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I love Iranian movies and the Separation is one of my favorites. Somehow with the Salesman it did not work out. The script is original but the story develops so slowly and drowns out. You do not feel the real drama and the true massage behind it. The director probably wanted to repeat his success using the same means as in the Separation but it lacks originality, something thrilling and insightful acting.

I am struck at the complexity of this film, and the reflective nature of its narrative structure. Action or events as a device to look at our natures, choices, motives, drives and dreams. And let's not stop there. How about actors acting theater scenes, and throw in a play within a play to boot, for good measure.

I know I sound somewhat critical above, and under less skilled hands, such criticism would be warranted. But not here. THE SALESMAN is compelling from beginning to end. And using Arthur Miller's iconic play, THE DEATH OF A SALESMAN, works so well to comment on these character's dreams, failings, nobility and humanity.

A dream -- or rather dreams -- shattered by a single, accidental, innocent incident. At the end of the journey, of our own Odyssey, whether we arise as a hero or a victim depends on our choices, our attitudes, our sheer willfulness for goodness or our tendency for self-destruction. To me, this movie raised these issues, and more. I loved it. Compelling through and through, and from a most-gifted, cinematically articulate director.

Scoring the different elements of the film objectively, 1 to 4:

Script/Story: 4, loved it. And all this set against a backdrop of a crackling, fall building; a house of cards, if you will.

Cinematography/Visual Effects: 3.5. Well shot. Close shots heightened the tension.

Editing: 3.5. Well edited; kept the pacing of a natural thriller, but lacked the cheesiness of one.

Sound Effects: 3, competent sound mixing

Musical Score: 3; frankly do not recall any musical score underscoring the film. This is sad as I should have noticed. Was there one?

Performances: 4, extremely strong performances. Great ensemble work, and standout work by the two leads, and the old man, too. I was particularly touched by the scene between the two men when the lead told the old man to take off his shoes. This scene was so effectively shot. Slow pacing of the camera capturing every quiver of both performances. Wow.

Production Design: Sets, Locations, Costumes, etc.: 2.5; my complaint here deals with the shots from the theater itself where DEATH OF A SALESMAN was being performed. Needed something more here.

Would you recommend this movie to a friend? Absolutely; a fine work of cinema. And extremely provocative. Well written; well shot; well delivered. Most highly recommended. Strong Oscar contender for Best Foreign Language Film.

Masterfully shot in Teheran, the film follows the ill fortunes of a theatrical married couple who, while rehearsing Miller's play Death of a Salesman, find themselves having to abandon their crumbling apartment and to seek alternative accommodation. The film is openly an allegory about social, urban and marital decay. But way beyond it, it is about the costs of masculine pride. By far more than a very good 'Iranian film', this is a superb statement about the unbearable consequences of trying to live up to codes of honour that centre on the female body. In my opinion, actress Taraneh Alidoosti is the hero of the film, both in her performance and in the role she occupies in the script. In contrast to appearances, she is the mover of everything that takes place in this fantastic film. A cinematic poem and a masterpiece in unfolding the twists of human psychology.

Gradually (highly recommended to read these two plays before watching this movie 1.Cow by Gholam Hossein Saedi and 2.Death of a Salesman by Arthur Miller) The salesman is really breathtaking and it has all the familiar factor of Farhadi's movies with a big difference that there is not any sign of those open ends anymore and you associate with the main character of movie more than any time. The story is about a young couple (Emad and Rana) who are performing at Arthur Miller's play Death of a salesman. They have to move to another apartment because their apartment is going to collapse. This moving cause a serious issue in their life because of the old tenant. In the beginning of the film when Emad_ with brilliant performance by Shahab Hosseini_ and his students was reading Saedi's play Cow, one of his student asked him "Sir,How does a man become cow?" Emad answered: "gradually". This question and Emad's answer are the main theme of this movie. Farhadi has used some part of the play Death of a Salesman in his movie masterfully and he has chosen Emad for the Willy's role in order to show and emphasize how Emad gradually got far away from his family or even his wife just like willy. The last twenty minutes of film are really breathtaking and the spectators associate with Emad more than anytime and I think they regularly ask themselves "if I were him, what would I do?" The salesman is a story about revenge or with accurate express is a story about the motivation of revenge. This story like another Fahadi's movies occurs in a family and effects family members. After A separation and now with the salesman Farhadi can be considered as a great master in directing suspenseful family drama like Hitchcock.

Unraveling with the charged tension of an intense thriller and concluding with a gut-wrenching, soul-shattering & emotionally devastating final act, The Salesman is a tour-de-force of top-tier storytelling & top-notch acting that presents the master storyteller in sublime form and makes for an emotionally absorbing domestic tragedy that's gripping & haunting in more ways than one. One of the best all-round films of its year, this Oscar-winning Persian treasure is right up there with Asghar Farhadi's finest directorial efforts.