VALUTAZIONE IMDb
5,5/10
2131
LA TUA VALUTAZIONE
Quando a una detenuta viene concesso un fine settimana fuori di prigione per vedere la madre morente, un agente penitenziario alle prime armi fatica a tenerla sotto controllo.Quando a una detenuta viene concesso un fine settimana fuori di prigione per vedere la madre morente, un agente penitenziario alle prime armi fatica a tenerla sotto controllo.Quando a una detenuta viene concesso un fine settimana fuori di prigione per vedere la madre morente, un agente penitenziario alle prime armi fatica a tenerla sotto controllo.
- Regia
- Sceneggiatura
- Star
Edward Murphy Kelahan
- Ron The Delivery Driver
- (as Edward M. Kelahan)
Recensioni in evidenza
5apjc
It's watchable and enjoyable enough if there's nothing on TV and you've trawled through all films to this. I think it could have been very good with roles reversed, and more antagonism by leading players at the start. It would work better with a hard as nails older southern white taking the pretty young black girl to her mother and old surroundings. Wouldn't be political, I hope, but far more interesting.
A young, struggling part-time correctional officer gets the chance to become full-time by escorting a prisoner to her mother's deathbed. She is obviously supposed to learn something from the experience of trying to chaperone an unruly but older prisoner. Instead of a script that might let them learn or bond, instead it's a series of scenes with them simply sitting together as they travel.
Unfortunately, it feels as if the plot gets elements added to it to make it difficult. Most of what occurs in the trip seems to happen for no good reason, except to create situations where the inmate can escape, at least temporarily? Why, for example, would they be forced to take a bus and then a train to the mother (but then quickly return via rental car)? Why does the phone of the officer constantly ring or receive texts? Why do romantic interests appear and disappear as if put on the screen like chess pieces?
In short, I wanted to like this movie but it seems a mess, and I kept wondering how much Whoopie Goldberg and Anna Paquin were paid for what must have been 2 days of shooting each (if that). The humour really doesn't work - painfully so. The script is dull at best, and the tone is sometimes too mournful for it's own good. If you are a fan of Orange is the New Black, any episode you've seen is better than this.
Unfortunately, it feels as if the plot gets elements added to it to make it difficult. Most of what occurs in the trip seems to happen for no good reason, except to create situations where the inmate can escape, at least temporarily? Why, for example, would they be forced to take a bus and then a train to the mother (but then quickly return via rental car)? Why does the phone of the officer constantly ring or receive texts? Why do romantic interests appear and disappear as if put on the screen like chess pieces?
In short, I wanted to like this movie but it seems a mess, and I kept wondering how much Whoopie Goldberg and Anna Paquin were paid for what must have been 2 days of shooting each (if that). The humour really doesn't work - painfully so. The script is dull at best, and the tone is sometimes too mournful for it's own good. If you are a fan of Orange is the New Black, any episode you've seen is better than this.
The movie is enjoyable to a certain level ,, but i kinda expected a comedy movie to be actually funny ,, i mean it was okay ,, heartwarming for some scenes but not funny ,,, i don't know ,, i think there was that one scene with the taser and that was it .
The idea and the plot are original and had some potentials but the screenplay was so dull and not interactive.. I liked that intense Tessa Thompson character but still didn't rise to the occasion, same goes for Melissa Leo.
I think i'm being a bit generous giving the movie a 4 stars review ,, just for the idea itself.
The idea and the plot are original and had some potentials but the screenplay was so dull and not interactive.. I liked that intense Tessa Thompson character but still didn't rise to the occasion, same goes for Melissa Leo.
I think i'm being a bit generous giving the movie a 4 stars review ,, just for the idea itself.
Generally an endearing picture about love between mothers and their daughters, set in a quirky, warmhearted story. Good acting performances. Not a terrific movie, but quite nice.
A funny female "buddy" movie about a female cop who has to escort a female convict to her dying mother. Things tend to go get out of control a bit along the way, resulting in some funny and some less funny situations.
Small (10 minutes) , yet funny supporting role by Whoopi Goldberg, who is playing the mom of the police officer. Whoopi keeps calling her daughter while she has to escort the convict, resulting in lots of funny mother-daughter dialogues. Good fun.
A funny female "buddy" movie about a female cop who has to escort a female convict to her dying mother. Things tend to go get out of control a bit along the way, resulting in some funny and some less funny situations.
Small (10 minutes) , yet funny supporting role by Whoopi Goldberg, who is playing the mom of the police officer. Whoopi keeps calling her daughter while she has to escort the convict, resulting in lots of funny mother-daughter dialogues. Good fun.
Tessa Thompson and Melissa Leo are great but this film is not. Trying to be a female Midnight Run for these times but pretty much nothing working except the performances of the lead actresses. The script is bland and a lot annoying at places and the comedy that is supposed to be working is outdated and boring. Then there is the ending where suddenly Thompson's character change a lot in her life without having any big realizations in the journey or consequences of applying it which is simply baffling that this could have been part of a student script that never got made because it shouldn't be.
Lo sapevi?
- QuizThis marks the second time that Whoopi Goldberg and Tessa Thompson played mother and daughter on screen. They also played mother and daughter in Tyler Perry's For Colored Girls
- Colonne sonoreI Want Love and Affection (Not the House of Correction)
Performed by Nathaniel Mayer
Written by Nathaniel Mayer
Published by Trianon Publications (BMI)
Courtesy of Fortune Records
By Arrangement with Westwood Music Group
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Dettagli
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 8472 USD
- Lordo in tutto il mondo
- 8472 USD
- Tempo di esecuzione
- 1h 23min(83 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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