Lucy e Desi devono superare grandi sfide, poiché affrontano insieme prima una crisi che potrebbe porre fine alle loro carriere e poi un'altra che potrebbe porre fine al loro matrimonio.Lucy e Desi devono superare grandi sfide, poiché affrontano insieme prima una crisi che potrebbe porre fine alle loro carriere e poi un'altra che potrebbe porre fine al loro matrimonio.Lucy e Desi devono superare grandi sfide, poiché affrontano insieme prima una crisi che potrebbe porre fine alle loro carriere e poi un'altra che potrebbe porre fine al loro matrimonio.
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- Candidato a 3 Oscar
- 13 vittorie e 61 candidature totali
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Recensioni in evidenza
If this movie wins Oscars, it will be the "Shakepeare In Love" of 2022. I know it and the 119 people who upvoted my review (before it disappeared) know it. So why does it keep disappearing, IMDB?
Bad casting is the least of the problems in this Sorkin polemic on the 1950s. But it is the bad casting where I will start.
First, it isn't "ageism" to be so distracted with an actress's bad plastic surgery that a show becomes unpleasantly jarring. Kidman is so frozen that all she can do is stare into the camera when she makes a point. No matter how well Kidman mimics Ball's husky voice, she looks like a doll wearing a mask. It's okay when she's playing Lucille Ball in a serious script read, but it completely falls apart when she plays Lucille Ricardo. Kidman's own features are so robotically flat, that she looks like she's an animated drawing mimicking a human mimicking a the world's most famous comedienne.
To the other miscasting issue, Javier is an older, masculine Spaniard who lacks the litheness and charm of the boyish Desi Arnaz. The scenes of him doing a very bad imitation of Cuban English with Desi as a young man are as jarring to the Spanish ear as the idea of Jackie Gleason suddenly appearing as sexy young Paul Newman in a remake of "HUD." (He can't even sing "BABALU" for Cuban Pete's sake!!!!!)
Third, Sorkin's standard "rata tat tat" dialogue performed by two people who are both uncomfortable with their accents makes the chatter between Lucy and Desi at times unbearable. It's stilted and uncomfortable. It's also full of exposition, which is the hallmark of very lazy writing. These two people were trailblazers, but they were real people. That Sorkin wants to use them as a metaphor might work, if he would stop beating us over the head with what he wants us to know. He should just let the story, which is remarkable, tell itself.
Last, yes. I know Lucie Arnaz did a video defending the casting and Sorkin. And i might take that the endorsement Sorkin's fans want it to be, if she had disclosed in that video that Arnaz and her brother were principal investors in the film. Kidman may have "crawled up in" Lucie's mother's head, but Lucie paid her to be there.
Who wasn't miscast? Nina Arianda shines as Vivian Vance and J. K. Simmons becomes drunk Bill Frawley. Linda Lavin owns the screen as the aged Madelyn Pugh. They make me really want to love this film, but I don't.
Do you love Lucy? Watch the many "Lucy" series and then read the many biographies written about the two actors. You won't have to waste your time with Sorkin's ego trip, and you might learn something.
Lucille Ball and Desi Arnaz deserve better than being Aaron Sorkin's object lesson. I wanted a movie about real people, not a sideways lecture from wannabe professor Sorkin.
Over the years I have picked up the occasional tid bits of information about them, but never really went looking. I was eager to watch this movie, and admittedly did learn a lot.
What was missing for me, was the emotional attachment that I was very surprised I did not feel towards the movie characters considering the fond feelings and memories I have towards the original people.
I felt like Nicole Kidman just lacked something that Lucille Ball had.
I dont know if it was her acting as much as it was a screenplay that didn't quite reach the depth of, or really capture, the obviously intense time during that particular week of their lives. The movie did show a few flashbacks to give the audience a chance to connect and understand the characters more deeply but for me it did not do that. It only left me feeling more disengaged. Both of them, I am positive, had interesting and incredible lives, just by the lone fact of the time period they lived in. Everyone who lived during that time has a shared understanding that we , as later generations just dont get. The sreenplay fails to fully make the audience FEEL what that timeframe in our history felt like, and todays generations cant really emotionally connect without understanding THAT first. For me, That was the first step backwards. Without Kidman bringing to life, Lucy, I was emotionally absent.
As usual, I am in the minority again about my opinion of the actor Bardem. I actually think he did better than Kidman in bringing his character to life. In fact, it was both male actors (Bardem as Desi and Simmons playing Fred) that blew the 2 main female leads, (kidman as Lucy and Arianda as Ethel)out of the water.
It was an okay movie. A little stiff, a little unemotional. And it did make me really crave for someone to step up and write a great mini series about Desi and Lucy. Because I dont think you have a chance of capturing them in a 2 hour movie.
And of course, maybe hire an unknown yet exceptional actress to play Lucy. There are plenty to choose from.
I suspect there are two different audiences and levels of appreciation for this movie - those who grew up watching "I Love Lucy" and those who didn't. My wife and I are the former, I was 12 when the show ended its run, I have a very clear memory of the TV show, a little from original shows and more from watching reruns. In the hit show, Lucille Ball as Lucy was a bit dimwitted.
In real life Ball was nothing like that. She was bright and driven and often attended too little to the feelings of others. She had high standards for episodes, while her husband Desi was the businessman behind it all. Together they formed quite a team and "I Love Lucy" was one of the most successful entertainment enterprises ever.
This movie focuses on a particular week during which they geared up for that week's episode, but also were hit with headlines that implicated Ball as a member of the Communist Party. Plus Lucille found out she was pregnant with her second child. When the episode was about to be filmed for the week there was a call from J Edgar Hoover to Desi, shared with the live audience, but that was creative license, in real life it didn't happen. The movie also shows some of the formative years, as far back as the 1940s, and the events that shaped her career direction.
Kidman and Bardem are wonderful in their roles and the whole movie is a superb glimpse into what "I Love Lucy" was all about, especially all the things we DIDN'T see during the telecasts. I viewed it again a few weeks later and enjoyed it even more because I had a clearer image of what all was going on. I will likely view it a few more times, it is that good.
Also worthwhile looking up is a 2020 documentary "Finding Lucy", 83 minutes long, now easily available for free viewing on the internet. I watched it also and it helps appreciate the movie even more. After she and Desi were divorced she bought out his share of Desilu studios. She became the boss, she made the tough decisions. To her credit it was during her watch that two groundbreaking TV series were approved - 'Mission: Impossible" and "Star Trek." I'd say she was overall a pretty successful lady in show business. I love Lucy.
Lo sapevi?
- QuizPrior to filming, Lucie Arnaz (daughter of Lucille Ball and Desi Arnaz) had told writer/director Aaron Sorkin that it was okay to make Lucille stubborn and headstrong in the movie, as this was how she was in real life. After seeing the movie, Arnaz released a video on her YouTube Channel on 17 October 2021, in which she called the movie "freaking amazing." She complimented Sorkin for making a great movie that really captured the time period and had wonderful casting. She also said that Nicole Kidman "became my mother's soul." She also said that Javier Bardem didn't look like her dad but, "he has everything that dad had. He has his wit, his charms, his dimples, his musicality."
- BlooperThe movie portrays Lucy's contract at RKO being dropped after her performance in Dedizione (1942) and has RKO's head of production state that at 39 years old she should try radio. In reality Lucy was only 31 when "The Big Street" was released in 1942. Her contract was not dropped by RKO, but rather bought out by MGM, who was impressed by her performance. While working for MGM, Lucy became a redhead. She remained under contract to them until 1946. Additionally, Lucy did not seek out radio until 1948 while concurrently working in movies as a freelance actress.
- Citazioni
Lucille Ball: I am the biggest asset in the portfolio of the Columbia Broadcasting System. The biggest asset in the portfolio of Philip Morris Tobacco, Westinghouse. I get paid a fortune to do exactly what I love doing. I work side by side with my husband, who's genuinely impressed by me. And all I have to do to keep it is kill every week for 36 weeks in a row. And then do it again the next year.
- ConnessioniFeatured in The Late Show with Stephen Colbert: Javier Bardem/Gang of Youths (2021)
- Colonne sonoreShe Could Shake the Maracas
Written by Lorenz Hart, Richard Rodgers
Produced by Michael Andrew
Performed by Javier Bardem with The Michael Andrew Orchestra
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Todo sobre los Ricardo
- Luoghi delle riprese
- RMS Queen Mary - 1126 Queens Highway, Long Beach, California, Stati Uniti(Ricky's club interior)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione2 ore 11 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1