In un regno noto come Lumandra, una Terra reimmaginata abitata da un'antica civiltà, un guerriero di nome Raya è determinato a trovare l'ultimo drago.In un regno noto come Lumandra, una Terra reimmaginata abitata da un'antica civiltà, un guerriero di nome Raya è determinato a trovare l'ultimo drago.In un regno noto come Lumandra, una Terra reimmaginata abitata da un'antica civiltà, un guerriero di nome Raya è determinato a trovare l'ultimo drago.
- Candidato a 1 Oscar
- 13 vittorie e 62 candidature totali
Kelly Marie Tran
- Raya
- (voce)
Gemma Chan
- Namaari
- (voce)
Izaac Wang
- Boun
- (voce)
Daniel Dae Kim
- Benja
- (voce)
Benedict Wong
- Tong
- (voce)
Jona Xiao
- Young Namaari
- (voce)
Thalia Tran
- Little Noi
- (voce)
Lucille Soong
- Dang Hu
- (voce)
Alan Tudyk
- Tuk Tuk
- (voce)
Gordon Ip
- Merchant #2
- (voce)
Patti Harrison
- Tail Chief
- (voce)
Jonnie Park
- Chai
- (voce)
- (as a different name)
Sierra Katow
- Merchant
- (voce)
- …
Ross Butler
- Spine Chief
- (voce)
Recensioni in evidenza
Raya and the Last Dragon is the most spectacularly meh film I think I've ever watched. Cool world. Boring characters. Ok story. Awful pacing.
This is a great animated movie. Visually beautiful with a good story, heart, and some pretty cool action (the fight scenes were really good!). I was emotionally invested in the characters and the outcome of the story. Very funny. Awkwafina did a great job, elevating her character. I really enjoyed it and would watch it again. Oh and I liked the musical score. (1 viewing, 11/6/2021)
'Raya And The Last Dragon (2021)' has a strange tone that actually sees its comedy clash immensely with its drama, rather than compliment it. It doesn't help that the opening is pretty much played straight and that there is a rather serious undercurrent running throughout the entire affair. It also has an odd pace that kind of makes it feel like a video-game truncated into two hours, awkwardly squashed to fit its medium. These issues are particularly frustrating because there are segments in which the movie truly is great. Rather than being outright bad, its least successful moments simply pull down its most successful ones and make the overall affair less effective than it clearly could have been. Still, it's not as if the flick isn't enjoyable. For the most part, it's a solidly entertaining experience with some unique aesthetics and appropriately amazing animation. The fact that it was completed almost entirely from home due to COVID-19 is especially impressive; it looks and moves just as good as any of Disney's recent efforts, if not better. One highlight is certainly its fight scenes, which typically have quite a bit of weight to them and emulate something seen in a proper martial arts flick (though they're obviously less violent). In the end, this is a mostly fun but occasionally frustrating adventure. Despite its issues, it proves that people can pull together to create compelling no matter what the circumstances may be. 7/10.
The movie's basically another allegory on greed and how it can tear humanity apart.
Now the plot's lack of originality would've been fine if they had a strong cast and some solid writing to build upon. But sadly, they were more concerned over the number of characters they could shove into the film than they were with actually developing said characters into actual people.
They keep cracking jokes and pop culture references instead of holding conversations that would could've added depth or provide a much more organic build-up to trusting and accompanying Raya -- a lone wanderer. They do have their somber moments, but it's brief and doesn't really do much in terms of establishing their bond over lost loved ones. It feels formulaic.
Back to the theme, I get it. People are inherently greedy. Greed is bad and destroys communities. It's overdone and the movie constantly bashes the audience's heads over it. Especially Sisu, who's the worst offender of the bad off-timed
I gotta admit that Raya does have great visuals and fluid animation. However, the dragons just pull you right out of the immersion. They stood out like sore thumbs with their wacky colors and fur, similar to those silly caterpillars with googly eyes. I bet they designed these "sacred dragons" with the intention to sell as many toys as they can.
Now the plot's lack of originality would've been fine if they had a strong cast and some solid writing to build upon. But sadly, they were more concerned over the number of characters they could shove into the film than they were with actually developing said characters into actual people.
They keep cracking jokes and pop culture references instead of holding conversations that would could've added depth or provide a much more organic build-up to trusting and accompanying Raya -- a lone wanderer. They do have their somber moments, but it's brief and doesn't really do much in terms of establishing their bond over lost loved ones. It feels formulaic.
Back to the theme, I get it. People are inherently greedy. Greed is bad and destroys communities. It's overdone and the movie constantly bashes the audience's heads over it. Especially Sisu, who's the worst offender of the bad off-timed
I gotta admit that Raya does have great visuals and fluid animation. However, the dragons just pull you right out of the immersion. They stood out like sore thumbs with their wacky colors and fur, similar to those silly caterpillars with googly eyes. I bet they designed these "sacred dragons" with the intention to sell as many toys as they can.
Yet another brilliantly done animation movie which is absolutely absorbing and should please audiences of all age groups. The movie has an Asian background and the antagonist is Raya, a warrior princess on a mission to bring back a dragon gem which will then help to bring back her father who has been turned into a stone statue by evil spirits. All this she does with the help of Sisu the last dragon who converts into human form for the mission. The plot keeps us glued to the screen since it has all the elements of an emotional drama ( father -daughter relationship) .The kingdom is split into 5 parts resembling the parts of a dragon starting from Fang, then Heart, Spine, Talon and finally Tail. So there is a mission, an assorted crusader group from the 5 areas, a few evil spirits ( the druuns), some adventures on the way, a bit of betrayal by a member, death of a member, and finally a fight to gain the gem which breaks into 5 pieces. Now Princess Raya has to retrieve and reassemble the 5 pieces to make the gem whole again and achieve results. ( Similar to mission of Avengers end game ?).
There are a few nicely done scenes like a hand to combat of princess Raya and princess Namaari, dragons dancing and flying all over the landscape, Vietnamese boats area etc. The dialogue speaks of trust, togetherness and peace like " Maybe the world is broken due to lack of trust" and " We are a world of orphans because we are fighting over a piece of gem". Very relevant to what is happening in our world today.
There are a few nicely done scenes like a hand to combat of princess Raya and princess Namaari, dragons dancing and flying all over the landscape, Vietnamese boats area etc. The dialogue speaks of trust, togetherness and peace like " Maybe the world is broken due to lack of trust" and " We are a world of orphans because we are fighting over a piece of gem". Very relevant to what is happening in our world today.
Lo sapevi?
- QuizSome Vietnamese words are used in this movie such as "Ba" which Raya calls her father. And "Oh, Toi" means "Oh, we're screwed"
- BlooperIn South East Asian cultures in particular and Asian cultures in general, it's considered very rude to address people who are older or in higher status than you with only their names, such as when Raya calls Tong or Boun calls Raya or Raya calls Sisu (a deity-like figure) with their names only. In Asian cultures usually you would address people using familial relationship: you would call a person who is around your age or slightly older than you with "brother/sister", person who is in the range of your parent's age with "uncle/auntie", person who is older than that with "grandpa/granny", and revered/high status/deity figure with something like "master/lord/lady". So Raya would call Tong "Uncle Tong", Boun would call Raya "Sister Raya", and Raya would address deity-ish Sisu as "Master Sisu" or "Lady Sisu".
Though this would, of course, assume that Kumandra is in what is known today as South East Asia. Even if it were, there's nothing to suggest that they would follow the customs of that area as it is today.
- Curiosità sui creditiA message appears towards the end of the credits: "The making of this movie from over 400 individual homes was completely unprecedented, and relied entirely on the talent, ingenuity, and dedication of everyone at Walt Disney Animation Studios. The filmmakers would like to thank them for their tireless hard work, good humor, and most of all patience... with our inability to properly use the internet. (Dude, you're still on mute.)"
- Versioni alternativeIn the Indonesian version, the original end title theme replaced by "Kita Bisa" by Via Vallen.
- ConnessioniEdited into Zenimation: Rain (2021)
- Colonne sonoreLead the Way
Written and Performed by Jhené Aiko
Produced by Julian-Quan Viet Le (as Julian-Quán Viêt Lê (Lejkeys))
Recorded and Mixed by Gregg Rominiecki
Jhené Aiko appears courtesy of 2Fish/ArtClub/Def Jam
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 54.723.032 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.502.498 USD
- 7 mar 2021
- Lordo in tutto il mondo
- 130.423.032 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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