Fuga nella giungla

Typical "bad guy" (Nacho) chasing a victim (Zoe Bell) but this time in the jungle. The screen-player or screenwriters of this movie tried to mix the heroic Rambo like skilled photographer with both drugs and violence stereotypical of Colombia. The story is quite poor in content and reality, over-posted loud sounds on violent scenes, guerrilla speaking in English or on Mexican-Spanish even they called Nacho "guero" word that doesn't exist in South-America. Decent photography and OK acting.

We are not garbage collectors as Herzog would say... where are the good filmmakers then?

Zoe Bell and the Colombian jungle. A story about truth and apparences, a courageous and brave at whole photojournalist, a picture as seed of hunt against her from a psychopath fake missionary.

In essence , a collection of drawings - religious, social, politic, nostalgic. Beautiful, no doubts, but in a special manner because it seems a webb for a too large target.

Zoe Bell , against feminist sparkles , unrealism of resistence and not the most inspired final is just admirable as Avery. And, in fact, this real matters.

If you're after a suspenseful thriller with a dark and vicious backbone to it, I'd thoroughly recommend this one! The story follows Avery (the wonderful Zoe Bell) an acclaimed photojournalist who is sent to document a few days in the life of a missionary group led by Guillermo (played ferociously by Nacho Vigalondo) and she soon captures something that we was not supposed to see. It seems to be a passion project for Zoe Bell (who also is executive producer of the film) and she really does give her all here; a thoroughly engaging screen actor who was before most well known for her brilliant stunt work as Xena The Warrior Princess and Uma Thurman's stunt double as the Bride in the Kill Bill movies. Since her amazing role in Death Proof (2007) she has gone on to feature in more starring focused roles in such films as the fantastic Whip It (2010) and is a very underrated talent as showcased in Camino. Everyone else also act really well in this film; particularly Vigalondo who is great at presenting a ruthless man who can still work his charm on those around him (a monologue he delivers at one point in the film is really powerful) The music in the film, composed by Pepjin Caudron AKA Kreng, is perhaps the most key component in the mood and tension of the film; a shrieking, thumping soundtrack that slams the audience in the face in the more hard to watch scenes in the film. The hard to watch parts may disturb some viewers and what surprised me most about this film is that it doesn't hold back on the violence (certainly not for the squeamish) and some disturbing imagery (the most important photograph of the story stayed with me a little while after)

As I'm writing this, Camino has a score of 4.8, which is an excessively low score. I've actually noticed a trend on IMDb where a lot of films are given extremely poor ratings when they're just not that bad and Camino is definitely one of these films. It's unfortunate because I know some people will watch or not watch a film based on the IMDb score, which means a lot of good or decent movies are probably being missed out on.

A lot of other reviewers are complaining of bad acting, but I can only assume they are exaggerating or just haven't watched a wide range of films. The acting is not "bad" - it's not necessarily award-winning stuff, but it's certainly not bad. Usually, if I'm watching a film with bad acting, I find it difficult to get into as I can't become absorbed in it and am constantly aware that I'm watching (bad) actors, but that never happened once to me while watching Camino. I think Zoe Bell is actually very impressive for a stunt-woman-turned- actress.

Also, do not skip the first ten minutes of the film as another reviewer said, it is relevant to the film and what happens during the first ten minutes helps to make sense of another scene that happens around midway through the film.

The only thing I would criticize is that Zoe Bell's character seems a little too skilled in combat for a photojournalist going up against militia members who've presumably had experience in guerilla warfare. It's saved, though, by the fact that most of the fighting lacks any crazy martial arts moves on Zoe Bell's part and instead sticks to dirty, survival style fighting, maintaining an element of realism.

Overall, I think this movie is pretty solid and I've definitely seen a lot worse.

Awhile ago and I must say I really enjoyed it. It's in my top 5 Zoe bell movies. I don't know why it gets so much hate. It's a gem. and she's good in it. Guess just not everyone's cup of tea