Hello, It's Me

This is a very enjoyable and engaging movie. The element of fantasy/supernatural is not often seen in a Hallmark movie. It is refreshing to see a family oriented movie with actors portraying real emotions of love, loss and finding happiness. The child actors are excellent, and the relationship between the two main adult characters is mature and believable. I find that in many Hallmark movies, the actors play their roles as over the top caricatures or the chemistry is absent and that is not the case in Hello It;s Me. I have seen this movie three or four times and I never tire of it. I highly recommend this movie!

I really liked this movie. The story was quite touching and avoided a lot of the sentimentality and schmaltz that you often see from Hallmark movies. The characters seemed real and the dialog was very natural. Kellie Martin's performance as widow Annie was superb. You really felt the pain of her loss, her concern for her family and her growing attraction for James. Kavan Smith as her love interest James was great too. He really made you believe that this rich, successful heir to a fortune was just a nice, ordinary guy who truly wanted to connect with Annie and her children without any ulterior motives. The chemistry between the two was wonderful. Their attraction seemed very genuine and unforced.

I liked how Annie's daughter Ella was a bratty, sullen teenager. Sure, there were times you felt like slapping her upside the head, but she was much more like what you would expect a 14-year old who had lost her father to act than the saccharine sweet teens that you often see in Hallmark movies. Annie's 7-year old Milo was quite believable, too. A boy that age who had lost his dad would immediately latch onto a nice man who showed him some attention and who could play the role of a father figure for him.

I thought the initial venom from Annie when James almost ran into her was a little over-the-top. Of course, this is part of the rom-com formula. The leads usually need to start out as quasi-enemies, and, more often than not, the initial enmity is done badly and seems forced. I'm glad that it didn't continue for very long. Otherwise, I found their interactions with each other very believable and enjoyable.

The whole supernatural thing with the phone messages beyond the grave from Annie's late husband Andre wasn't done very well, and could have been eliminated from the plot, in my opinion. This was a heartwarming drama about relationships, not The Twilight Zone, and that plot element really seemed out of place to me. Other movies of this genre have used the plot device of having the widow/widower having imaginary conversations with their dead spouse. That's a little cheesy, too, but would have worked much better in this story than the phone message thing, where the messages were cryptic, one-word utterances.

Otherwise, I loved this movie. It had a lot more emotional depth than most Hallmark movies and the dialog was natural and realistic, avoiding the stilted "Hallmark-speak" that you get in many of their films. I highly recommend it.

7.7 stars.

There is something about this family, a widow named Annie (Kellie Martin) and her two children. There is a depth to them that is rarely seen in family relationships with Hallmark. James (Smith) is at their home and he gets to experience this wonderful trio, so endearing, and lovable, in spite of the daughter's bitterness.

This film is beautifully wrought full of deep emotion for the loss they have suffered and James is the right man to fit the huge hole that has been vacant for the past two years. The son lights up when he's around, and it's evident that Annie is falling for him. Once they are able to sort through the emotions and the complicated grief, maybe they can be happy once more. The complexity of their loss is that Annie is getting messages from beyond the grave. What do these messages indicate? Annie must figure it out for herself.

I cried not once, twice, but three times. I wept like a baby in one scene, a rare moment for a film to evoke such a measure of compassion within me. It's just a movie after all...

2015 did see some good Hallmark films, as well as some bad ones and plenty in between. Had a good feeling that 'Hello It's Me' would work, with it having one of the most appealing and relatable-sounding premises of 2015's Hallmark batch and have always admired it when Hallmark tackle mature themes regardless of the execution. Have seen Kellie Martin and Kavan Smith in other things, and while Martin is a bit take and leave Smith have near consistently impressed me in spite of being in some misfires.

'Hello It's Me' on the whole turned out quite well. 2015 did see some good Hallmark Movies and Mysteries films and 'Hello It's Me' is one of them. While not one of the best 2015 Hallmark films overall, it is certainly closer to that extreme than the worst in my view. There is also a lot to like in 'A Gift of Miracles' and it does a nice job with its premise and relatable family themes, it started off a little uncertain but grew significantly when the characters and relationships did.

Not everything succeeds. It is a bit of a slow starter, with less than tight pacing and dialogue that goes a bit too far too far on the maudlin. It took me a bit of time to warm to Martin's character, who even for the situation seemed too mopey and stuck in the past which took somewhat too long to shake off.

Smith's character is a little too clueless towards the end.

A lot is good here though. The latter stages did see me connect more with Martin's character and understanding her point of view and Martin does give a very heartfelt performance that is one of her most natural, no signs of phoning in or being too affected. Smith is very subtle and sympathetic and they have a lovely gentle and always genuine chemistry that develops realistically. The younger cast also do well, especially the daughter in the second half. Very touching chemistry with Smith later on. The situation is a true to life and relatable one and once the film got going it did do well at allowing one to connect to the characters after an uncertain start.

Furthermore, it t is beautifully filmed and the scenery is stunning to look at. The music is not intrusive, and didn't feel too melodramatically loud, repetitive or too constant (all of which being common with Hallmark's music), actually found it very sensitive. The direction lets the drama breathe while not allowing it to drag. The script is sincere and mature without being too melodramatic or too serious, while not sugar coating. The same goes for the gentle, charming and moving story, which is not always as fleshed out as it could have been but the good intentions and sincerity were to be admired all the way through as was the relatability of the themes.

Overall, well executed, honest and touching. 7/10.

I like these type of movies, a rainy afternoon coming in from the cold and settling down to warm by a fire and watch some light relief.

Kellie Martin and Kevan Smith are two of my favourite Hallmark actors, neither have said hello to the Botox and seem more genuine than some of the others (especially women). Both have always given a stellar and solid performance, even when dealt a dodgy script. For this though, it seemed the writing had more depth and allowed for the characters to grow, it was touching and sensitive. The scenery was magnificent and really added to the whole film.

A quality film and well directed from Mark Jean.