1992

While the heist twist in this film offers a unique perspective set against a historical backdrop, it's reminiscent of the 1992 movie South Central. The early suspenseful moments were promising, but the pacing slowed down towards the conclusion. Tyrese's performance was solid, as expected, and Ray's presence added a familiar intensity...I still miss him. Although the movie's overall quality is good, some scenes, particularly those highlighting the father-child bond, felt exaggerated. Despite this, it's still a worthwhile watch. The film's exploration of family dynamics and historical events provides a great experience.

I feel like Tyrese is becoming complacent. Listening to him from one interview to the next, he comes across as someone who feels he's achieved a lot and should be revered for it. While he's undeniably an amazing singer, as an actor, I think he's just okay and got lucky with *Fast & Furious*, heavily relying on the strength of the supporting cast.

I've always been a fan of Scott Eastwood, son of the legendary Clint Eastwood, and you can never go wrong with the always brilliant Ray Liotta (RIP), who delivered a strong performance in this movie. His presence kept me engaged right until the end.

As for the script, it's clever, but the execution felt a bit second-rate. Then again, that's often what you get with a B movie. It's not great, but it's not terrible either.

1992 is worth watching if you like heist/action movies. It's also Ray Liotta's last movie ever as he sadly passed away since then. So as a homage to him it's also worth watching. Tyrese Gibson plays the righteous defender of morals and Scott Eastwood the son of Ray Liotta, a small time crook trying to score a life-changing big hit. Scott Eastwood is the son of the legendary Clint Eastwood, and there's absolutely no doubt about that as he's the spitting image of his father. Not yet the same charisma though but good enough to be believable. It's an entertaining heist movie, not flawless but in this genre you can't be too picky.

Israeli director Ariel Vromen brings us a thriller with plenty of drama in a film that has some very intense moments, but they are not enough to give us a much more well-rounded film as we sometimes hoped for.

The script written by Sascha Penn manages to have moments of social drama that really manage to be a high point in the film and perhaps largely compensate for the weaker moments that the film experiences once it leans exclusively towards action that fails to reach a level that manages to give you the intensity of those more ghetto moments that feel precisely well done.

An efficient cast that gives us the posthumous appearance of the beloved Ray Liotta and a Scott Eastwood alongside Tyrese Gibson, who already know how to give us action on screen and continue to deliver in those moments when they provide it.

We find ourselves as spectators in a story where there are shootouts, a car chase, some heroism and some hard life lessons that invite us to have a good film that has its pleasant moments and those moments allow the film in general to come out acceptable and perhaps appreciated for its parts of social drama that really invite reflection.

Afterward we are left with a mixture of sensations where the film could have been much more complete than what we ended up receiving, which ends up deflating towards its final part, which leaves us with the bitter feeling that it had much more to give us.

'1992' was Ray Liotta's last film and it was fitting that he was playing an unhinged villain. He was one of the best in the industry to do it. He had a real edge about him that he could bring to a character and he absolutely expelled menace.

This film was a lot better than I expected. After a bit of a dusty start it found its way and became quite enjoyable. I was impressed with Tyrese Gibson in the lead role. He brought a lot to the film.

It is lacking a bit of polish and originality it would have to be said. And it could've done more with the 'Die Hard' type scenario it sets up towards the end. But all in all this was a pass mark by the barest of margins. 6/10.