Super Dark Times

Teenagers Zach (Owen Campbell) and Josh (Charlie Tahan) have been best friends their whole lives, but when a gruesome accident leads to a cover-up, the secret drives a wedge between them and propels them down a rabbit hole of escalating paranoia and violence. Not to mention both friends are interested in the same girl (Elizabeth Cappuccino).

Viewers of a certain age and upbringing will latch on to this film almost immediately. This was life in the pre-Internet era, circa 1992, with scrambled pornography on television being the most exciting thing a teenage boy could hope for. Perhaps an older brother will have a sword or some other contraband to show off to your suburban friends and be a hero for a day.

Through this film, we also get a peak at the "nerd" or outcast world, not far removed from the group of kids featured on Netflix's "Stranger Things", if we add a few years. Having been a part of that crowd and that generation, the reviewer can confirm that conversations about a prosthetic "hand that cooks steaks" might have been entirely plausible. Interestingly, the outcast world (the reviewer again confirms) has its own tiers. There is more than one kind or level of unpopular, and as we see in "Super Dark Times", the annoying overweight kid is likely to be looked down upon, even by those already ostracized.

Without giving too much away, let us just say an unfortunate death haunts this small band of outsiders, but what really shows off the cleverness of the script is how they deal with it in different ways. Who will be able to handle the pain and guilt? Who will be eaten up inside? And as the warning signs tart adding up, will anyone notice that this is not all just going to blow over? The acting is top-notch and you have to give these kids credit for tackling such dark material and executing it flawlessly.

The direction is strong, and this really comes through later in the film as we start to feel the pacing gnaw at us (in a good way). There is an incredible use of suspense and tension as the film reaches its climax, and if you find yourself literally on the edge of your seat, you are not alone. The viewer ultimately winds up caring about these kids, and cannot even attempt to look away as things could become worse… or salvation swoops in. It could go either way – you just have to watch and see.

"Super Dark Times" screened on July 13, 2017 at the Fantasia International Film Festival (opening day). There are many strong films this year, as there are every year, but this film really sets the bar high for suspense and thrills. As the festival rolls on, other films will try – and possibly not succeed – in matching that bar.

This film gets points mostly for the execution of a familiar plot. Throughout the runtime all I could think about was how familiar the story is to other Teens gone bad films - especially MEAN CREEK, which I think is superior when it comes to heart. That being said, I don't think the objective of this film was to pull at your heartstrings the way that Mean Creek intended, but that's where the downfall lies in my opinion. The first act was nostalgic, hilarious, and I was really getting into the characters, then it devolved from there, delving into basic Slasher-Thriller territory. Still worth seeing though and it definitely has its moody moments and shots. The production and sound are fantastic, but I'm big on the story and to me it falls flat after the first act.

-Also, I'm not sure if I missed something, but what the hell was up with the intro with the deer? I mean it could be seen as foreshadowing I guess, but that scene could've been cut out if you ask me.

Super Dark Times (2017):

While I was watching Super Dark Times,the one thing which really surprised me is that this one is work of a debutante director.The way the movie started and the atmosphere set clearly promised me a hell of a ride and almost succeeded in keeping that promise.

Plot:

Zach (Owen Phillips) and Josh (Charlie Tahan) are best friends growing up in a leafy Upstate New York suburb in the 1990s, where teenage life revolves around hanging out, looking for kicks, navigating first love and vying for popularity. When a traumatic incident drives a wedge between the previously inseparable pair, their youthful innocence abruptly vanishes.

My Review:

Every person's adolescent age is the most dangerous part of his life as it triggers dangerous feelings and emotions which decides his fate of the life.It is the age which involves us in lot of adventures which may stir lot of turns and lessons in our life.Super Dark Times showcases the scary proceedings in our lead roles adolescent life.

Director Kevin Phillips's debut feature looks a lot like Stranger Things-set in the 1990s, there are gorgeous shots of Super Dark Times' misfits riding their bikes around suburbia, but these coexist with stark, ominous images of long shadows and tall trees. Darkness lingers in every frame like a vulture waiting to swoop. Fun times grotesquely morph into horror in a matter of seconds: Four boys are playing with a sword in the woods, and then three boys are covering a body with crunchy autumn leaves.

Phillps and writers, Ben Collins and Luke Piotrowski, steadily raise the tension as the film progresses, making for an unsettling watch as their situation continues to weigh on the young characters.Nailing to atmosphere and mood of 'Super Dark Times' is the key to the film's success because we've seen these tales of teenage mishaps and cover-ups plenty of times.. Here, we are swallowed whole by the film's aesthetics, which manage to always fit the picture and wrap us up in the film's world without ever being overbearing.

But what went wrong is the third-act of the film which is oddly paced and difficult to follow.Its like the maker desperately tried to confuse us and thrill us at the same time with lot of unexplained events and violence.It backfired.

Performances are amazing.Charlie Tahan (From Wayward Pines) is amazing and his character transition is surprising.Owen Campbell gave spine-chilling performance in the scene where he imagines having intercourse with Allison in woods.Elizabeth Cappucino is a show-stealer although her role is limited.

Technically Super Dark Times is amazing with stunning cinematography by ELi Born and haunting score by Ben Frost.We have to notice that all these persons are not widely known.

SO,Super Dark Times is an impressive haunting thriller which involves mostly debutante technicians but confused writing in its climax disappoints.

My rating 7/10

First off this is NOT a horror movie in any way. So I'm not sure why they have labeled it one. It's a dramatic thriller. The story was really good and I liked the era and setting it takes place in. But then towards the end it kind of loses me. It doesn't really wrap up anything with the individual characters and abruptly just ends. If there was some kind of a hidden meaning in there I didn't see it. Good movie but the ending just leaves you thinking but not in a good way.

Saw this at the Rotterdam film festival 2017 (website: iffr.com). The synopsis on the festival website contained ample pointers to avoid this movie, for example "life revolves around vying for popularity, hanging out, falling in love and looking for kicks". Luckily there was only little attention for partying, courting, clothes, and more such, unlike other movies covering youngsters of high-school age. The real drama took some time to develop, but once becoming apparent it stayed in the forefront, and so should it be.

A bit problematic (for me) is that the finale went a bit too fast and too bloody for my taste, something that did not follow logically from what happened before. It seemed a bit over the top. On the other hand, a different ending was not easy to think of, as involving the police and the legal system would have ruined the story completely. Moreover, it would require bringing in the parents of our main protagonists, which usually does not bode well for the clarity of the drama. Anyway, unexpected turns of events came at a steady pace and without weak moments, one step after another. The role of the female college students was less cultivated, as if they were only background tapestry, or maybe serving as catalyst material to speed up developments but otherwise not really crucial for the outcome.

Unclear is the opening scene where a deer is found dead in the class room with a broken window. It took some time before the police entered, who started exchanging glances with each other, but I'm at a loss what it all meant.

From the final Q&A I learned a nice statement: "planting little seeds here and there is the essence of script writing". And also: Rhythm and pacing are important (it was a side answer to a question about the sound track, but even more applying to the screenplay).

Also from the Q&A: A serious attempt was made to give Josh more dimensions in his character. Same for the others, though they did not need it that much. All were nice young men without really bad habits, but only nice is not enough to keep our interest.

All in all, I was glad to have booked tickets for this movie, despite my fears that it was to become another coming-of-age story with too much time devoted on courting and partying. This time there were no problems along that line. It sustained a real focus on the central story and its pacing of subsequent developments. The audience awarded this movie a mediocre 73rd place (out of 172) with an average score of 3.905 *out of 5).