Alistair1918

This is one of those shaky camera movies. With stilted dialog and not well-thought-out plots. You cannot have "time travel" without a whole (wormhole). But this is too many holes in the plot and the execution.

Someone might think "how can he adapt to technology so quickly?" This is explained in the movie. A cell phone is just a combination of phone and radio which both exist in 1918, etc.

Others may ask why not ask questions of that time to help verify his story? Try asking a teenager where Belize is.

Alistair (Guy Birtwhistle) gets blown out of 1918 France to today (2016) in the U. S. He immediately becomes a homeless bum and counts the days accurately for filmmakers that cannot hold the camera still.

All he wants to do is worm his way home. All the filmmakers want to mess with his life and film it. Can the two wants coincide?

Can you stand to watch this slow-moving movie to the end to see if there is any twist or turn? I doubt it.

A wonderful little film...superbly acted, well scripted...makes one want to believe in time travel. Nothing too ambitious, just a small tale very well told...a soldier is launched forward in time, and desperately wishes to get home to a wife he is certain is waiting for him. Although some characters doubt his sanity and veracity, watching this one wants to believe him...all in all a lovely bit of cinema, and one of the few documentary style movies that actually delivers...bravo all...

If you were in a Hollywood movie and you stumbled across a man that said that he'd time-travelled from 1918, I bet you'd help him and there would be amazing special effects. If the same scenario happened to you in real life, I wonder if you'd be more likely to run away and perhaps report him to local services of some sort?

I found this film quite extraordinary, but something about it intrigued me enough to watch it all the way through.

I initially felt that it was obviously very low budget (which it clearly is). Then I felt that the acting was nothing special, until it struck me that the acting was incredibly natural. It all just seemed very real to me which makes a change because in these types of found footage/hand-cam movies I'm used to clichés. There were no corny lines that I noticed.

The reason that I've put in my subject title that you have to use your imagination is because there are parts in the film where I thought "that doesn't explain something", or "you just wouldn't do that, would you?". That is where I had to make allowances. It's confusing in parts. I felt emphasis with the female lead who wasn't sure if she believed the soldier, but she wanted to. - And then her male partner/husband who was very cynical. (That also confused me because at one point, unless I misunderstood, she's gay?).

The script was written beautifully and with realism, the lead actor (and writer) I felt was very handsome. It even picked up on the fact that because of what had happened to him and the fact that he'd been in his uniform for a while, that his body might smell a bit. Little touches to the movie like that are often not noticed or generally not even mentioned.

I suspect that most people won't like this movie. Personally I thought it was very good. Not superb, but very good. 8/10 from me and I'm going to see what else I can find from at least the 2 lead actors in this movie. Particularly the male.

I was expecting the usual American rubbish with the fake British accents thrown in for good measure but I was pleasantly surprised. OK it was unrealistic but all time travel films are unrealistic (how could you go back if you could kill your own parents etc.). However having overlooked this and the fact a British soldier transported from WW1 happens to land in LA and not outer Mongolia, where presumably there are no audience dollars, it is almost credible. The Yorkshire accent is good and the reactions of the Americans he meets are just about believable too. I also liked the concentration on a good plot rather than special effects and furthermore give the producers credit for mostly eschewing the woke agenda and not risibly shoe horning in some fictitious ethnic minorities from WW1 to appease the BLM crowd (as the film 1917 did).

I've been scorching underwhelming time travel films lately while hoping to find a good one. Finally. All I can say is an emotional thank you to Guy and Annie for this wonderful, sentimental labor of love. And thanks you to those who fell on the fields of France during those terrible years. I will include the three names.....Willie Walton, Robert Birtwhistle, Fred Booth.