Aggiungi una trama nella tua linguaSet in a near future in which the Tangle connects everyone to everything via hard drives in the brain, a group of government agents try to protect humanity from within hidden technology safe... Leggi tuttoSet in a near future in which the Tangle connects everyone to everything via hard drives in the brain, a group of government agents try to protect humanity from within hidden technology saferooms, rooms the Tangle cannot reach.Set in a near future in which the Tangle connects everyone to everything via hard drives in the brain, a group of government agents try to protect humanity from within hidden technology saferooms, rooms the Tangle cannot reach.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 9 candidature totali
Recensioni in evidenza
Pretentious romantic murder mystery attempting to fuse classic private dick style Sam Spade interrogation with nanobot technology, pseudo intellectual poetry readings, and a freaky looking woman's head in a snow globe that allows the elite 'untangled' to measure eye movements remotely and see every movement of their suspect except during the murder because there are safe spaces which the technology can't penetrate. It's as if they changed the technology each time it contradicted the premise of the story. Acting was fine but story just average and ruined by their attempt to make it appear the movie is an intellectual art film for only the most discerning of idiot savants.
The premise looked interesting, but within the first 5 minutes I was annoyed by the dialogue and the pretentiousness of the acting. Within about 15 minutes I had solved the murder mystery. Then I got bored with the poetry that served no purpose in the plot and I fell asleep and woke up towards end, just in time for some more poetry and the revelation the the murder was indeed just as I had predicted 15 minutes in.
The three stars are for the idea and the acting of the guy who plays Carter. The rest of it is a big nope.
That said, my husband liked it, so like always, it comes down to taste.
The three stars are for the idea and the acting of the guy who plays Carter. The rest of it is a big nope.
That said, my husband liked it, so like always, it comes down to taste.
Big fan of Christopher Soren Kelly and was really anticipating this movie. This is a dialogue heavy movie but you start out with very little understanding going in. Sure there's explanations in the characters interactions but as good as the writing is, it doesn't feel natural. For example a suspcet is explaning how the Tangle works, to the people who created it. And the conversations are so quick you don't get a chance to absorb exactly what's going on.
This film goes in my box of "What a shame" flicks-- movies that had great potential but the writer / director just blew it by one single but major flaw. In the case of this one, it was the very disappointing "hang in the air" ending. No spoilers, but it spoiled the movie for me.
To be clear: unlike a lot of reviewers, I didn't mind the "scripted, stilted" language. This is a movie set in the future. If there is anything history has shown us, language changes drastically over time. To expect them to speak the same manner in which we speak would be unrealistic. The problem however was the delivery: lines and phases spoken too quickly and without emotion, as if being read off a teleprompter. That's poor directing and acting both.
The story presents a very unique concept. How does one commit a murder in a world where absolutely every detail is recorded, every nanosecond of the day?
Contrary to some vapid claims here, this movie is nothing like The Matrix.. Viewers need to get used to the fact that there are going to be more and more movies about virtual reality... because that field of science is becoming less fictional. Not every movie about virtual worlds is a "rip off" of The Matrix. How many movies have been made about two people falling in love? Yet we still watch romance movies. The entire atmosphere of this movie is different: noir, most of it set in a single room, most of it relying on observation rather than special effects. It's different enough to be interesting... if one can keep up with the Tommy-gun dialog.
What this is... is a pretty decent murder mystery. Plot, mystery, clues, reasonable acting (especially by the primary suspect). What it doesn't have is a well-thought-out ending... and for that inexcusable blunder I give it 4 stars. There's little more that I hate in a movie that for it to string people along for the entire film, then drop the plot on their laps, leaving them to design their own conclusion. Makes one want to taser the director in the tenders, it does.
If someone wishes to watch this, I'd recommend doing so simply for the unusual style of the film. You'll possibly enjoy 99.5% of the film... right down to the last blundering minute. Then maybe not so much. That's the smack, Jack.
To be clear: unlike a lot of reviewers, I didn't mind the "scripted, stilted" language. This is a movie set in the future. If there is anything history has shown us, language changes drastically over time. To expect them to speak the same manner in which we speak would be unrealistic. The problem however was the delivery: lines and phases spoken too quickly and without emotion, as if being read off a teleprompter. That's poor directing and acting both.
The story presents a very unique concept. How does one commit a murder in a world where absolutely every detail is recorded, every nanosecond of the day?
Contrary to some vapid claims here, this movie is nothing like The Matrix.. Viewers need to get used to the fact that there are going to be more and more movies about virtual reality... because that field of science is becoming less fictional. Not every movie about virtual worlds is a "rip off" of The Matrix. How many movies have been made about two people falling in love? Yet we still watch romance movies. The entire atmosphere of this movie is different: noir, most of it set in a single room, most of it relying on observation rather than special effects. It's different enough to be interesting... if one can keep up with the Tommy-gun dialog.
What this is... is a pretty decent murder mystery. Plot, mystery, clues, reasonable acting (especially by the primary suspect). What it doesn't have is a well-thought-out ending... and for that inexcusable blunder I give it 4 stars. There's little more that I hate in a movie that for it to string people along for the entire film, then drop the plot on their laps, leaving them to design their own conclusion. Makes one want to taser the director in the tenders, it does.
If someone wishes to watch this, I'd recommend doing so simply for the unusual style of the film. You'll possibly enjoy 99.5% of the film... right down to the last blundering minute. Then maybe not so much. That's the smack, Jack.
The concept is great, acting is good, but the dialog is way over the top, a dialog which keep circling round and round around the same subject, and after a few circles, it becomes truly annoying. I stopped watching after 10 minutes. Maybe better editing would have rendered this movie more attractive.
Lo sapevi?
- QuizNicole Da Silva who plays Francesca also played a character with the same name in Wentworth.
- Colonne sonore1 2 3 4
performed by DL
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Tempo di esecuzione
- 1h 39min(99 min)
- Colore
- Proporzioni
- 2.39:1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti