VALUTAZIONE IMDb
7,7/10
27.326
LA TUA VALUTAZIONE
L'artista tedesco Kurt Barnert è fuggito dalla Germania orientale e ora vive nella Germania occidentale, ma è tormentato dalla sua infanzia sotto i nazisti e il regime della DDR.L'artista tedesco Kurt Barnert è fuggito dalla Germania orientale e ora vive nella Germania occidentale, ma è tormentato dalla sua infanzia sotto i nazisti e il regime della DDR.L'artista tedesco Kurt Barnert è fuggito dalla Germania orientale e ora vive nella Germania occidentale, ma è tormentato dalla sua infanzia sotto i nazisti e il regime della DDR.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 5 vittorie e 18 candidature totali
Evgeniy Sidikhin
- NKWD Major Murawjow
- (as Evgeny Sidikhin)
Recensioni in evidenza
I watched this at home on BluRay from my public library. My wife skipped, she doesn't like to see movies with subtitles.
I studied German for two years in college, while I can't converse in it anymore I was able to fit the German dialog with the English subtitles.
While there are several intersecting stories the main thread is Kurt, a boy of 8 in 1937 Nazi Germany, being exposed to various forms of art by his 20-something aunt. As he grows, and WW2 comes and goes, he develops into a quite good painter. He eventually has to escape to West Berlin to be free to develop his talents. The story extends through the 1960s.
Part of the overlapping story is of the Nazi programs to purify their race, to see to it that even Germans who had some sort of affliction were terminated, and this was the fate of his aunt who had the occasional emotional malfunction. As it turns out Kurt unwittingly marries the daughter of one of the evil doctors who it seems had named his daughter Elizabeth, the same as Kurt's aunt.
This is a really good movie and at just over 3 hours didn't seem overly long, I can't think of any scene that I would cut. However I watched it over three different sessions with some overlap each time. In the extra on the disc the writer/director explains, in English, how he modeled his story off a real German artist who developed through this same period.
I studied German for two years in college, while I can't converse in it anymore I was able to fit the German dialog with the English subtitles.
While there are several intersecting stories the main thread is Kurt, a boy of 8 in 1937 Nazi Germany, being exposed to various forms of art by his 20-something aunt. As he grows, and WW2 comes and goes, he develops into a quite good painter. He eventually has to escape to West Berlin to be free to develop his talents. The story extends through the 1960s.
Part of the overlapping story is of the Nazi programs to purify their race, to see to it that even Germans who had some sort of affliction were terminated, and this was the fate of his aunt who had the occasional emotional malfunction. As it turns out Kurt unwittingly marries the daughter of one of the evil doctors who it seems had named his daughter Elizabeth, the same as Kurt's aunt.
This is a really good movie and at just over 3 hours didn't seem overly long, I can't think of any scene that I would cut. However I watched it over three different sessions with some overlap each time. In the extra on the disc the writer/director explains, in English, how he modeled his story off a real German artist who developed through this same period.
10jrwygant
"Never Look Away" is essentially a film about three characters: a young artist, based on the life of Gerhard Richter, his wife, and his wife's father, a former Nazi who worked as a doctor committed to "purifying" the German race. So with the focus held so tightly on just three characters, it may seem surprising that it takes three hours to tell the story. But this film never left the feeling that too much was being told. It is a masterpiece of ideal personal relationships set against a background of truly evil and destructive behavior.
The story begins with the artist as a young boy in the care of his devoted but slightly strange aunt. We follow the artist into young adulthood and into a marriage that faces unique challenges. He carries with him his aunt's plea to "never look away."
While this tale begins at the onset of the Nazi era, much of what is presented is relevant to our contemporary world, though those political parallels are not drawn explicitly in the film.
Released in 2018, this film was honored with many award nominations and a few wins. Because of subtitles and a length of three hours, "Never Look Away" did not lend itself well to American tastes or to wide theatrical distribution. It is available on DVD or streaming and should not be missed.
The story begins with the artist as a young boy in the care of his devoted but slightly strange aunt. We follow the artist into young adulthood and into a marriage that faces unique challenges. He carries with him his aunt's plea to "never look away."
While this tale begins at the onset of the Nazi era, much of what is presented is relevant to our contemporary world, though those political parallels are not drawn explicitly in the film.
Released in 2018, this film was honored with many award nominations and a few wins. Because of subtitles and a length of three hours, "Never Look Away" did not lend itself well to American tastes or to wide theatrical distribution. It is available on DVD or streaming and should not be missed.
Ich spreche Deutsch ziemlich gut um zu kommunizieren aber nicht genug um die ganze Kritik auf Deutsch zu schreiben darum I'll write it in English. The new movie by Florian von Donnersmarck mesmerized me from the very beginning - the way he can capture the atmosphere, the way he portrays a main hero and even every little character is outstanding and you can literally never look away while watching this modern masterpiece. I actually don't understand why some movie titles are translated into other languages with their own meanings because "Never look away" does not fully capture the true meaning of it while "Work without author" does that almost perfectly. The author of another great one ("The lives of others", 2006) has not outdone himself but came pretty close to doing so: a movie that's so versatile, so multidimensional that you just can't fully figure it out on watch one - it needs to be watched many times. A story of a young boy growing up, facing difficulties, experiencing life changing moments, disappointments, reevaluations in search of an answer to the eternal question: who am I in this fast-changing world? - does it ever get old? I don't think so.
I am reluctant to write my review of this film, only because I fear I won't do it justice. This film is a masterpiece of the first order. According to Wikipedia, it received a 14-minute standing ovation when it was first shown at a European film festive. I can testify that it received a 14-minute standing ovation in my living room.
We follow a small circle of characters through approximately 30 years of tumultuous history. We are intensely interested in the fate of each of them. There is humor, pathos, agony, exhilaration, discovery, closure, wonder, and astonishment in every scene. The acting is astounding, as is every other aspect of movie making. Bach's beautiful "Sheep May Safely Graze" is used throughout the movie; ironically, of course, because in Hitler's Germany, the sheep were not safe.
My life has rarely been changed, set on a new path, by a film, but I can say this one has done it. I wish the same for you. Watch it over a period of two days, because you probably won't be able to take it all in in only one.
We follow a small circle of characters through approximately 30 years of tumultuous history. We are intensely interested in the fate of each of them. There is humor, pathos, agony, exhilaration, discovery, closure, wonder, and astonishment in every scene. The acting is astounding, as is every other aspect of movie making. Bach's beautiful "Sheep May Safely Graze" is used throughout the movie; ironically, of course, because in Hitler's Germany, the sheep were not safe.
My life has rarely been changed, set on a new path, by a film, but I can say this one has done it. I wish the same for you. Watch it over a period of two days, because you probably won't be able to take it all in in only one.
"Never Look Away" is a seriously good movie. It tells the life of Kurt, a German artist born just before the Nazis took power, who survives the war and studies in East Germany under the Communists, eventually ending up in West Germany and trying to find his own style.
The story is engrossing, the acting is good, there are some beautiful nude scenes, excellent camera work, interesting characters, and the insight that all totalitarian societies treat their artists as means to an end. What stops it getting a rating of 10/10 is that everything is just a bit too much.
Kurt's beloved aunt Elizabeth, an early victim of the Nazis, is heartbreakingly, almost inhumanly, beautiful. Perhaps she is seen that way by her 8-year-old nephew; but he already shows the precocious artistic talent to see things as they really are.
There is a Bad Guy in the film, and he is unremittingly, almost inhumanly, bad. This is not just an artistic failing. By having the Bad Guy so evil, it tends to distract the viewer from the fact that the Holocaust was conducted by ordinary people, not super-villains.
The film is long, at 3 hours and 8 minutes. It doesn't feel like that, and I didn't find myself looking at my watch. But it could have lost, say, half an hour, and would have been better for it.
And the music is a bit overdone, a bit too emphatic.
"Never Look Away" is a very good film that could have been better.
Lo sapevi?
- QuizKurt's art teacher, played by Oliver Masucci, is modeled on artist Joseph Beuys, the head of sculpture at the Kunstakadamie in Dusseldorf during the early '60s, at the time Gerhard Richter first enrolled.
- BlooperAt one point Carl Seeband mentions that Mozart was dead by the time he was 30. This is incorrect; Mozart was 35 when he died. (He could have been lying to try to convince Kurt to give up Art).
- Citazioni
Elisabeth May: Don't look away. Never look away, Kurt. All that is true is beautiful.
- ConnessioniFeatured in 2019 Golden Globe Awards (2019)
- Colonne sonoreDe torrente in via bibet [Dixit Dominus, HWV 232]
Composed by George Frideric Handel (as Händel)
Performed by Angela Kazimierczuk, Katherine Fuge, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
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- Celebre anche come
- Never Look Away
- Luoghi delle riprese
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Botteghino
- Budget
- 18.000.000 € (previsto)
- Lordo Stati Uniti e Canada
- 1.304.042 USD
- Lordo in tutto il mondo
- 6.193.234 USD
- Tempo di esecuzione
- 3h 9min(189 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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