Una coppia in un matrimonio travagliato individua un meteorite, iniziando un incontro con una misteriosa creatura.Una coppia in un matrimonio travagliato individua un meteorite, iniziando un incontro con una misteriosa creatura.Una coppia in un matrimonio travagliato individua un meteorite, iniziando un incontro con una misteriosa creatura.
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Recensioni in evidenza
Be warned that this Mexican horror film has some graphic nudity and alien/human sexuality. This is not a giveaway as the opening scene makes quite clear where this is headed. A young woman, Veronica, is in a room in a moment of what seems to be self induced pleasure, when, something not of this earth exits her most private of parts. We are off to the races. Veronica is injured during the encounter and meets a nurse at the hospital who befriends her. His sister Alejandra is in an abusive marriage and has two kids. Veronica informs Ale of meeting someone(ha ha, E.T.) who has changed her life for the better. It seems that she has become a matchmaker for the slithering creature from outer space. What follows is some extremely unpleasant human/alien couplings not for those with weak stomachs. In the end I was entertained by this Mexican thriller.
This film is about finding pleasure. The five main characters are husband, wife, brother, girl and alien. There are lies, sex, orgasmic encounters and jealousy. Good setup for a strange sci-fi drama.
This isn't a bad film. It is slowly paced but my curiosity helped it hold my attention. I sometimes find it hard for me to gauge foreign actors but I thought the acting was ok. There's an ominous feel to this and I guess that also helped in holding my attention. It wasn't anything I would classify as horror going on. It felt much more like weirdness. My biggest issue is that you never really get an understanding of everything was going on. I wanted to know why people were hurt or dying and I never got an answer. Things just didn't completely add up by the end of the film so I had to take some points away for that. With such a slow pace there was a great building of suspense but it failed to satisfy. If you can handle the pace and the unanswered questions, this is an ok movie.
This isn't a bad film. It is slowly paced but my curiosity helped it hold my attention. I sometimes find it hard for me to gauge foreign actors but I thought the acting was ok. There's an ominous feel to this and I guess that also helped in holding my attention. It wasn't anything I would classify as horror going on. It felt much more like weirdness. My biggest issue is that you never really get an understanding of everything was going on. I wanted to know why people were hurt or dying and I never got an answer. Things just didn't completely add up by the end of the film so I had to take some points away for that. With such a slow pace there was a great building of suspense but it failed to satisfy. If you can handle the pace and the unanswered questions, this is an ok movie.
There is a nod to director, Zulawski in the closing credits of this film and no wonder. What is surprising is that I have never quite got round to seeing Possession, the evening for indulging in the spectacle of Isabelle Adjani engaged (in reality or not) with a many tentacled creature, has never quite come around, and then I fall into this. 'Disgusting', 'unnecessary', 'science-fi' 'entrancing', and 'disturbing yet beautiful', various parties have cried but only the last two can I possibly concur with. The difficult roles are well played, including two young children, and although the film is peppered with graphic sex and violence, it is that element of doom that worries the most. For such a vivid film, including much that is most alluring, there is clearly established the threat of something terrible in the woods and more specifically, the cabin in the woods. Appalling, amazing, affecting and surprisingly survives explicit revelations concerning the being when might have expected that less might be more.
"Phallocentric" fiction comes to mind when this bizarre Mexican horror film, The Untamed, opens with Veronica (Ruth Ramos) masturbating or not; in a short while Ale (Simone Bucio) has a snake-like creature leaving her vagina. Well, this is like no other alien you have ever seen, and its power to make sexually crazy more than one object of its affection propels a little sci-fi into Freudland and for a long time into the audience's imagination, not soon to leave.
Mexican auteur Amat Escalante has crafted an odd drama about frustrated young adults, one of whom, Angel (Jesus Meza), is having an affair with Ale's brother. Angel, of course, acts like a macho homophobe when he isn't either. He's a coward tormented by his closeted world.
But have no fear, for your tentacled alien, housed in the dark woods by a troubled couple, can bring pleasure and destruction when the situation suits. Because this giant phallus is addictive, the victims come back for more until it all isn't safe anymore.
If you long for philosophical ruminations, such as Rod Serling might give at the end of a Twilight Zone segment, forget it. So deeply is the passion of the players buried in their primitive sexual desires, we enter a spiritual realm that despite the octopus-like alien is a figurative representation of repression and liberation and not easily explained.
After all, the rapture of the enraptured is depicted as if a python had coiled its victim in readiness for a very big feast. As in life itself, the sway of sexuality can be underestimated but never avoided. The Untamed proves in a figurative way what we all knew from the nuns, namely, sex is a killer.
Mexican auteur Amat Escalante has crafted an odd drama about frustrated young adults, one of whom, Angel (Jesus Meza), is having an affair with Ale's brother. Angel, of course, acts like a macho homophobe when he isn't either. He's a coward tormented by his closeted world.
But have no fear, for your tentacled alien, housed in the dark woods by a troubled couple, can bring pleasure and destruction when the situation suits. Because this giant phallus is addictive, the victims come back for more until it all isn't safe anymore.
If you long for philosophical ruminations, such as Rod Serling might give at the end of a Twilight Zone segment, forget it. So deeply is the passion of the players buried in their primitive sexual desires, we enter a spiritual realm that despite the octopus-like alien is a figurative representation of repression and liberation and not easily explained.
After all, the rapture of the enraptured is depicted as if a python had coiled its victim in readiness for a very big feast. As in life itself, the sway of sexuality can be underestimated but never avoided. The Untamed proves in a figurative way what we all knew from the nuns, namely, sex is a killer.
It's a sort-of sci-fi relationship drama that is single-minded in its approach to sexual dynamics with a handful of characters dedicated to instant gratification. I really liked this film. The story, acting, cinematography and setting were all compelling to me, but I can't say it's amazing.
It presents itself as a mystery, drip-feeding information to the viewer. But it really isn't a mystery. There is no 'whodunnit' element. It is always very clear who does what and why, so the audience is left with very little to ponder or think about as the story unfolds. There are plenty of intentional plot holes (the sci-fi elements are almost entirely unexplored) but they are ultimately irrelevant to the main story. That's the problem. There is no grand metaphor here. There are no conundrums to puzzle over and, after watching it, the questions you have won't be about the characters or the events or themes or what it all means. You know exactly what it all means. You may have simple questions, like who were the couple in the woods? Why didn't they do x,y or z? But your mind won't be whirring with heady concepts, which is what I demand from good sci-fi.
It's a simple film that could really benefit from a deeper subtext or some novelistic elements to give the story more 'meat'. However, as a streamlined drama that takes a prurient look at sexual frustration and secret desires, it's incredibly well presented and has mostly excellent performances. Overall, it's a bold and very unique story. Movies like this don't come around often and so I can strongly recommended it for fans of horror, sci-fi and mystery (even though it is none of those things!).
It presents itself as a mystery, drip-feeding information to the viewer. But it really isn't a mystery. There is no 'whodunnit' element. It is always very clear who does what and why, so the audience is left with very little to ponder or think about as the story unfolds. There are plenty of intentional plot holes (the sci-fi elements are almost entirely unexplored) but they are ultimately irrelevant to the main story. That's the problem. There is no grand metaphor here. There are no conundrums to puzzle over and, after watching it, the questions you have won't be about the characters or the events or themes or what it all means. You know exactly what it all means. You may have simple questions, like who were the couple in the woods? Why didn't they do x,y or z? But your mind won't be whirring with heady concepts, which is what I demand from good sci-fi.
It's a simple film that could really benefit from a deeper subtext or some novelistic elements to give the story more 'meat'. However, as a streamlined drama that takes a prurient look at sexual frustration and secret desires, it's incredibly well presented and has mostly excellent performances. Overall, it's a bold and very unique story. Movies like this don't come around often and so I can strongly recommended it for fans of horror, sci-fi and mystery (even though it is none of those things!).
Lo sapevi?
- QuizThe film is dedicated to Polish director Andrzej Zulawski, whose cult film Possession (1981) inspired the concept.
- ConnessioniFeatured in Horror's Greatest: Hidden Gems (2025)
- Colonne sonoreCamino de Guanajuato
Written and Performed by José Alfredo Jiménez
Bajo licencia de La Banda Yurirense y PHAM
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Botteghino
- Lordo Stati Uniti e Canada
- 27.593 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2718 USD
- 23 lug 2017
- Lordo in tutto il mondo
- 61.249 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Proporzioni
- 1.66 : 1
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