Recensioni degli utenti

After a first watch, it's difficult to characterise or rate this movie. Certainly intriguing and engaging, the viewing experience is mind-bending. The atmosphere is a weird mix of claustrophobia, psychedelia and human drama. The movie explores ideas around sanity, reality, imprisonment and the quest for freedom. It comes over as sensitive and real on a human level, alternately touching, tragic, funny, sad, depressing, chilling, and strangely inspiring. The main character gives a brilliant portrayal of an altered state of consciousness. The meaning and story of the movie are expressed in a very unconventional way; non-linear, disorientating and confusing - which I'm sure was intentional. The experience is rather psychedelic, and there isn't quite enough logical substance to really carry the viewer to a satisfactory conclusion, but this might change with a rewatch, when the rating might go up.

Greetings again from the darkness. A film festival wouldn't be complete without at least one mind-blowing avant-garde cinematic experience. I'm not the kind that needs every ending neatly bow-wrapped, and I often enjoy having conventional story structure challenged and even dissolved. Writer/director Sarah Adina Smith seems to thrive in such an environment in this twisty psychological thriller covering three timelines (one of which may be a dream) … or a split personality … or two/three men from one … or some combination … or something else entirely that I might have missed. (I'm not too proud to admit this distinct possibility).

When a filmmaker bravely dives into the bizarre, casting becomes crucial. Ms. Smith nails it with Rami Malek, DJ Qualls and Kate Lyn Sheil. Thanks to the popularity of TV's "Mr. Robot", Malek is now a leading man – albeit far outside the Ryan Gosling mold. Here he plays Jonah, a struggling family man with a wife (Ms. Sheil) and young child. Working as a night Concierge at a hotel, Jonah tries to make the best of the lack of sleep and minimal contact with his family. In addition to Jonah, Malek plays Buster, a slippery and hirsute mountain man who negotiates his way through the Montana mountains by hanging out in the multi-million dollar vacation homes (mostly) vacated by their owners during the snowy winter months.

The film bounces between 3 periods for Jonah/Buster: the elusive near-mythical mountain man running from the law, the bleak nights of the family man, and a dream-like sequence where he is adrift at sea in a row boat. Throughout the film, references to "sphincter" and multiple proclamations that "The Inversion is coming" lead us to believe there could be a sci-fi connection or an apocalyptic ending headed our way. Instead, it's "the belly of the whale" that might unlock the mystery or mysteries serenaded by the thunderous techno-bass bass. Even with the dark comedic elements, it's a head-scratcher for sure; but one that manages to keep us engaged despite our whirlwind of theories and uncertainly.

What a weird movie. And that is not just because of the time line, but because of the main character and his .. well way to "freedom" I guess. It really is messy and I'm not just talking about his "future" self, that seems to have gone a different path than his former self. And we do jump back and forth, which makes the movie more interesting. I imagine having our main character be in one mindset for a longer period of time - that might have taken some of the tension out of the movie and make it boring (dare I say?).

The central performance is amazing. Also DJ Qualls really surprised me, being quite humorless and just being as serious as possible. In a good way that is, in case I wasn't clear. And that is what makes the movie really enticing, but you really have to have patience ...

Superb acting from all 3 main characters. The story just drags along. There's no real explanation of some of the events that take place. Sort of like a lower scale Lighthouse version.

One figures out soon that the main character is not right and is not at all surprised of the twist fifteen minutes prior to the film ending.

An ok movie, just lacked drive.

I only have a vague idea of what I just watched, but whatever it was was extremely well done. Sarah Adina Smith definitely has a brain 4 times the size of mine.

This film is more than just a film. It is an experience, and it has you from start to finish in its seemingly quiet way. Then it comes to you in your dreams too, in your conversations about it, and your will for others to see it too. The characters, the world, the scenarios, all bring to light a new perspective. I loved the storytelling and it's fresh, funny, and dramatic.

I often find that I am not so moved by newer films, that they aren't succeeding in providing me with new insight or actual cinema or unique stories. I have no issue with walking out and never needing to look back. This is a movie I want to see again. And I will find new revelations there.

I wish many more films would aspire to this, which succeeds in what it does.

I was able to suss out the plot line about midway through the 2nd act. Still, there were a few surprises working through to the end. Rami was excellent and perfect for the role; there were a few cool Easter eggs as the film progressed. Anything more would be spoiler-ish.

Overall, I'd recommend this flick to any M. Night Shyamalan fan.

Well done.

I appreciate independent movies that go against the conventional Hollywood grain but this movie just did not do it for me.

THE GOOD: -production and cinematography are well done and the camera shots are excellent.

-The acting is very good, especially from the lead character.

Now for the bad- the movie felt like it was trying way too hard to be something unique and it devolved into a pretentious, nonsensical mess. I was left with too many questions and there were a lot of plot holes. I can appreciate a movie that doesn't spoon feed the viewer everything but I have to have some kind of understanding of what's happening. This movie just left me in complete limbo. Too much of it made zero sense and that really took away from the story.

This is a visually striking film with an amazing plot. It took some time for me to fully understand this film but once you understand it, it will stick with you for a long time. Rami Malek's performance is flawless and minimalistic. If you're obsessed with filmmaking and cinematography you will appreciate this to its full potential.

I'm keeping with the on the run theme, having just watched The 39 Steps. Buster (Rami Malek) is no Robert Donut though and this is a much more involved film. We first meet Buster or Jonah as he was, looking like a wild hermit, the local cops inform us he's been on the run for 5 years, breaking into places for sustenance and evading capture. What plays out is essentially what's lead Buster to this place, but it's not a smooth ride. He works hard. Works the night shift. Has a young family, goes to Church. There's niggles though. His wife's parents that they live with don't approve of him. He's a free thinker, motivated, ambitious, there's a lot of energy in him and Malek taps into it well. I've often thought about how hard working nights must be. For Jonah here, well it's the catalyst for his break with society and reality. Working in the hotel as concierge when there's little to do but tidy up, he's on the edge of sleep deprivation with his mind time to wander. An encounter with The Last Free Man (DJ Qualls) brings some excitement. Qualls does paranoid crazy well. He's a torrent of conspiracy theories, Y2K, CIA Hitlists, the Inversion. This becomes Buster's new centre, The Inversion, his obsession, the idea of an impending event, one that will deliver him and others that he tries to warn by ranting on local talk radio. Taking refuge in vacant summer homes, his life on the lam is not unpleasant. Hot baths, some personal hygiene care, mixed with what I'm sure he'd denote as warnings of The Inversion, turning family photos upside down. It's all a bit like The Shining without the focus. This isn't a great film, but Jonah's desire to live his life free, away from the system of renting a home, working for the man, that's interesting and his struggle to make that work for his family, well there's real substance. There's a lot going on in Jonah's head and we only really see things from his perspective, meaning things can get a little fuzzy as he becomes more and more disconnected. It's intentional though, allowing the viewer to decide what's real, what's psychosis, what's important, what's the minds way of coping with horrible events. It would be better if it left some things left unsaid, but instead it feels the need to explain and simplify. This is a bit frustrating, but with so many possible interpretations, I guess Sarah Adina Smith who wrote and directed this wanted to throw us a bone. It's a twister, it's good, a little confusing, not overly satisfying, somewhat maddening, but highly engaging and the sort of film I could watch a few times, digging further into various theories. At the same time, it can be interpreted as being quite simple. The story of a bloke losing it, breaking down and healing to perhaps only relive the cycle over and over. It's not for everyone.

I can't deny that the idea was good i was so excited to see something but the writing had issues First of all the film is so boring who said that you have to make the shots so long to deliver the idea Under any circumstances if you want to make deep film with conspiracy and mental illness you shouldn't forget the main basics of making a film Which are simple don't make the audience bored by the long unnecessary shots.

The cinematography was good, Rami Malek performance was great and the soundtrack was kinda annoying.

There are definitely different ways to approach this film. It can be darkly comic, but at its core, it's a tragedy with one actor at the center of it who is ready to give it his all. Malek has become a star due to his TV series, Mr. Robot, and here he gets an opportunity to shine even further. The lead character is a tricky one, balancing different story lines and timelines and personality traits while still having to be consistent in characterization. It's not hard to see why Malek was cast here. He has such a bubbling intensity and forceful acting style that comes across natural while leaving a lasting impression, and that's exactly what he does here.

This movie is like a long extended episode of the Twilight Zone. The one thing I hated about it - I'm not bilingual - there's a lot of Spanish and no subtitles to translate so I was completely lost during those dialogues. It's def a movie you have to watch more than once to fully get it.

This reminded me of The Matrix. If you haven't seen The Matrix you will not have a clue what I am talking about.

Three story lines, never sure which one is the real one and which is imagination or hallucination. Development of each could have been much better, but it would have made the movie a lot longer, which was probably a constraint along with the obvious low budget.

Remi Malek does very well in his role, the obvious likenesses to Mr Robot show though, even though I believe he did this prior to Mr Robot.

Some of the movie is slow, other parts are very entertaining, but it could have been done better so only 5.5/10 for me.

'BUSTER'S MAL HEART': Four Stars (Out of Five)

An indie mystery about a mentally unstable mountain man, and former family man, who now survives by breaking into empty vacation homes, while he constantly warns others (on talk radio) about an upcoming 'Inversion' at the change of the millennium. It was written and directed by Sarah Adina Smith, and it stars Rami Malek (in his first starring film role), Toby Huss, Kate Lyn Sheil and DJ Qualls. The movie had it's world premiere at the Toronto International Film Festival, and it's received mostly positive reviews from critics. I found it to be bizarrely interesting, and for the most part pretty well made, but it also left things just a little too unexplained for my tastes.

The film opens with a mountain man, Buster (Malek), desperately trying to escape the authorities that are chasing him. He makes it to the top of a mountain, where the film then flashes back to his past as a family man, with a wife (Sheil) and daughter (Sukha Belle Potter). He also recollects on his time breaking into empty vacation homes, and calling into radio shows ranting about an upcoming 'Inversion' (at the turn of the millennium). Buster also has multiple visions of being lost at sea. As a viewer we have to interpret what's real, what isn't, and when and where it's all taking place.

The film is definitely bizarre and interesting, and I was always curious of where it was leading to. I think the acting is good in the film (especially Malek in the lead) and Smith is obviously a very talented filmmaker. I was just hoping for a little more from the conclusion. I don't need everything explained to me in a film, but I don't like everything to be left a question mark either. I'm sure some viewers will think they understand it, but I think most of the film is entirely left up to individual interpretation. If you like that type of movie you'll probably love it, I'm not a huge fan of the genre though.

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What starts as a regular drama, really surprises towards the end, when things take a different turn. Consider yourself warned if you aren't a fan of surreal film.

Buster's Mal Heart is really slow, but it develops nicely, without feeling dragged on. There are mainly 2 time lines. Present and Past. We see Buster as he is now, and throughout his days, we experience his memories. At times, there are a few dislocated scenes, not adding up to the story, though, they add up to the nightmarish feeling of the movie. The director is actually very good at playing with that feeling of underlying dread of a bad dream, and she does so more prominently at the end of the movie. Between the dramatic sequences of Buster's Mal Heart, there is a solid performance by Rami Malek, and later, his work remains consistent with the strangeness of the last segment.

However, not all is great about this film. The biggest problem is that all of the movie conjectures feel too loose to be tied up by the end. Most of the keys to unravel the story being touched upon too superficially to impact harder or stand out. A lot could've been explored further, and rather than playing at being something else, from the begginnig the movie should've been blurring the line between memory and delusion. Some other aspects of the story were predictable, leaving even more to be desired. Nonetheless, the experience was worth it, and most of the mistakes were covered by the grand finale, definitely recommend it for the right people. If you know what to expect, go for it.

A movie that I didn't understand until 20 minutes after the movie was over - just the way it is supposed to be. The director/writer has outdone herself.

Meaningless movie. Please don't watch. Waste of 1,5 hours of our life. Malek is good but the script is no good.