Duelyant

I've seen so much shitty movies with good ratings lately that this one lifted my spirits.

This film is very entertaining.

There was a time when honour and real men existed, what a mediocre epoch we are living today with our despising values and degenerated society.

Good acting and nice setting.

Set in 19th century Imperial Russia, this quite violent Russian film stars Pyotr Fyodorov, who gives a powerful performance as the mysterious Yakovlev. He's only been in the city of St. Petersburg for several months but has already killed 5 men as a duelist (comparable in a way to a Wild West gunslinger). Only slowly do we learn of his motivations, and it's only towards the very end of the movie that all is revealed.

To note, I thought some of the plot elements could be rather obtuse and difficult to follow at times. The settings and cinematography are exquisite and I really got the sense that I was right there in 19th century Russia.

All in all, if you don't mind the violence or some of the cloudy plot elements, this movie can be a reasonably decent watch, especially if you like dark and intense foreign dramas.

It is the first time when i see a Russian movie, it was a pleasure. Set in Saint Petersburg in 1860, the story revolves around retired officer Yakovlev. A deadly shot, Yakovlev is effectively a kind of mercenary in that he is available for hire through his associate Baron Staroe to stand in for others in formal duels. Much later in the film, flashbacks reveal that years ago an Aleut shaman has predicted he would never die, and so far that seems about right as Yakovlev wins duel after duel, wounding and more often killing noble opponents. Although duels of honor are technically illegal in Russia at the time, no one pays the law a blind bit of notice. The code of practice is not written down anywhere, and yet everyone knows the rules and rituals, while many participants see it as an almost mystical rite. To take part in a duel is to accept that one's fate is ultimately in the hands of God, hence the practice of Russian roulette. Eventually, it turns out that all of Yakovlev's recent duels were secretly arranged by Count Beklemishev. He is a shadowy puppet master with a grudge and designs on Princess Martha Tuchkova whose brother Prince Tuchkov Yakovlev is scheduled to duel with next. When attraction stirs between him and the pretty blond princess, problems arise, especially since, as the flashbacks reveal, Yakovlev has an agenda of his own. I think "The Duelist" is a great movie, i recommend it. Congratulations actors especially young actress Julia Khlynina.

it reminds the atmosphere of Imperial Russia. it gives a dark story, fascinating for the game of levels, using good cinematography, remembering Count of Monte Cristo and using a small love story as spice.the result - a beautiful show, not only as aesthetic product but for a story who, out its bloody dimension, remains seductive for the wise manner to mix the Hollywood standards with the Russian tradition. Pyotr Fyodorov did an admirable job and each new meet with Vladimir Mashkov, especially in a role who reminds Vicomte de Valmont from Dangerous liaisons , is a good thing. so, a beautiful film. maybe not at the high expectations of a part of public but decent and seductive.

"The Duelist" turned out unexpectedly engaging to me. Dark, bloody, yet beautiful. The dark side of honor and the dark side of beauty.

Not historically accurate, yet very, very immersive. Most technical details are plain false. But that aura of Russian Grand Society feels so much true, so natural!

The best definition I could find for this movie is "Noir, transferred into the XIX-th century, Saint-Petersburg, Russia". There's much in common, really. Blood, death, wounds, tortures, nudity... plenty of this. As well as desperation, infamy, cruelty, scheming, femme fatale. Everything you can find in a typical noir. Only the place would be the capital of Russian Empire. Vast palaces, dirty streets, crowded soirees, the shade of the Royal Family, officers, nobles... and the duels!

A rare gem of late Russian cinema, really. Truly underrated.