La scoperta

What a waste. The concept and overall story were fantastic. Unfortunately, that is where Netflix is showing its limits with Originals and the sub-par, lazy writing and directing that is barely above novice level. Even the great cast giving their best are unable to save it. This could have been an amazing, smart and original movie but ends up falling flat.

Watching a movie made around Jason Segel (playing mopey and morose to boot) is like trying to start a fire under a wet blanket. There was an occasional spark, an idea or twist, that reinvigorated a hope for something more. An appealingly moody colour palate, cold blues and greys. Interesting premise/s. Rooney Mara was great, as usual, bringing charisma to an otherwise desolate and charmless experience that inevitably led me to write this. As mentioned by so many people before me: what a disappointing waste of a phenomenal idea. This could have been something riveting. Perhaps my reception was tainted by Jason Segel's lack of likability. Is it my fault? In any case, I don't care. I'll have completely forgotten about this movie before I finish this...

There are a number of good things that can be said about Netflix's "The Discovery": It is good to see Netflix tackling big-budget, dramatic/sci-fi fare. It's encouraging that actors with the reputation such as Robert Redford has are now willing to work with the premiere streaming service. Plus, "The Discovery" actually has a germ of a really great idea at its core. Unfortunately, however, the film never really comes together like it should, essentially wasting that inventive idea with clunky acting and even worse pacing.

For a basic plot summary, "The Discovery" takes place in a future where noted scientist Thomas (Redford) has definitively proved the existence of an afterlife. The problem? Now people are committing suicide by the millions knowing that "something else" is beyond this mortal coil. The next logical step for Thomas, then? Discovering exactly what this afterlife consists of. This is where his son Will (Jason Segel) comes into the picture, visiting the scientist for the first time since a major falling-out to try and convince him to scrap the entire project. Along the way, younger son Toby (Jesse Plemons) chooses sides, while Will finds a mysterious woman (played by Rooney Mara) who has her own relationship with the "discovery".

Like I said, the concept behind this film is fascinating: What would happen if the afterlife were proved scientifically? Also, and I won't give away spoilers here, but even the research into what that afterlife consists of is fascinating in what it entails.

Unfortunately, though, the film is only a middling effort because of two glaring missteps that drag down the whole production:

1. The romance angle between Will & Isla. If you've seen the film "Eternal Sunshine of the Spotless Mind", that one nails this dynamic much better. In "Discovery", however, there is just no reason to believe that these two will fall in love, much less how that angle comes to dominant much of the film's runtime.

2. Perhaps better acting would have saved that romance angle, but alas it wasn't to be found here. Mara is much too bland as Isla, while Segel is terribly miscast as the lead. More than blank, brooding stares were needed for the role, but that is all Segel seems to be able to provide here. Redford is his usually solid self, and Plemmons steals the show from time to time, but other than that none of the other acting performances are above average (with some being quite below that line).

So, while "The Discovery" is a film that I really want to like more than 5-stars out of 10, the end product just isn't worthy of anything more. Had the sci-fi aspect been the focus throughout, I think that would have improved things considerably. A better, less confusing ending would have helped as well. As it stands, though, "Discovery" comes off as a very second-rate "Eternal Sunshine of the Spotless Mind" clone. Netflix may be taking strides in the right direction when it comes to original feature films, but there is still a ways to go to compete with the big studios.

The idea behind the premise of The Discovery is an interesting one but its implementation isn't as refined as expected and only works in bits n pieces. It's a thoughtful feature that experiments with existential elements and poses some intriguing questions but it neither presents it in a convincing manner nor remains thoroughly gripping.

Set in the near-future, the story of The Discovery takes place in a world where suicide rate is at an all-time high after a scientist's breakthrough research proved the existence of an afterlife. The plot follows his son who is skeptical of his father's discovery and a mysterious young woman he meets on a ferry who wants to find out more about the afterlife.

Co-written & directed by Charlie McDowell, the film opens with a prologue that skilfully sets up the future the rest of the plot unfolds in. For a while, it appears as if the director is taking more time to properly establish the characters & explore the metaphysical elements but the longer it continues to ponder over the same stuff, the more tedious it becomes.

The script is where the problem lies, for the brilliant hypothesis that the writers came up with isn't meticulously explored as if they couldn't figure out what to do with it, plus none of the characters inhabiting its future-setting are compelling enough. The plot wrapped around its theory begins on a promising note but by the time it ends, it finds itself in a familiar territory.

The cold colour palette, overcast ambiance & muted textures evoke a grim, hopeless future which fits the story requirements. Pacing is an issue as the movie plods through its 102 minutes runtime before concluding with a rushed ending. Rooney Mara, Robert Redford & Jesse Plemons play their part well but Jason Segel is severely miscast, and his chemistry with Mara is absolutely flat.

On an overall scale, The Discovery is one of those sci-fi flicks that teases with a fascinating idea but is unable to fill a compact & captivating narrative structure around it. Deficient in storytelling department and further marred by its cluelessness & lack of vision, it is a dull & sterile mess that had the opportunity to offer a sensory & stimulating experience but what it ultimately delivers is a cinematic ride that's as frustrating as it is hollow.

Just reading the synopsis raised my expectations, which is perhaps why the movie fell flat for me. Instead of an exploration of an intriguing idea, the film really became a declaration of faith in what is essentially a notion that cannot be proven and thus cannot really be known. When assertions are made about the mysteries of consciousness, you either believe them or you do not.

I would have given this a higher rating just for tackling such a difficult topic but the direction, acting and even cinematography never really came together. There were plenty of big, proven names who lent their prestige to this project and yet surprisingly none of the people involved seemed willing to commit. It was like they all knew the outcome would stink but no one wanted to sully their reputations by doing a bad job.

It is worth a watch if you are fans of some of the actors as I am. The arc of the plot is not unsatisfying even though it is in many instances frustrating. A film perhaps to while away the time and put yourself in a more contemplative mood.