VALUTAZIONE IMDb
6,9/10
3815
LA TUA VALUTAZIONE
La vita dell'acclamata icona della musica degli anni '50, la egiziana "Dalida", famosa per cantare in francese, spagnolo, arabo, ebraico, tedesco, italiano e che si è suicidata nel 1987 a Pa... Leggi tuttoLa vita dell'acclamata icona della musica degli anni '50, la egiziana "Dalida", famosa per cantare in francese, spagnolo, arabo, ebraico, tedesco, italiano e che si è suicidata nel 1987 a Parigi dopo vendere più di 130 milioni di dischi.La vita dell'acclamata icona della musica degli anni '50, la egiziana "Dalida", famosa per cantare in francese, spagnolo, arabo, ebraico, tedesco, italiano e che si è suicidata nel 1987 a Parigi dopo vendere più di 130 milioni di dischi.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
F. Haydee Borelli
- Giuseppina Gigliotti
- (as Haydee Borelli)
Recensioni in evidenza
I remember Dalida's songs from my childhood. This film is a good biopic and worth to watch to learn about her more.
At first, I found it a little bit too tragic as a film but at the end her real life is unfortunately tragic. The music was obviously great. Sveva Alviti and Riccardo Scamarcio who act as Dalida and her brother/manager Orlando was great.
I wish, I would find more than Dalida's love affairs in the film such as; her dreams, her motives, her relationship with the music.
As a result, I can recommend the film to learn more about one of the best female singers in history and also it was a nice film to watch.
At first, I found it a little bit too tragic as a film but at the end her real life is unfortunately tragic. The music was obviously great. Sveva Alviti and Riccardo Scamarcio who act as Dalida and her brother/manager Orlando was great.
I wish, I would find more than Dalida's love affairs in the film such as; her dreams, her motives, her relationship with the music.
As a result, I can recommend the film to learn more about one of the best female singers in history and also it was a nice film to watch.
Every biopic is a risk for the viewer. because he has his version about the life of the lead character. maybe memories. and a lot of impressions. "Dalida" is one of rare biopics who escapes from the circle of clichés and full of good intentions sketches. maybe, because it has the right director and the ideal lead actress. maybe for the beautiful elegance for present a chain of tragedies, hard work, fragility and need of happiness. maybe for the science to give to you the feeling to see a docu-drama. the admirable thing - it is not a film for the fans of Dalida. it is not exactly story of a precise existence. it is far to be a bitter fairy tale. it has the magnificent gift to be a film about chance and the price of it, about choices and about a woman looking for herself. all in a manner who, I believe, is more than inspired.
Her early life in Egypt was totally dropped from the movie although she lived in Cairo for almost 21 years.
And HOW COULD THEY MISS ONE OF HER MOST ICONIC SONGS FOR THE EGYPTIANS AND ARABS "Helwa Ya Baldi".
This movie would have been much better.
And HOW COULD THEY MISS ONE OF HER MOST ICONIC SONGS FOR THE EGYPTIANS AND ARABS "Helwa Ya Baldi".
This movie would have been much better.
Beautifully written and portrayed journey through Dalida's success- filled career and through her rather melancholic personal life.
Sveva shines as Dalida - she does her justice, and with all the right emotions at that. The picture offers a beautifully written and directed insight into the life of the legend that is Dalida. The transition between different phases of her life is light and allows you to dig deeper into what drove her success and ultimately her fall.
While the film could've done better with Sveva's lip-syncing, the music is carefully selected, introduced, and fills the theater with Dalida's warm and unique voice.
Probably will not be as commercially successful as the contextually similar La Vie en Rose with Marion Cottilard but insightful and beautiful nonetheless. Highly recommended.
Sveva shines as Dalida - she does her justice, and with all the right emotions at that. The picture offers a beautifully written and directed insight into the life of the legend that is Dalida. The transition between different phases of her life is light and allows you to dig deeper into what drove her success and ultimately her fall.
While the film could've done better with Sveva's lip-syncing, the music is carefully selected, introduced, and fills the theater with Dalida's warm and unique voice.
Probably will not be as commercially successful as the contextually similar La Vie en Rose with Marion Cottilard but insightful and beautiful nonetheless. Highly recommended.
I went to see this with my wife (I'm American, she is French) primarily in order to please her and thinking that this would be a weepy, melodramatic biopic of interest only to hard-core fans of the late Dalida.
Guess what? I actually found it to be a quite enjoyable film, of obvious particular interest to those who know about the portrayed singer's huge professional success (she is relatively unknown in the US and the UK but was a tremendous star throughout Europe, the Middle East and Japan) shadowed by an enormous amount of personal tragedy in her life, but pretty damn good all on its own as well.
The actress who portrays Dalida is a dead ringer for her and even though it is obvious that she is lip-syncing the songs, her ability to imitate Dalida's gestures, both on and off stage, is stunning. The supporting case also does a very good job and the director carefully stays within the boundaries of what could have otherwise been a Hollywood tear-jerker type film, never descending into pure melodrama.
If you don't know about Dalida, this film is worth a look -- if you do know about her, you should definitely see it.
Guess what? I actually found it to be a quite enjoyable film, of obvious particular interest to those who know about the portrayed singer's huge professional success (she is relatively unknown in the US and the UK but was a tremendous star throughout Europe, the Middle East and Japan) shadowed by an enormous amount of personal tragedy in her life, but pretty damn good all on its own as well.
The actress who portrays Dalida is a dead ringer for her and even though it is obvious that she is lip-syncing the songs, her ability to imitate Dalida's gestures, both on and off stage, is stunning. The supporting case also does a very good job and the director carefully stays within the boundaries of what could have otherwise been a Hollywood tear-jerker type film, never descending into pure melodrama.
If you don't know about Dalida, this film is worth a look -- if you do know about her, you should definitely see it.
Lo sapevi?
- QuizThe project was initially announced in 2011, with Nadia Farès in the title role. In 2012, director Mabrouk El Mechri came aboard, with the film shoot set to begin that year in France, Italy and Egypt, but ended up being pushed back several times. In 2014 co-writer Lisa Azuelos took over as director and decided to cast a relative unknown in the role, and Morocco ended up substituting for Egypt during production.
- BlooperThe use of lip-syncing during the singing scenes is obvious throughout the movie.
- ConnessioniFeatures Io, due figlie, tre valigie (1967)
- Colonne sonoreUn Po' d'Amore
(Nights in White Satin)
Written by Justin Hayward
French lyrics by Hubert Ithier
Performed by Dalida
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Dettagli
- Data di uscita
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- Siti ufficiali
- Lingue
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- Tôi Là Dalida
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- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 € (previsto)
- Lordo Stati Uniti e Canada
- 3465 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3170 USD
- 4 set 2017
- Lordo in tutto il mondo
- 5.623.134 USD
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