VALUTAZIONE IMDb
5,7/10
3797
LA TUA VALUTAZIONE
Durante le rivolte di Los Angeles del 1992 dopo il verdetto di Rodney King, un commerciante deve affrontare le pericolose strade per salvare il figlio rimasto intrappolato in città.Durante le rivolte di Los Angeles del 1992 dopo il verdetto di Rodney King, un commerciante deve affrontare le pericolose strade per salvare il figlio rimasto intrappolato in città.Durante le rivolte di Los Angeles del 1992 dopo il verdetto di Rodney King, un commerciante deve affrontare le pericolose strade per salvare il figlio rimasto intrappolato in città.
Christopher Ammanuel
- Antoine Bey
- (as Christopher A'mmanuel)
Recensioni in evidenza
This movie captures various themes and genres. At some point or another the movie is a heist movie set against the backdrop of the Rodney King riots of 1992. Along the way it's also a coming of age movie, an exploration of father-son relationships, and race relations.
Having seen the movie in a theater, to be fair, the movie has the cast, look, and feel of a better than average straight-to-streaming movie. The fact that it was given a "limited theatrical release" might just be giving the movie too much credit.
Tyrese Gibson, who plays a convincing father and "OG Merc" back in the day, finds himself thrust in the middle of a heist of valuable platinum bars, led by Ray Liotta (in his final film) at his villainous best.
What on first blush is an engaging heist movie rapidly evolves into a movie extremely derivative of "Die Hard" - nearly plot point by plot point. Not that this is necessarily a bad thing, but it does become quite formulaic.
Of course, the heist "crew", as always, includes "the muscle guy", the "smart" leader guy (Liotta), and the "clueless reluctant impressionable" guy (almost always related to the boss/leader) that you wonder why he was even brought along on the job in the first place.
A key plot point is that Gibson is bent on bringing his son to his workplace factory after-hours to "distance themselves" from the riot mayhem. What were they going to do? Spend the night there? Why not drive out of town altogether? I felt that was a fairly weak contrivance.
If you're a fan of Gibson and/or Liotta I think the movie would meet your expectations. Giving the movie a "10" (as others have done) is inexplicably generous.
Having seen the movie in a theater, to be fair, the movie has the cast, look, and feel of a better than average straight-to-streaming movie. The fact that it was given a "limited theatrical release" might just be giving the movie too much credit.
Tyrese Gibson, who plays a convincing father and "OG Merc" back in the day, finds himself thrust in the middle of a heist of valuable platinum bars, led by Ray Liotta (in his final film) at his villainous best.
What on first blush is an engaging heist movie rapidly evolves into a movie extremely derivative of "Die Hard" - nearly plot point by plot point. Not that this is necessarily a bad thing, but it does become quite formulaic.
Of course, the heist "crew", as always, includes "the muscle guy", the "smart" leader guy (Liotta), and the "clueless reluctant impressionable" guy (almost always related to the boss/leader) that you wonder why he was even brought along on the job in the first place.
A key plot point is that Gibson is bent on bringing his son to his workplace factory after-hours to "distance themselves" from the riot mayhem. What were they going to do? Spend the night there? Why not drive out of town altogether? I felt that was a fairly weak contrivance.
If you're a fan of Gibson and/or Liotta I think the movie would meet your expectations. Giving the movie a "10" (as others have done) is inexplicably generous.
Israeli director Ariel Vromen brings us a thriller with plenty of drama in a film that has some very intense moments, but they are not enough to give us a much more well-rounded film as we sometimes hoped for.
The script written by Sascha Penn manages to have moments of social drama that really manage to be a high point in the film and perhaps largely compensate for the weaker moments that the film experiences once it leans exclusively towards action that fails to reach a level that manages to give you the intensity of those more ghetto moments that feel precisely well done.
An efficient cast that gives us the posthumous appearance of the beloved Ray Liotta and a Scott Eastwood alongside Tyrese Gibson, who already know how to give us action on screen and continue to deliver in those moments when they provide it.
We find ourselves as spectators in a story where there are shootouts, a car chase, some heroism and some hard life lessons that invite us to have a good film that has its pleasant moments and those moments allow the film in general to come out acceptable and perhaps appreciated for its parts of social drama that really invite reflection.
Afterward we are left with a mixture of sensations where the film could have been much more complete than what we ended up receiving, which ends up deflating towards its final part, which leaves us with the bitter feeling that it had much more to give us.
The script written by Sascha Penn manages to have moments of social drama that really manage to be a high point in the film and perhaps largely compensate for the weaker moments that the film experiences once it leans exclusively towards action that fails to reach a level that manages to give you the intensity of those more ghetto moments that feel precisely well done.
An efficient cast that gives us the posthumous appearance of the beloved Ray Liotta and a Scott Eastwood alongside Tyrese Gibson, who already know how to give us action on screen and continue to deliver in those moments when they provide it.
We find ourselves as spectators in a story where there are shootouts, a car chase, some heroism and some hard life lessons that invite us to have a good film that has its pleasant moments and those moments allow the film in general to come out acceptable and perhaps appreciated for its parts of social drama that really invite reflection.
Afterward we are left with a mixture of sensations where the film could have been much more complete than what we ended up receiving, which ends up deflating towards its final part, which leaves us with the bitter feeling that it had much more to give us.
'1992' was Ray Liotta's last film and it was fitting that he was playing an unhinged villain. He was one of the best in the industry to do it. He had a real edge about him that he could bring to a character and he absolutely expelled menace.
This film was a lot better than I expected. After a bit of a dusty start it found its way and became quite enjoyable. I was impressed with Tyrese Gibson in the lead role. He brought a lot to the film.
It is lacking a bit of polish and originality it would have to be said. And it could've done more with the 'Die Hard' type scenario it sets up towards the end. But all in all this was a pass mark by the barest of margins. 6/10.
This film was a lot better than I expected. After a bit of a dusty start it found its way and became quite enjoyable. I was impressed with Tyrese Gibson in the lead role. He brought a lot to the film.
It is lacking a bit of polish and originality it would have to be said. And it could've done more with the 'Die Hard' type scenario it sets up towards the end. But all in all this was a pass mark by the barest of margins. 6/10.
I feel like Tyrese is becoming complacent. Listening to him from one interview to the next, he comes across as someone who feels he's achieved a lot and should be revered for it. While he's undeniably an amazing singer, as an actor, I think he's just okay and got lucky with *Fast & Furious*, heavily relying on the strength of the supporting cast.
I've always been a fan of Scott Eastwood, son of the legendary Clint Eastwood, and you can never go wrong with the always brilliant Ray Liotta (RIP), who delivered a strong performance in this movie. His presence kept me engaged right until the end.
As for the script, it's clever, but the execution felt a bit second-rate. Then again, that's often what you get with a B movie. It's not great, but it's not terrible either.
I've always been a fan of Scott Eastwood, son of the legendary Clint Eastwood, and you can never go wrong with the always brilliant Ray Liotta (RIP), who delivered a strong performance in this movie. His presence kept me engaged right until the end.
As for the script, it's clever, but the execution felt a bit second-rate. Then again, that's often what you get with a B movie. It's not great, but it's not terrible either.
I just got done watching 1992 (2024) and I liked it a lot. This is also another win for Lionsgate in 2024.
Positives for 1992 (2024): First off, I've gotta give props to Tyrese Gibson for his performance in this movie as it's one of the few less comedic performances in his career. I do enjoy Tyrese as Roman from the Fast and Furious Franchise, but it was nice to see him do something different from his usual shtick. I also really enjoyed both Ray Liotta (RIP) and Scott Eastwood in this movie. It was actually very interesting to see a movie that explores the Rodney King riots during that time. And finally, there are some decent action sequences in the movie.
Negatives for 1992 (2024): The movie doesn't really do a deep dive into the Rodney King riots and that's coming from someone who doesn't have a lot of knowledge about that. Also, the movie feels a little bit generic with its execution, but that's something to expect from a Lionsgate movie.
Overall, 1992 (2024) is a great little action thriller with some great performance that is held back by its execution at times, but I'm still recommending this movie for anyone who watches to see the last on screen performance by Ray Liotta.
Positives for 1992 (2024): First off, I've gotta give props to Tyrese Gibson for his performance in this movie as it's one of the few less comedic performances in his career. I do enjoy Tyrese as Roman from the Fast and Furious Franchise, but it was nice to see him do something different from his usual shtick. I also really enjoyed both Ray Liotta (RIP) and Scott Eastwood in this movie. It was actually very interesting to see a movie that explores the Rodney King riots during that time. And finally, there are some decent action sequences in the movie.
Negatives for 1992 (2024): The movie doesn't really do a deep dive into the Rodney King riots and that's coming from someone who doesn't have a lot of knowledge about that. Also, the movie feels a little bit generic with its execution, but that's something to expect from a Lionsgate movie.
Overall, 1992 (2024) is a great little action thriller with some great performance that is held back by its execution at times, but I'm still recommending this movie for anyone who watches to see the last on screen performance by Ray Liotta.
Lo sapevi?
- QuizThe last movie Ray Liotta filmed, and the last to be released in theaters. Liotta had completed filming all his scenes before his death in May 2022.
- BlooperWhile the movie talks about an incident happened in 1992, you clearly can see a white Honda Civic model 2018 around (06:50).
- Citazioni
Mercer Bey: You know what scares me about you? I don't want you to grow up to be like me.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 2.906.073 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.418.905 USD
- 1 set 2024
- Lordo in tutto il mondo
- 2.943.477 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Proporzioni
- 2.39:1
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