Till: Il coraggio di una madre

I felt compelled to write a review after reading the one star from another white reviewer. I am white myself, and I couldn't disagree with that reviewer more, Who denounced the Director for her choices and seems to think the white perspective is always the more accurate one. They completely missed the point. This wasn't a story about white racism, this was a story about the power of of a Black mother, and her ability to reach beyond her own tragedy to better the lives of Black people everywhere in this country. This was a celebration of her, as it should be. This was a powerfully executed movie in every respect, and that's all that needs to be said. Well done.

Greetings again from the darkness. Don't look away. Whether referring to Mamie Till-Mobley telling family members to look at the disfigured boy in the casket, or to the general counsel to all citizens in this day of division, the sentiment is the same ... see with your own eyes so that you understand the injustice. Writer-director Chinonye Chukwu (CLEMENCY, 2019) and her co-writers Michael Reilly and Keith Beauchamp allow us to see the tragic story of Emmett Till through the eyes of his mother, and it's a powerful approach. It's Mr. Beauchamp who has diligently researched this story for almost 25 years, and was the driving force behind the 2005 documentary, THE UNTOLD STORY OF EMMETT LOUIS TILL.

The film certainly benefits from the powerhouse performance of Danielle Deadwyler (THE HARDER THEY FALL, 2021) as Mamie Till-Mobley. Mamie's love and concern for her 14-year-old son Emmett (a terrific Jalyn Hall) is only surpassed by her strength and dignity after his death ... and all of this is masterfully portrayed by Ms. Deadwyler in her surefire Oscar contending role. We see just enough of young Emmett to realize he's a well-raised, considerate, and fun-loving boy who sometimes stutters. He's so excited for his trip from Chicago to Mississippi to meet some of his relatives, while seeing and doing new things. It's 1955, and Mamie tries to caution Emmett on the differences between their world at home and the southern world he's about to enter.

There are varying accounts of what Emmett actually did or didn't do to Money, Mississippi store clerk Carolyn Bryant (played by Haley Bennett, SWALLOW, 2019), but the shock of seeing Emmett's disfigured face and body is handled brilliantly here, and though the actual violence occurs off screen, the impact remains. Against all of her motherly protective instincts, Mamie seizes the power of the moment to have a photograph taken and demand an open casket so that the world can witness the result of the atrocity. Her ability to think clearly catapulted the case to national attention, and allowed Emmett Till to become a name and example that is still studied today.

The supporting cast includes Frankie Faison (Mamie's father), Whoopi Goldberg (Mamie's mother), Sean Patrick Thomas, Tosin Cole (as Medgar Evers), John Douglas Thompson, and Jayme Lawson. The trial of the men accused of beating and killing Emmett plays a part here, but the only real courtroom drama occurs when Mamie takes the stand. It's in that moment when Ms. Deadwyler truly shines and allows us to feel a mother's pain and disgust. Afterwards, we get a taste of her activism ... something she continued until her death in 2003 at age 81. Filmmaker Chukwu benefits from the performance of Deadwyler and the years of research by Mr. Beauchamp, and she delivers a film that allows us to experience a dark moment in history from a different perspective - the eyes of a mother.

Opens in theaters on October 21, 2022.

"If you are neutral in situations of injustice, you have chosen the side of the oppressor." Desmond Tutu

"Handle with Care" could have been on the cover of the script for Till, but it wasn't necessary because director Chinonye Chukwu, following her Sundance-winning Clemency, crafts her gentle but powerful depiction of 14-year-old Emmett Till's Mississippi lynching in 1955 and the subsequent trial of two white men. This docudrama not only does justice to the tragedy, but it also shows the death's influence on the 1967 Civil Rights Act.

Mamie Till-Mobley (Danielle Deadwyler in a sure-to-be-Oscar nominated performance) fights to have her son's brutalized body shown to the public, and it was shown, and like the movie itself, unforgettable. The film shoots this struggle in bright color as if to proclaim the horror vividly to the world. While strong black men recoiled from facing down white supremacists, Mamie never backed down in her attempt to bring justice for her son and expose the bigotry that exists even today.

While sometimes the music is heavy-handed and the courtroom drama veers to conventionality, never does the script waver from an even-keeled tempo, that like the Civil Rights Movement itself edges inexorably to success, the only possible outcome when justice is on its side. Although the material may be too emotionally sensitive for some, most will appreciate the unsentimental, unsensational, respectful delivery.

Emmett's famously bloated and disfigured face haunted us almost 70 years ago from the pages of Jet magazine, and it is no less disturbing now in Till. It's just that we have matured enough to face down realism for the greater good of facing down racism.

"We do the best we can." Mamie

One of the year's best movies.

My Review- Till My Rating 9/10 Currently in selected Cinemas

Why was this fine movie ignored at last awards season I suspect for the same reason than in 2019 Just Mercy the story of a Civil Rights Defence Attorney Bryan Stevenson which starred Michael B Jordan in a 10/10 performance was also not nominated.

Danielle Deadwyler gives such an impressive performance in Till cast in the difficult role of a grieving mother Mamie Till - Mobley and I'm pleased to see the BAFTAS recognised her brilliance.

Till is a profoundly emotionally disturbing movie based on the true story of Mamie Till Mobley , an Afro American mother trying to pursue justice for the cruel and brutal murder of her 14 year old son Emmett Till.

Set in 1955 Emmett who enjoys a safe and comfortable lifestyle with his mother in Chicago until he is sent off to visit his cousins in Mississippi much to his protective mother's protests.

His Grandmother Alma played beautify by Whoopee Goldberg is keen for Emmett to meet his cousins so he sets off for a weeks family reunion.

In stark contrast to the liberal more tolerant Chicago the town of Money in Mississippi still has the red neck Southern bigotry and white supremacy left over from the black slave era .

This bigotry and racism make life so dangerous for its black population who are seen as second class citizens.

Before leaving home young Emmett reassures his mother Mamie that he will stay under the radar and be invisible .

However he is a bright spirited lad who makes a fatal mistake that angers the white male and female residents of Money causing his mothers greatest fears to come true, In Mamie's poignant journey of grief turned to action, we see the universal power of a mother's ability to change the world.

Till is a carefully researched film with a healthy estimated budget of USD 33,000,000 the Producers used 27 years of research by the man who was responsible for reopening of Emmett Till's case in 2004 by the United States Department of Justice.

At its core is the brilliant performance of its beautiful star Danielle Deadwyler who is on screen most of the time .

I mentioned Whoopi Goldberg who is impressive as Emmett's Grandmother Alma but all the players in this fine movie impressed me including Kevin Carroll who plays Rayfield Mooty, a member of the Civil Rights organisation the NAAC and Frankie Faison as John Carthan, Mamie's father and Emmett's grandfather who accompanies his daughter to the trial to try where she attempts to battle the Mississippi criminal justice system where truth is a disposable commodity.

The Screen play Writers Chinonye Chukwu, Keith Beauchamp and Michael Reilly have written a wonderful story that deserves to be seen on screen.

I wasn't surprised and I was pleased to see that a woman of colour Chinonye Chukwu also Directed this movie as it needed to be told from the woman's perspective to achieve the right sensitivity.

This is a perfect companion movie to Just Mercy 2019 and exposes many injustices in the American Justice System.

Though certainly not a perfectly crafted film, Till is stuffed with powerhouse performances and scenes that I couldn't take my eyes off of.

Danielle Deadwyler gives potentially the most engrossing, beautifully heart-wrenching performance I have beheld this year. She disappears into the role and becomes the grieving mother who was Mamie Till. She channels all of the proper emotions at all of the proper times. Sorrow, regret, compassion, hope-all of them and more are tangible in this woman as we follow her journey.

What elevates the emotional core of the story even more is the impressive directing. There are impressively long takes and varied shot composition that always appear meticulously planned and crafted for the purpose of highlighting the actors and allowing them to shine, as they all deliver their dialogue with incredible sympathetic power.

I usually don't rant and rave about musical scores, as I find most of them just serviceable. This one deserves recognition. The music is used surprisingly sparingly, never drowning out the human interactions. But when it's heard, it instils both melancholy and hope into the film, which is exactly what the story is ultimately about.

But, like just about every biopic, Till has its issues, though the ones found here are relatively minor.

For one thing, though the long takes are impressive and allow emotions to linger, they're often too long. A great deal of shots linger way longer than they need to, and scenes carry on beyond the time that their point was made. It hurts the pacing considerably.

And while I did admire the script's attempt to include a great deal of real-life characters and plot points for the sake of integrity and uncomfortable honesty, it also hurts the pacing, as quite a few of them inevitably need to be rushed through with little-to-no impact on the larger picture. This is almost always a problem with biopics, which is why I think most of them should have been TV miniseries instead.

Till has a great deal more depth and care put into it than I was expecting, and I applaud its ambitious reach, as it does grasp the vast majority of what it reaches for.