enemy' of your group wherever you go. They are everywhere. I see some negative reviews and wonder why. I found this movie quite deep. Maybe I am shallow.

I thought this was intelligently made for a comedy, most of them today being full of many cliches and over acting for easy laughs.

I don't see many French/Euro comedies but for comparison I liked this more than Look Who's Back, the German film about Hitler. The acting and directing are not as obvious as that film.

Most of the cast, between 7-10 of them, put on a good performance. They also manage to avoid the Annoyance Factor with movies about 'us minorities' and how everyone misjudges us. This is clever in that regard because most film makers do that terribly and attract the ire of a mainly right wing crowd who wince at the political correctness.

Yvan Attal must be commended because this isn't PC; it goes into the depths of irrational thinking about 'background' without hitting people over the head with the anti-semetism diatribe. But it is primarily quite a hilarious movie.