La vita del celebre ma solitario autore, J.D. Salinger, che ha guadagnato fama mondiale con la pubblicazione del suo romanzo, "The Catcher in the Rye".La vita del celebre ma solitario autore, J.D. Salinger, che ha guadagnato fama mondiale con la pubblicazione del suo romanzo, "The Catcher in the Rye".La vita del celebre ma solitario autore, J.D. Salinger, che ha guadagnato fama mondiale con la pubblicazione del suo romanzo, "The Catcher in the Rye".
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- Sceneggiatura
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- 1 vittoria in totale
Recensioni in evidenza
What I love most about this movie is how it made me interested in Catcher in the Rye. I am familiar with the book and how notorious it is among literature, but I never read it myself. Not much of a book worm. The movies portrait of the man is truly rebellious. Rebel in the Rye gives the impression that his fame comes from the idea that he was bold enough to do it first like the Ramones or Prince (More of a music geek) and in his boldness touched a generation that had not really been spoken to before. A generation that would put him on a pedestal that made the war vet uncomfortable. His choice not to publish any more I was slightly aware of, but the movie does make me very intrigued about what else may be accurate (or inaccurate) .
Nicholas Hoult has done a great job driving this spectacular vehicle.
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If you are quite educated about Salinger, chances are that you're going to be disappointed because what's on the screen can never be as good as what's in your mind. Even if this is a movie about the author and not the book, chances are that you see Salinger in your own unique way. This is true about all authors.
If you are not, then you can enjoy the movie. You can relax and not compare every single detail with actual facts. After I've saw the movie, I've discovered that there are many differences compared to actual recorded history and if I knew these things beforehand, I would have been frustrated. I didn't and I've enjoyed two hours of a good movie. The end.
Nothing is more boring than watching writers write in a movie. But Danny Strong manages to make it exciting because we actually see Salinger learning from his mistakes and even more tellingly, learning to accept criticism from his mentor, his agent, and his publisher. By the time he's come back from the war, badly shell-shocked, and has to literally learn how to write all over again, you're completely in his corner. And the movie feels more like ROCKY than SYLVIA.
So why didn't I give this movie ten stars? Well, for one thing, too many of the party scenes looked like advertisements for alcohol and tobacco products. Late in the film, Salinger finds a guru who tells him to give up all "distractions," but it's telling that they never discuss cigarettes and alcohol as problems in their own right. Because of course nobody ever heard of a great writer succumbing to alcoholism.
The other problem is the supporting cast. They're not bad, they're sensational. Kevin Spacey plays the Columbia writing professor like he's lovable old Mr. Chips. But it's a palpable schoolboy fantasy. I went to Columbia, and let me tell you, most English professors were closer to the Drill Instructor in Kubrick's FULL METAL JACKET. No matter what kind of work you turned in, they always made you feel like Private Pyle. Nobody was looking to uncover any geniuses when I was there, and nobody ever did!
Then there's Sarah Paulson as Dorothy, the world's most sultry and stunning literary agent. She's got the goods, all right. And she plays every scene like she's Lauren Bacall putting the moves on Bogart in TO HAVE AND HAVE NOT. The problem is, young J. D. Salinger is not Bogart. He's closer to Wilmer in THE MALTESE FALCON. So when Dorothy caresses him with casual endearments like "my darling," and "my love," you feel like it's either crude manipulation or writer Danny Strong giving in to his own teenage fantasies. It would have been nice to see Dorothy buttering up other writers, or maybe just making with the golf sticks, like the agent in SUNSET BOULEVARD.
So overall, a fun movie with a lot of excitement, but not really as hard hitting as it pretends to be. Holden saw phonies everywhere, but this movie pretends they don't exist. It's really pretty goddamn shallow, if you want to know the truth.
Lo sapevi?
- QuizNicholas Hoult wore brown contact lenses for this role.
- Citazioni
Whit Burnett: I got an eye. I can spot talent coming a mile away. Saroyan, Cheever, Caldwell, I discovered them all. Of course, it would be nice if somebody discovered me.
Jerry Salinger: Hey, come on, you've been published.
Whit Burnett: I not only discovered them, I shaped them, I challenged them.
[Pointing at his flat]
Whit Burnett: This is me.
[On the stairs]
Whit Burnett: You should continue to write about Holden, but not as a short story.
Jerry Salinger: Well, hang on, wait, wait, wait, wait. What do you mean?
Whit Burnett: I think Holden Caulfield is a novel.
Jerry Salinger: No, no, I couldn't write a whole novel. I'm a dash man, not a miler.
Whit Burnett: You only say that because you're lazy. Holden Caulfield deserves an entire book all on his own.
Jerry Salinger: A novel's a lot of words.
Whit Burnett: It's just more words. Imagine the book that you would want to read and then go write it.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- За прірвою у житі
- Luoghi delle riprese
- New York, New York, Stati Uniti(Caffe Reggio)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 378.294 USD
- Fine settimana di apertura Stati Uniti e Canada
- 37.967 USD
- 10 set 2017
- Lordo in tutto il mondo
- 944.370 USD
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Proporzioni
- 1.85 : 1