Heneral Luna

Words cannot describe my satisfaction with this film and the only way to review it is through personal experience. There are pacing problems and disappointments in terms of the props such as the weaponry used by both sides, but given the film's tight budget, it has managed to portray these battle scenes with epic proportions combined with the score being obviously inspired by the Russian composer Igor Stravinsky. The atmosphere of the entire film is portrayed beautifully, it shows the political machinations and political infighting when the battle scenes are not present, for the entire point of view is based upon Luna and his allies. Still, if you are either a history buff or just an average movie goer, this film is spectacular and it deserves to be one the best films of the year if there are any formal awards as such.

Antonio Luna was a man of turbulent complexity. Honorable, patriotic, dignified and principled he was at the same time arrogant and hot-tempered who did not hesitate to resort to violence. "Heneral Luna" is a well-done cinematic depiction of the man's life as a soldier as his country faced its greatest crisis yet witnessing the birth pains of its genesis as a nation after centuries of colonial rule. Veteran actor John Arcilla does a solid portrayal as the nationalistic and combative general who treads the murky and complicated paths of war and politics. Fine battle scenes and period uniforms add color and pageantry in this well-acted melodrama. Although Luna's youth could have been featured to give the film more fullness and completion what is shown is satisfactory. Watchable and entertaining, this is a showcase in the ongoing progress of Philippine cinema and a good tribute to one of its greatest and most compelling heroes.

Heneral Luna shares with its audience, a portrait of the historical character that is General Antonio Luna, the brilliant and hot-tempered patriot, who fought against the US during the Phil-American war. The film examines, without filter, how political in-fightings led to his assassination and the demise of Philippine independence.

General Luna was played by all time actor, John Arcilla and this film was ultimately his. His zesty & energetic portrayal is compelling, that I was eager to digest his every exposition. He delivers his scenes with ferocity and charisma, embodying Luna's straight-talking, no compromise brand of leadership. As a result, we find in full display, the icon's brilliance as a general & as a patriot through winning tactics, inspirational speeches & engaging arguments on how nations are built and preserved. On the other hand, weaknesses are revealed, weaknesses labelling Luna as a fanatic due to his crass nature, devoid of sympathy. Happily, Arcilla's fine acting is met head on by a strong supporting cast led by Mon Confiado as Pres. Aguinaldo, Nonie Buencamino as Felipe Buencamino, and Leo Martinez as Pedro Paterno, among others.

Under the helm of Director Jerrold Tarog, the film uses the above solid performances to create lively conversations that depict Luna's main adversaries: bureaucrats, cowards and homegrown skeptics who prefer compromise over conflict. This for me, is the film's most moving piece as we witness the frailty of patriotism.

Now, despite Tarog's success in storytelling, the film falls victim to the usual shortcomings of Philippine cinema, the B-movie distinction. The momentum of Arcilla's speeches noticeably drops off when war and battle takes center frame. They felt very staged and unconvincing. The actors (and lines) of the American characters were awkward, clumsy and unbelievable. There were glaring inconveniences in production design as well, such as Luna's ultra shiny nails during war and well dyed hair by its actors. Don't fret however, as Gen Luna remains the focal point here.

Overall, this is a deeply moving picture that gives us valuable insights into the general's personality. It also successfully reaches out to its audience and forces us to draw parallels between current political events vs those in Luna's time. Fine piece of work by both Tarog and Arcilla.

"Heneral Luna" tells us a more detailed account of the life of one of the revolutionary heroes we learn about in school, yet know practically nothing about -- Gen. Antonio Luna. Practically all we know about him is that he had a very bad temper which gained him a lot of enemies, eventually leading to his assassination. Aside from telling us specific situations where this legendary temper flared up, we also get to meet him more intimately as a leader, a soldier, as a son and as a man.

Even from his intense penetrating gaze and formidable mustache in the poster alone, you already know John Arcilla will be excellent in this film. His comic timing was impeccable. It was a most vibrant performance of a most vivid man, making him really loom larger than life. He was over-the-top in his explosiveness, just the way Tarog wanted him to be. The way he was built up, we were ready for that climactic assassination scene, however outrageous the savagery.

Mon Confiado was a picture of ironic calm as President Emilio Aguinaldo. The more movies we watch about the revolution certainly brings up more and more questions about the controversial Aguinaldo. Nonie Buencamino was so slimy as his treacherous surname-sake Felipe Buencamino. That nonchalant look on Lorenz Martinez face was so hateful as he essayed the role of the equally haughty Gen. Tomas Mascardo.

It was also such a casting risk and surprise to put known comedians in such key roles, like Epy Quizon as Apolinario Mabini, Leo Martinez as Pedro Paterno and Ketchup Eusebio as the vengeful Capt. Pedro Janolino. I must admit their presence can be distracting in certain dramatic moments, particularly Eusebio. Or maybe that was their purpose -- to balance out the severe seriousness of those scenes.

You immediately upfront that the filmmakers were aiming high for this film. The initial introductory texts were written in English, signifying intentions for this film to make the rounds of foreign film festivals. (I read that there were even certain reels with English subtitles shown in some more upscale cinemas.) The presence of disclaimers stating that this is a work of fiction inspired by fact could somehow raise an uneasy question as to how much fiction was in there mixed among the facts.

This film will also grab you with its gorgeous cinematography. The images on the big screen had such vivid colors and innovative camera angles. The period production design and the costume design were meticulous in detail. During a beautifully-edited flashback sequence, there was a stylized scene about Rizal's execution that was so uniquely and hauntingly rendered. There are most gruesome and graphic special effects showing the violent brutality of warfare which will shock you.

The historical storytelling was very clear, exciting and engaging from beginning to end, with a fresh graphic novel feel to it. Humor was such an unexpected yet integral element of the script, from those crisp off- color expletives of Luna to those sarcastic side comments of Lt. Rusca (Archie Alemania) and many more in between of different shades. The patriotic sentiments were very poetically-written, but the way they were delivered here felt sincere. They did not sound preachy or cheesy, like when such lines were mouthed by Robin Padilla in "Bonifacio" or Jeorge E.R. Ejército in "El Presidente".

Just like a Marvel film, there was an extra scene in the middle of the closing credits, suggesting a next film featuring Paulo Avelino as Gen. Gregorio del Pilar. There was also a brief cameo appearance of Benjamin Alves as a young Manuel L. Quezon, hinting at a possible trilogy. This is a very exciting plan indeed which we all hope will materialize given the success of "Heneral Luna".

I hear this is also under consideration of being submitted for Oscar consideration, and I support that campaign. The screening I caught today was a full-house despite being 1:30 in the afternoon on a weekday. It was really gratifying to see a quality Filipino film have commercial success even if it was not an inane comedy or "kilig" teen flick with box-office stars in the cast.

Kudos to Artikulo Uno Productions and director-film editor-musical scorer Jerrold Tarog for coming up with what may just be the best, certainly the most audacious, Filipino film released this year to date. Like Gen. Luna, this film leads a mad charge on horseback with a raised fist against Filipinos who say they love their country yet look out for their personal interests first. Let's hope this strong message hits its targets. 9/10.

The notorious, bad-ass, and famous Gen. Antonio Luna was portrayed in the big screen that will make each Pilipino proud. This was one of the most outstanding performance for all of the actors involving in this film, well directed by Jerrold Tarog, and the cinematography and set pieces were jaw-dropping. The creativity and style in the part of the film where Gen. Luna closed his eyes while talking with his mother and reminisced the past days with their family and the past events that occurred in their lives and the people around them was astonishing.

BOTTOM LINE: Are you tired of watching Pinoy Movies (mostly) with lazy writing and predictable plot that focuses majority in Romance, Comedy, Romance (did I say Romance twice?)? Here is the movie that we can all be proud to say, this is how the movie should be done and treated (with CREATIVITY, WELL THOUGHT, WELL DIRECTED).