L'amore tra un giovane e povero studente pianista e la sua insegnante di pianoforte più anziana e sposata.L'amore tra un giovane e povero studente pianista e la sua insegnante di pianoforte più anziana e sposata.L'amore tra un giovane e povero studente pianista e la sua insegnante di pianoforte più anziana e sposata.
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I loved this series on Netflix. The tension caused by the two leading actors is fantastic. The clothing worn by Hui-Ae Kim and the luxurious surroundings are a sight to behold. it was lovely to see the politeness of Koreans which is similar to the Japanese in fashion. If you like classical music you should love this series as there is a good deal of it. I found Hui-Ae Kim very exotic and sensual as she learns to deal with her feelings. Ah-in Yoo is very good as the object of her fascination.
This is a high romantic drama beautifully realised. Whilst it is Korean it has the feel of a sophisticated European film.
Wonderful performances from the two leads and indeed the whole cast , gorgeous music, elegant backgrounds and with an innate grace this is a series to be savoured.
Recommended highly to romantics everywhere
Wonderful performances from the two leads and indeed the whole cast , gorgeous music, elegant backgrounds and with an innate grace this is a series to be savoured.
Recommended highly to romantics everywhere
This is such a great drama. It's about a forbidden love - a young man falls in love with his married piano teacher, who's twenty years older than him - but it never feels like they're engaged in a tawdry affair. It's clear, right from the beginning, that this is love and it's pretty epic. The two leads are fantastic. Yoo Ah-In is mesmerising. He infuses his role with exactly the right amount of awkwardness, sincerity, intensity and passion. Kim Hee-ae is equally impressive, though her portrayal starts out more restrained. The two shine when they're together. Whatever their characters are experiencing - happiness, despair, intimacy etc. - they hit the perfect note every single time.
The music is gorgeous in and of itself, but how it manages to convey their moods and their growing connection is absolutely marvelous. I especially like how joyful it feels when the two leads play piano together. The plot could've been fairly standard but the acting, writing and directing has elevated it to excellence. It all feels so effortlessly natural and real.
Seriously, watch this. It's fantastic.
The music is gorgeous in and of itself, but how it manages to convey their moods and their growing connection is absolutely marvelous. I especially like how joyful it feels when the two leads play piano together. The plot could've been fairly standard but the acting, writing and directing has elevated it to excellence. It all feels so effortlessly natural and real.
Seriously, watch this. It's fantastic.
10spasek
Anyone who watches this series, hoping for a depiction of a torrid, passionate love affair will be disappointed.
This series is handled with a certain delicacy; a restraint that doesn't prevent or hold back, but depicts the tender beauty of two people in love. I submit that a viewer may find it very difficult to pass judgment, for how does one justify judging love? Can love be judged?
To the naive viewer, Sunjae Lee is a young man, barely 20, who thinks and feels with his hormones. This is a gross misinterpretation and understanding of who he is. Sunjae Lee is a simple young man who knows how to do things in only one way: with love and passion. A gifted pianist, Sunjae is able to captivate his audiences, whether they be a concert hall or a few listeners, not with just the beauty of his play, but with the heart and passion he puts into it. Several viewers are so captivated by his play, that he moves them to tears. It is a bit ironic that a young man of 20 already knows the secret to love and living simply.
Oh Hyewon is a middle-aged woman, approximately twenty years older than Sunjae. A renowned pianist when she was Sunjae's age, she has now found herself pulled into the world of wealth and power. She works for a Seohan Art Institute as an executive/accountant. She loves the life that her money buys for her, and she has long forgotten the passion and her own love for music. She is married to a university professor, who also works for the institute. They share a house and a life that is more like those of roommates than of spouses. There is little tenderness or warmth in their relationship or in their house, which looks like a cold bastille atop the street. It is somewhat ironic that the only room in the house that has any warmth at all, is the music room.
Sunjae's talent is soon discovered, and he's asked to come over to the professor's house to play. Hyewon is asked to listen, given her musical background. Immediately, she is taken back to a time when she used to share the same love and passion for music that Sunjae has. Hyewon can't help but be enamored by the young man, unable to realize that she has already captivated him.
There is a certain degree of irony in their relationship, in which Hyewon attempts to teach Sunjae about her world; the world of power and treachery. It is a world that is completely foreign to Sunjae, and he already realizes that he wants no part of it. He is not interested in money or acquiring things. And yet, it is his simple and complete way of loving, that makes him Hyewon's teacher in that regard.
The acting performances are all first-rate, especially those of Ah-in Yoo (Sunjae) and Hui-ai Kim (Hyewon). The relationship between these two characters is handled deftly, like a piano piece...full of love, beauty, and grace. Viewers may find themselves longing for their own "Sunjae"...someone who can love so unequivocally and unconditionally as Sunjae can. His love is all the more profound in the little things that he does to ensure her comfort.
One cannot mention this series without the incredible musical performances. Nearly every episode has a piano piece that seems to perfectly coincide with the feelings of Sunjae and Hyewon. Watching this series is like listening to a long concert, and by the end, you feel all the better for it!
This series is handled with a certain delicacy; a restraint that doesn't prevent or hold back, but depicts the tender beauty of two people in love. I submit that a viewer may find it very difficult to pass judgment, for how does one justify judging love? Can love be judged?
To the naive viewer, Sunjae Lee is a young man, barely 20, who thinks and feels with his hormones. This is a gross misinterpretation and understanding of who he is. Sunjae Lee is a simple young man who knows how to do things in only one way: with love and passion. A gifted pianist, Sunjae is able to captivate his audiences, whether they be a concert hall or a few listeners, not with just the beauty of his play, but with the heart and passion he puts into it. Several viewers are so captivated by his play, that he moves them to tears. It is a bit ironic that a young man of 20 already knows the secret to love and living simply.
Oh Hyewon is a middle-aged woman, approximately twenty years older than Sunjae. A renowned pianist when she was Sunjae's age, she has now found herself pulled into the world of wealth and power. She works for a Seohan Art Institute as an executive/accountant. She loves the life that her money buys for her, and she has long forgotten the passion and her own love for music. She is married to a university professor, who also works for the institute. They share a house and a life that is more like those of roommates than of spouses. There is little tenderness or warmth in their relationship or in their house, which looks like a cold bastille atop the street. It is somewhat ironic that the only room in the house that has any warmth at all, is the music room.
Sunjae's talent is soon discovered, and he's asked to come over to the professor's house to play. Hyewon is asked to listen, given her musical background. Immediately, she is taken back to a time when she used to share the same love and passion for music that Sunjae has. Hyewon can't help but be enamored by the young man, unable to realize that she has already captivated him.
There is a certain degree of irony in their relationship, in which Hyewon attempts to teach Sunjae about her world; the world of power and treachery. It is a world that is completely foreign to Sunjae, and he already realizes that he wants no part of it. He is not interested in money or acquiring things. And yet, it is his simple and complete way of loving, that makes him Hyewon's teacher in that regard.
The acting performances are all first-rate, especially those of Ah-in Yoo (Sunjae) and Hui-ai Kim (Hyewon). The relationship between these two characters is handled deftly, like a piano piece...full of love, beauty, and grace. Viewers may find themselves longing for their own "Sunjae"...someone who can love so unequivocally and unconditionally as Sunjae can. His love is all the more profound in the little things that he does to ensure her comfort.
One cannot mention this series without the incredible musical performances. Nearly every episode has a piano piece that seems to perfectly coincide with the feelings of Sunjae and Hyewon. Watching this series is like listening to a long concert, and by the end, you feel all the better for it!
This drama has so many slow scenes, but there's something magical about them, there's always something important expressed through everything song played and wordless conversations.
Brilliant acting from the male lead, Yoo Ah In, his emotions manage to get you through the screen, you can feel him hesitating, suffering, craving and bursting with passion and desire, even when he plays the piano, you understand everything he is feeling just by looking at his gestures and facial expressions.
I enjoyed watching this.
Brilliant acting from the male lead, Yoo Ah In, his emotions manage to get you through the screen, you can feel him hesitating, suffering, craving and bursting with passion and desire, even when he plays the piano, you understand everything he is feeling just by looking at his gestures and facial expressions.
I enjoyed watching this.
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