Scappa - Get Out

'Get Out' was very highly recommended by a friend, also a fellow film enthusiast, and the subject matter of the film really interested me. Add to that a very promising trailer, the award nominations and wins and mostly positive word of mouth (even with the very vocal detractors), and interest was higher.

High expectations were not only met but also exceeded. Apologies for the cliché, but to me that is the best way to sum up my personal experience watching 'Get Out'. Can totally see why it was as well received as it was, though can also see why it has divided audiences on here. While it will never be one of my favourite films, 'Get Out' is among the better films of 2017 and does live up to the hype.

It's an incredibly well-made film visually, with stylish and unsettling cinematography and editing and some disturbingly surreal imagery that adds to, and enhances, the unease and sense of dread.

That the direction was done by a first-time director is a shock in itself, one of the most outstanding debut directing jobs seen in a long time by me. It's nostalgic in its embracing of contemporary and classic horror and also brave in the accomplished handling of the film's combative themes.

Being somebody who considers music important when talking about it, the music looms suitably ominously and fits well. 'Get Out' benefits from an extremely smart and clever script (though 'The Shape of Water' and especially 'Lady Bird' were worthier wins for the Best Original Screenplay Oscar in my view), that takes on a lot of elements and balances them adeptly and the individual elements handled very effectively.

Despite how it sounds, 'Get Out' struck me as more of a thriller with horror and comedic elements. It is highly successful on this front, with the thriller elements being taut, suspenseful and unsettling, the comedic ones being darkly funny and clever and the horror ones being imaginatively shocking and subtly uneasy. There is even some social commentary and interracial themes explored, and done thoughtfully and just about avoids preachiness while hitting hard still.

While all the performances are very fine, it is Daniel Kaluuya's superb lead performance that burns in the memory the most.

My only complaint of 'Get Out' is the too pat and somewhat silly ending that felt tacked on and like it came out of a different film, to me it too ended on a tonally jarring and that's it note.

Until then, the film was this close to being a masterpiece. So it was frustrating that it just missed out on that distinction. Nonetheless it's a great film that is among the year's better ones, brought down by an underwhelming ending. 9/10 Bethany Cox

I'll say right off the bat, I didn't really know who Jordan Peele was coming into this movie. I knew he had a show with Keegan-Michael Key and was a comedian of sorts. What I didn't know was that hiding underneath all that was a genuine fan of classic horror just waiting to get out.

Get Out surprised me for a number of reasons. The first is it kept me wondering what exactly was going on. There was just enough there to build atmosphere and tension without giving away the surprise. And it was delivered with such skill and care that It truly unfolded masterfully. You know something is wrong. You know something is up. But you can't quite figure out what it is.

And secondly this was the work of a first time director. It's rare that you get a movie written and directed by the same person on their first attempt and they manage to hit it out of the park.

And lastly, it gave us something new. This is possibly the best aspect because I am sick to death of cookie cutter horror movies. People nowadays have forgotten that horror doesn't just mean blood and guts. Before directors had to create tension and atmosphere by building the plot and unraveling the story slowly. It's refreshing to see this done with such care.

Is it a perfect movie? No it isn't, but it's damn good especially if you're in the mood for a good psychological thriller with horror overtones.

Jordan Peele's strong directorial debut got well deserved Oscar attention, as it's unique, intelligent, and often times subtle storytelling made for a well layered, suspenseful film experience.

It is hard to say one actor out of the supporting roles stuck out as they all performed so well, but Daniel Kaluuya in the lead role as Chris was superb. His usage of facial expression and body language played so well to his character, and in a movie with plenty of good qualities about it he shines.

Jordan Peele also uses a lot of subtle imagery that contributes well to the themes and tone of his story, which is notably impressive especially for a first time director and make for rewarding second, third and maybe even more repeat viewings.

This movie is not without faults however, as there is a handful of times where characters inexplicably act strange seemingly just for the audience, and like most horror movies coming out recently it has it's pointless, shrill music stabs to emphasize a silly jump scare.

Despite it's faults, I would still highly recommend this one to anyone looking for an intriguing story.

Jordan Peele's directorial debut is an exhilarating horror thriller that also manages to spark laughter and comment on social issues. The cinematography, tropes, and soundtrack echo horror, but the film finds abundant moments of comic relief like when a father reassures the main character he isn't racist by claiming, "I would have voted for Obama for a third term." Before the plot delves into a traditional horror frenzy, it mines the horrors of racism. The social commentary plays on audience expectations and results in both humor and suspense. Delivering both on the expectations of the genre and the comedic expectations of a Jordan Peele creation, GET OUT is simply amazing.

the newest film made by jordan peele lives out to the hype that it made.horror comedy is one of the hardest genres(or sub genres) to make a movie about.some good examples would be evil dead 2 and scream.the film actually takes a subject like racism and makes it into a parody of itself.the comedy of the movie is actually really subtle and your'e not gonna walk into the movie and start laughing as a joke comes along.its a realization that can be made while watching the film or after you watched it.it can't be really called a satire of horror movies because it uses the horror movie clichés more than once but the good part is that i doesn't annoy you like a lot of horror movies do.one of the strengths of the movie is that you don't need to be an American to understand the story.a basic knowledge about racism will be enough.but for the clues and metaphors that are in the movie you need to pay more attention and know a little bit more.there are no jokes in the movie and even the comedy relief character lil rel howery doesn't make jokes but sells its comedy by his performance which makes him actually funny and not just an annoying side character like we see mostly in the movies right now.the performances are great and the character choices are rational and logical unlike most horror movies we see today.allison williams does a pretty good job and actually nails the character far more better than i expected.the cinematography is pretty good but it got distracting in two or three places of the movie but it wasn't boring and actually kept the movie pretty good looking.the twists of the movie will actually kinda predictable but that wasn't what the movie was about and i didn't expected to be shocked since the movie doesn't take itself to seriously but serious enough to keep the plot going.the CGI blood were kinda distracting and the movie got slow in a few places but it had the pay-off and you were rewarded after the scenes.the movie is well made and deserves a second viewing in some time and i would recommend it to horror fans or if your'e a fan of subtle humor and comedy.