VALUTAZIONE IMDb
8,9/10
23.221
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA chronicle of the rise and fall of O.J. Simpson, whose high-profile murder trial exposed the extent of American racial tensions, revealing a fractured and divided nation.A chronicle of the rise and fall of O.J. Simpson, whose high-profile murder trial exposed the extent of American racial tensions, revealing a fractured and divided nation.A chronicle of the rise and fall of O.J. Simpson, whose high-profile murder trial exposed the extent of American racial tensions, revealing a fractured and divided nation.
- Vincitore di 1 Oscar
- 49 vittorie e 35 candidature totali
Harry Edwards
- Self - Activist
- (as Dr. Harry Edwards)
John McKay
- Self - USC Head Coach
- (filmato d'archivio)
Harry Alfred Khasigian
- Self - USC Teammate
- (as Fred Khasigian)
Mark Ridley Thomas
- Self - South Central Community Leader
- (as Mark Ridley-Thomas)
Recensioni in evidenza
A blistering and engrossing documentary about the O.J. Simpson murder trial that explores how the sensational event became a symbol for the racial tension that was just waiting to boil over in Los Angeles in particular and the United States in general.
I was in college when the O.J. story happened, and I only half paid attention to it at the time, so it was fascinating for me to watch this film that seemed like a new version of an old story. The film makes no attempt to hide the filmmakers' opinion that the innocent verdict in the case was a gross miscarriage of justice, but I have to admit that, though I've always believed O.J. was guilty too, I would probably have acquitted him myself as a juror based on the dismal way the prosecution handled the case.
But the grossest outrage about the whole event -- I felt it at the time and I felt it again watching the movie -- is that the murders that made the whole trial necessary in the first place were forgotten amid the racial baiting and the defense's willingness to capitalize on the emotions of an angry and disenfranchised black community.
A seven-hour documentary may sound daunting at the beginning, but I challenge you not to binge watch it.
Winner of the 2016 Oscar for Best Documentary Feature, a complete no brainer of a win.
Grade: A
I was in college when the O.J. story happened, and I only half paid attention to it at the time, so it was fascinating for me to watch this film that seemed like a new version of an old story. The film makes no attempt to hide the filmmakers' opinion that the innocent verdict in the case was a gross miscarriage of justice, but I have to admit that, though I've always believed O.J. was guilty too, I would probably have acquitted him myself as a juror based on the dismal way the prosecution handled the case.
But the grossest outrage about the whole event -- I felt it at the time and I felt it again watching the movie -- is that the murders that made the whole trial necessary in the first place were forgotten amid the racial baiting and the defense's willingness to capitalize on the emotions of an angry and disenfranchised black community.
A seven-hour documentary may sound daunting at the beginning, but I challenge you not to binge watch it.
Winner of the 2016 Oscar for Best Documentary Feature, a complete no brainer of a win.
Grade: A
There are many documentaries out there- particularly on Netflix- that are just far too long. I can understand why, because owing to the way streaming services work, it's surely tempting to extend a documentary beyond the standard two-ish hours into a multi-part 6-10 hour miniseries, because that keeps viewers hooked into whatever service they're subscribed to. In all honesty, I'm personally a little tired of this approach, particularly because I think most subjects can be thoroughly explored within the length of a movie, if the director and editor and everyone else involved know what they're doing.
This naturally made me very cautious to watch OJ: Made In America, despite how critically acclaimed it was. While it was released in a very limited theatrical release- and won an Oscar for Best Documentary before the Academy changed their rules to disqualify lengthy works broken into parts- it did look to me like it would be another true crime miniseries that would draw itself out longer than necessary. Furthermore, I was worried it would be tacky and disrespectful the way many documentary miniseries are; if you're teasing and using real life tragic events as cliffhangers or hooks for viewers, for example, I think that's pretty twisted.
Thankfully, OJ: Made In America managed to transcend all of its similar contemporaries. This is miles better than something like Making A Murderer or any other show trying to chase its success; it goes in depth and uses its incredibly long runtime to tell a huge story and cover many, many topics in gripping and compelling detail. It's much more than a story about the double murder that OJ Simpson was accused of committing, and it's even more than just a documentary about OJ Simpson. The hint's in the title: it uses the story of Simpson to tell a huge, almost epic story about crime, race relations, and societal conflict throughout the last few decades of history.
It's hard to unpack everything, but you will find something interesting and intensely thought provoking within this documentary. It's not so much about trying to prove whether Simpson committed the crime or not, and moreso just giving as many points of view, opinions, and insights as possible. It's superbly edited, and flows in a way where despite all the information, you never get lost or confused. And furthermore, despite the risk of information overload, you never really get bored either. Despite watching this in chunks, I could have happily digested the entire seven and a half hours in one sitting, and if I ever rewatch it one day maybe I will view it in that way.
It's hard to come up with too many flaws. I'm conflicted over the use of graphic crime scene and autopsy photos in Part 4 of the documentary- some viewers may not understand the intensity and viciousness of the murder with verbal descriptions alone, but I feel like some people are appropriately disturbed with just picturing the aftermath in their head, and for those people, seeing the images themselves may feel like overkill. As such, I understand why those photos were included, but personally don't feel like I needed to be exposed to them. And I mean, could it have been six and a half hours instead of seven and a half? It's almost silly to think about that as a flaw, so I'm not sure it is, but at the same time... maybe it could've got more or less the same thing across?
I guess I'm struggling to think of flaws, or justify why I got this to 9/10 but not 10/10. On a rewatch, I may realise that this is about as good as documentaries can get, and raise the rating. For now, I can say that it's truly excellent and among the best documentaries I've ever seen, regardless of whether you choose to watch it as a miniseries or an extremely long feature.
Regardless of your thoughts on OJ Simpson and the infamous court case he was involved in, you will find things to appreciate, fixate on, and ponder throughout this incredibly impressive and borderline 'epic' documentary.
This naturally made me very cautious to watch OJ: Made In America, despite how critically acclaimed it was. While it was released in a very limited theatrical release- and won an Oscar for Best Documentary before the Academy changed their rules to disqualify lengthy works broken into parts- it did look to me like it would be another true crime miniseries that would draw itself out longer than necessary. Furthermore, I was worried it would be tacky and disrespectful the way many documentary miniseries are; if you're teasing and using real life tragic events as cliffhangers or hooks for viewers, for example, I think that's pretty twisted.
Thankfully, OJ: Made In America managed to transcend all of its similar contemporaries. This is miles better than something like Making A Murderer or any other show trying to chase its success; it goes in depth and uses its incredibly long runtime to tell a huge story and cover many, many topics in gripping and compelling detail. It's much more than a story about the double murder that OJ Simpson was accused of committing, and it's even more than just a documentary about OJ Simpson. The hint's in the title: it uses the story of Simpson to tell a huge, almost epic story about crime, race relations, and societal conflict throughout the last few decades of history.
It's hard to unpack everything, but you will find something interesting and intensely thought provoking within this documentary. It's not so much about trying to prove whether Simpson committed the crime or not, and moreso just giving as many points of view, opinions, and insights as possible. It's superbly edited, and flows in a way where despite all the information, you never get lost or confused. And furthermore, despite the risk of information overload, you never really get bored either. Despite watching this in chunks, I could have happily digested the entire seven and a half hours in one sitting, and if I ever rewatch it one day maybe I will view it in that way.
It's hard to come up with too many flaws. I'm conflicted over the use of graphic crime scene and autopsy photos in Part 4 of the documentary- some viewers may not understand the intensity and viciousness of the murder with verbal descriptions alone, but I feel like some people are appropriately disturbed with just picturing the aftermath in their head, and for those people, seeing the images themselves may feel like overkill. As such, I understand why those photos were included, but personally don't feel like I needed to be exposed to them. And I mean, could it have been six and a half hours instead of seven and a half? It's almost silly to think about that as a flaw, so I'm not sure it is, but at the same time... maybe it could've got more or less the same thing across?
I guess I'm struggling to think of flaws, or justify why I got this to 9/10 but not 10/10. On a rewatch, I may realise that this is about as good as documentaries can get, and raise the rating. For now, I can say that it's truly excellent and among the best documentaries I've ever seen, regardless of whether you choose to watch it as a miniseries or an extremely long feature.
Regardless of your thoughts on OJ Simpson and the infamous court case he was involved in, you will find things to appreciate, fixate on, and ponder throughout this incredibly impressive and borderline 'epic' documentary.
10RM851222
Greetings from Lithuania.
"O.J.: Made in America" (2016) was without a doubt one of the very best documentaries I've ever seen, maybe even actually the best one - and i saw a few to say the least.
Although i do not live in America, i knew about some of these events before seen "O.J.: Made in America" (2016). It did not surprise me that at the end of this amazing documentary i end up almost seemingly seen a chapter from America's history, because it took for this series almost 8 hours to do it. What i was surprised about is that i couldn't imagine at the beginning that it was going to be done so convincingly great and crystal clear.
"O.J.: Made in America" features 5 episodes that all runs for almost 8 hours. But let this not scare you if kinda thinking to see it - i can't remember when the last time i was so absorb when watching a documentary.
"O.J" himself is shown here at center of events. Basically it is a biopic about his life, but at the same time if features events in Los Angeles that were surrounding him before and at the time of his (in)famous case. And all of this was shown in a very crystal clear fashion - i literally couldn't put this series down until its final frame.
Overall, "O.J.: Made in America" is magnificent look at the America's history. At the center of the event is "O.J." himself and its a fascinating look at the true American tragedy as one person puts it. Definitely one of the very, very best documentaries ever made.
"O.J.: Made in America" (2016) was without a doubt one of the very best documentaries I've ever seen, maybe even actually the best one - and i saw a few to say the least.
Although i do not live in America, i knew about some of these events before seen "O.J.: Made in America" (2016). It did not surprise me that at the end of this amazing documentary i end up almost seemingly seen a chapter from America's history, because it took for this series almost 8 hours to do it. What i was surprised about is that i couldn't imagine at the beginning that it was going to be done so convincingly great and crystal clear.
"O.J.: Made in America" features 5 episodes that all runs for almost 8 hours. But let this not scare you if kinda thinking to see it - i can't remember when the last time i was so absorb when watching a documentary.
"O.J" himself is shown here at center of events. Basically it is a biopic about his life, but at the same time if features events in Los Angeles that were surrounding him before and at the time of his (in)famous case. And all of this was shown in a very crystal clear fashion - i literally couldn't put this series down until its final frame.
Overall, "O.J.: Made in America" is magnificent look at the America's history. At the center of the event is "O.J." himself and its a fascinating look at the true American tragedy as one person puts it. Definitely one of the very, very best documentaries ever made.
(RATING: ☆☆☆☆½ out of 5)
THIS FILM IS HIGHLY RECOMMENDED.
IN BRIEF: A compelling documentary that focuses on a city on fire and the "Trial of the Century".
GRADE: B+
SYNOPSIS: The O.J. Simpson trial and the many factors influencing the verdict and its aftermath.
JIM'S REVIEW: There is a fascinating 7½ hour documentary that premiered on ABC and ESPN television stations this past week and is currently streaming which is worth your attention. O.J.: Made in America may be overly long and in some need of judicious editing in parts, but it is a fascinating in-depth look back at the "Trial of the Century" and its repercussions that are relevant today.
The brutal murder of Simpson's ex-wife, Nicole Brown and her friend, Ron Goldman, on June 12, 1994 immediately made headlines and spawned a media circus, showing the incompetent handling of the case by the LAPD and District Attorney's office, and the unethical maneuverings of the prosecuting team, led by Robert Shapiro and Johnnie Cochran, to free their client and exploit the legal system.
Documentarian Ezra Edelman culled over hours of archival footage, news segments, and interviews (both then and now) to create a timely chronicle of the O.J. Simpson trial and the political unrest of a racially-divided city. He delves into the numerous 911 calls prior to the murder and Nicole's personal diary with many passages about the physical abused she suffered in her marriage to this volatile celebrity. Mr. Edelman astutely assembles new interviews with many of the people involved with the case which brings us access to observe a broken judicial system in retrospect.
The documentary shares a balanced look at the man and equally at the era. It begins with a before-and-after approach, first showing this famous incarcerated man and providing flashbacks depicting an up-and-coming young college athlete beginning his exulted career. The effect is startling. Seeing O.J. in his prime sheds new light of the man and his later fall from grace. We learn about his homophobia toward his gay estranged father, his gift for talking himself out of situations at an early age (which may have given him a false sense of security throughout his life), his lack of involvement with Civil Right issues, his innate kindness to his teammates, and the tragic death of his daughter which ended his first marriage, events that were unknown to this reviewer. We also hear of O.J's constant womanizing, his insatiable ego, his life cavorting with the rich and famous of Brentwood, his sexist and privileged attitude, and his intense jealousy and violence toward his second wife that went unheeded. Fame and wealth brought him the good life and finally corrupted the man.
But the other character in this multi-faceted tragedy is L.A. itself and the racism and injustice by the police force. Mr. Edelman's need to parallel these two tangents with the murder trial itself to make his film more complete is noteworthy, but it also gives his documentary too much latitude into this area. The film meanders into the prejudice and hate that was so rampant at the time, with the Watts riots, the Rodney King beating, and the senseless murders of African- Americans in the hands of the LAPD as the backdrop to the subsequent trial. Perhaps too much time is spent on this topic (and the famous Bronco chase) which is overstated but essential filler. Here is an accused man who erased race from his own life only to rely on it later for his freedom. That is just one irony among many. (Another is Simpson's ability to pay for his legal defense via selling autographed sports memorabilia when still being incarcerated for these murders.)
The numerous interviews and comments with former friends and colleagues are enlightening and seeing the actual cast of characters that played their parts in the trial is riveting. Particularly memorable are the words of attorney Marcia Clark, a still grieving Fred Goldman, former head D.A. Gil Garcetti, prosecuting lawyer Carl Douglas, detectives Tom Lange and Mark Fuhrman, and former friends Robin Greer, Ron Shipp, and Joe Bell. Their personal knowledge adds important details to this complicated story.
Probably the most interesting aspect about the film is the mixed emotions and personal biases felt by the jurors. (Deliberations of the verdict lasted a few hours with one member, a former Black Panther, saluting the plaintiff upon exiting the jury box.) That, and the questionable decisions handed down by the judge, Lance Ito, throughout the trial helped the prosecution play their successful "race card". Unable to see certain evidence (O.J. prior violent activities, the 911 calls, the graphic blood scene photos, the direct DNA blood connection), and falling for the grandstanding antics of that bloodied glove and a pre-staged jury's visit to Simpson's home completely changed for maximum African-American emphasis, the outcome seemed like a sure acquittal from the start. (That latter stunt by the prosecution team alone would have created a mistrial today.) O.J. may have been found not guilty, (no spoiler here), but the LAPD and their botched investigation were the ones really on trial.
O.J.: Made in America is a powerful documentary and one of the year's best films. (One would hope that it would qualify for Academy Award consideration next year, although it eluded any theatrical release as yet.) The film depicts an America filled with racial hate and anger. It shines a spotlight on domestic abuse issues. It highlights our fascination with celebrity worship and a willingness to give free rein to the lifestyle of the rich and famous while two innocent people receive no sign of justice. Mr. Edelman's epic achievement may give these victims their dues and finally a bit of justice as well.
THIS FILM IS HIGHLY RECOMMENDED.
IN BRIEF: A compelling documentary that focuses on a city on fire and the "Trial of the Century".
GRADE: B+
SYNOPSIS: The O.J. Simpson trial and the many factors influencing the verdict and its aftermath.
JIM'S REVIEW: There is a fascinating 7½ hour documentary that premiered on ABC and ESPN television stations this past week and is currently streaming which is worth your attention. O.J.: Made in America may be overly long and in some need of judicious editing in parts, but it is a fascinating in-depth look back at the "Trial of the Century" and its repercussions that are relevant today.
The brutal murder of Simpson's ex-wife, Nicole Brown and her friend, Ron Goldman, on June 12, 1994 immediately made headlines and spawned a media circus, showing the incompetent handling of the case by the LAPD and District Attorney's office, and the unethical maneuverings of the prosecuting team, led by Robert Shapiro and Johnnie Cochran, to free their client and exploit the legal system.
Documentarian Ezra Edelman culled over hours of archival footage, news segments, and interviews (both then and now) to create a timely chronicle of the O.J. Simpson trial and the political unrest of a racially-divided city. He delves into the numerous 911 calls prior to the murder and Nicole's personal diary with many passages about the physical abused she suffered in her marriage to this volatile celebrity. Mr. Edelman astutely assembles new interviews with many of the people involved with the case which brings us access to observe a broken judicial system in retrospect.
The documentary shares a balanced look at the man and equally at the era. It begins with a before-and-after approach, first showing this famous incarcerated man and providing flashbacks depicting an up-and-coming young college athlete beginning his exulted career. The effect is startling. Seeing O.J. in his prime sheds new light of the man and his later fall from grace. We learn about his homophobia toward his gay estranged father, his gift for talking himself out of situations at an early age (which may have given him a false sense of security throughout his life), his lack of involvement with Civil Right issues, his innate kindness to his teammates, and the tragic death of his daughter which ended his first marriage, events that were unknown to this reviewer. We also hear of O.J's constant womanizing, his insatiable ego, his life cavorting with the rich and famous of Brentwood, his sexist and privileged attitude, and his intense jealousy and violence toward his second wife that went unheeded. Fame and wealth brought him the good life and finally corrupted the man.
But the other character in this multi-faceted tragedy is L.A. itself and the racism and injustice by the police force. Mr. Edelman's need to parallel these two tangents with the murder trial itself to make his film more complete is noteworthy, but it also gives his documentary too much latitude into this area. The film meanders into the prejudice and hate that was so rampant at the time, with the Watts riots, the Rodney King beating, and the senseless murders of African- Americans in the hands of the LAPD as the backdrop to the subsequent trial. Perhaps too much time is spent on this topic (and the famous Bronco chase) which is overstated but essential filler. Here is an accused man who erased race from his own life only to rely on it later for his freedom. That is just one irony among many. (Another is Simpson's ability to pay for his legal defense via selling autographed sports memorabilia when still being incarcerated for these murders.)
The numerous interviews and comments with former friends and colleagues are enlightening and seeing the actual cast of characters that played their parts in the trial is riveting. Particularly memorable are the words of attorney Marcia Clark, a still grieving Fred Goldman, former head D.A. Gil Garcetti, prosecuting lawyer Carl Douglas, detectives Tom Lange and Mark Fuhrman, and former friends Robin Greer, Ron Shipp, and Joe Bell. Their personal knowledge adds important details to this complicated story.
Probably the most interesting aspect about the film is the mixed emotions and personal biases felt by the jurors. (Deliberations of the verdict lasted a few hours with one member, a former Black Panther, saluting the plaintiff upon exiting the jury box.) That, and the questionable decisions handed down by the judge, Lance Ito, throughout the trial helped the prosecution play their successful "race card". Unable to see certain evidence (O.J. prior violent activities, the 911 calls, the graphic blood scene photos, the direct DNA blood connection), and falling for the grandstanding antics of that bloodied glove and a pre-staged jury's visit to Simpson's home completely changed for maximum African-American emphasis, the outcome seemed like a sure acquittal from the start. (That latter stunt by the prosecution team alone would have created a mistrial today.) O.J. may have been found not guilty, (no spoiler here), but the LAPD and their botched investigation were the ones really on trial.
O.J.: Made in America is a powerful documentary and one of the year's best films. (One would hope that it would qualify for Academy Award consideration next year, although it eluded any theatrical release as yet.) The film depicts an America filled with racial hate and anger. It shines a spotlight on domestic abuse issues. It highlights our fascination with celebrity worship and a willingness to give free rein to the lifestyle of the rich and famous while two innocent people receive no sign of justice. Mr. Edelman's epic achievement may give these victims their dues and finally a bit of justice as well.
I have been very impressed with the scope and quality of this much anticipated documentary. While I enjoyed the inaugural season of American Crime Story with O.J. Simpson as its subject, it was a) a dramatization, and b) solely focused on the infamous murder case. This documentary, on the other hand takes us back to OJ's junior college days and examines, as its title suggests, what made O.J. Simpson the man he became. Seeing the rise of Simpson's football stardom put in context of the turbulent times during his days at USC was eye- opening. Using a bounty of old footage and interviews, we are shown the single-mindedness and sense of purpose that drove O.J. from the earliest days of his career and his complete disconnect from the racial tensions and the equal rights movement going on around him - perhaps, tellingly so. The filmmakers also do an amazing job of examining the people, the events and circumstances in the Los Angeles community which led an atmosphere in the city that undeniably had an impact on the investigation, the trial and the verdict in what has rightly been called the trial of the century.
Lo sapevi?
- QuizDirector Ezra Edelman struggled on the decision to include the forensic photos of the bodies of Nicole Brown Simpson and Ron Goldman, but ultimately decided to edit them in to remind the audience that the trial was meant to be about a horrific double homicide instead of the discussion about race and corrupt law enforcement that it ultimately progressed into.
- BlooperRobert Shapiro says in an interview with Barbara Walters that O.J. Simpson was found innocent. Simpson was found "not guilty", not "innocent".
- Citazioni
O.J. Simpson: [referring to his refusal to participate in the boycott of 1968 Summer Olympics along with other prominent African American athletes] I'm not black, I'm O.J.
- Colonne sonoreHollywood Swinging
Written by Robert 'Kool' Bell (uncredited), Ronald Bell (uncredited), George 'Funky' Brown (uncredited), Robert 'Spike' Mickens (uncredited), Claydes Smith (uncredited), Dennis D.T. Thomas (uncredited) and Ricky Westfield (uncredited)
Performed by Kool & The Gang
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