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Baskin comes from a country for which horror genre outings are quite atypical to see. Despite not having much to compare with locally, it is clearly a passionate and well-made horror even when examined against countries that contribute to the genre much more frequently. Not terrific, but a great start to a young filmmaker's career.

The film is about a set of five cops who are patrolling their neighbourhood at night. They receive a call for backup coming from a part of town associated with many fantastic and far-fetched story. Upon entering it, they find themselves in a place none other than Hell.

I was quite entranced by Can Evrenol's direction, it was surprisingly confident for a first feature, daring to aim for difficult scenes and set-ups right off the bat. The opening 15 minutes in the restaurant were my favourites. They use numerous very long, very slow takes, which captured a sense of slow building dread despite the hilarious conversation going on between the cops. His flair for beauty and the abstract persists later on as well, especially in scenes where he combines multiple perceptions of reality (loved the room filling up with water). I am definitely a fan of his after seeing this movie.

I do think that the first third of the film is its strongest, because oh the sense of undefined dread. Once the cops enter "hell", the movie is still entertaining but becomes more of a torture-porn outing, without that much story. I like the reference to the mythological hellish trials and tribulations from Greek mythology, but I would have preferred a stronger plot. The circular reference of the film kind of bothered me, because it is an extremely common trope of "characters in limbo/hell" movies (like House Hunting, Haunter, etc), and I would have liked to see something more original.

The acting was quite fantastic for the budget. All of the cops did a great job, the likable ones managed to be truly likable, the hateable ones easily made themselves repulsive to the viewer. The physically "unique" actor who played the master of the hell domain was very creepy and good in his role, with zero prosthetics to boot! Great casting choice.

Overall, Baskin could have used improvements in terms of storytelling, but it is absolutely worth seeing as a piece of horrific art, morbidly beautiful to watch. 7/10

When I first saw this movie, I was at the Fantasy film fest and this was the last screening on the first day. I didn't expect anything and this movie just set a mark for me. This movie finally made a dark place really dark again, Since i know a lot of turkey people and know some words, I really enjoyed the conversation in this movie, cause they are quite realistic. So what I thought would turn out to a funny Turkish splatter-film, turned into a bizarre Minfuck Horrorfilm, which instantly made it in my personal Top20 of the year. I think its an movie half of the people will love, and the other half will hate it, but nonetheless a must see movie in my Opinion.

In BASKIN, the horror starts right away with an opening straight out of childhood nightmares.

The scene switches to five cops hanging out in a diner. There's something just not right about the place, and some disturbing things occur without the knowledge of these policemen. A building sense of dread and uneasiness sets in before anything even happens. It's established immediately that these guys are hardened characters who have probably "seen it all". These are NOT the cops you want to pull you over in the middle of the night!

Upon leaving the diner, there's a call for backup on the van radio. The creep-factor continues to rise, as incidents take place which have no plausible explanation. Then, some unearthly line is somehow crossed, and away we go! The best way to describe what transpires next, is a collective nightmare interrupted by spurts of semi-reality. Arriving at their destination, the weirdness only gets... weirder! Entering a decrepit mansion, the true madness begins. If you've ever wondered what a fun house in hell's sub-basement would be like, well, here it is!

BASKIN is genuinely scary and completely messed up. Ultimately, it's a terrifying tale of supernatural retribution and doom. There is plenty of gore and degradation for these men, but what makes the movie so blood-freezing is the atmosphere of total malevolence that it conjures. True wickedness. Without this, BASKIN would be just another mindlessly debauched splatter film. By the time you reach its finale, you'll know what I mean...

If "being a good horror movie" was purely a matter of inserting cruel images, nightmarish scenery and petrifying characters in your movie, then "Baskin" inarguably was one of the greatest horror masterpieces of the past 2-3 decades. This film is literally chock- full of grueling gore and the decors are so disturbing that viewers with a weak stomach won't even be able to digest them. Unfortunately, however, "being a good horror movie" is also about a solid script, originality, a coherent structure and a minimum of empathy with the lead characters. These are all elements that I missed in "Baskin" and which prevent me from labeling as a true genre delight. What remains is nevertheless a more than remarkable and grotesquely violent horror movie from Turkey. This country has a rather bizarre tradition when it comes to making horror/cult movies. During the 70s and 80s they mostly just made shameless and unintentionally hilarious imitations of famous blockbuster, like "Turkish Superman" or "Seytan" (a blatant copy of "The Exorcist"), but since a few years there's a new generation of Turkish horror directors and at least they want to uplift the quality level of their national horror cinema a bit. The protagonists in "Baskin" are five police officers and, I don't know whether it was director/co- writer Can Evrenol's intention or not, but the film doesn't exactly draw a positive image of the Turkish authority figures. They're sitting in a filthy roadside diner, telling vulgar stories about their meeting with (male) prostitutes to each other and collectively harass a young waiter. Kind of like Joe Pesci did in "Goodfellas"; they pick on a poor sucker because he dared to laugh with their stories even though he wasn't invited at the table to laugh. A few moments later they decide that the physically ill person of the bunch can drive the van and they have a little karaoke party in their service vehicle. Doesn't really encourage you to trust the Turkish police, now does it? They subsequently receive a vague radio report that leads them to an abandoned mansion where a satanic sect is in the middle of holding a black mass. The high-priest is excessively cruel in his execution rituals, but there also seems to be a link between the events here and the recurring nightmares of the youngest cop Arda. I've read a review on "Baskin" that described the film like a compound between the narrative styles of David Lynch and Rob Zombie. The comparison definitely makes sense, although our pal Can Evrenol is not (yet) as skilled and experienced as those two. Many, many sequences are truly sickening to watch, with explicit footage of eye-stabbings, slit throats and cut open stomachs. One last thing I simply have to mention - and genuinely applaud – is the terrific casting work! Particularly the supportive roles are masterfully cast; most notable two actors with faces that were seemingly made to have a career in horror cinema (although this may come across as very disrespectful because they both obviously suffer from a physical condition that makes them look that way). Mehmet Cerrahoglu depicts the high-priest and he's the kind of actor who only looks scarier from the moment he removes his mask. The other actor is named Seyithan Özdemir and he is credited as "giant man/frog hunter". He instantly reminded me of 1940s actor/horror icon Rondo Hatton! I would strongly advise Mr. Özdemir to pick up a few words of English and purchase a plane ticket to Hollywood, as he can surely make it big in Hollywood with a mug like that.

I saw the premise of the film and was interested. Adding to my interest was the fact that the film was foreign. I was curious what a Turkish horror movie would look like.

The movie starts out with an amazing film score that sets this tone for an early 80s euro giallo style.

It takes a while for the Horror to begin as we watch a group of cops go through some strange events before the real deal goes down.

And when the horror sneaks up to ya, it's very freaky and deranged, almost torture porn like. It made me squirm in my seat.

I must admit that overall I thought the movie was far too corny. It could be the culture gap, or it could be the Tarantino like built up to the horror with a lot of dialog, that may have been more interesting in the native language.

Can't really say that I like it all that much, though it made me uncomfortable, it was not in a scary way.

The movie starts out really well with the amusing police singing in their van and what appears to be the main character having curious flashbacks and I was waiting to find out what it was all about, but it never comes through.

The gore is fantastic certainly and the visuals creepy, disgusting and realistic. The movie keeps you watching in hopes of giving you an idea of why the main character is special. It did its job of making me want to know what was going on, but left me really disappointed.

In fact the ending is a horror movie cliché done badly.

Who are these people that give out good reviews to crap films?

Cops respond to a distress call from another unit. When they arrive at the abandoned police station the call came from everything goes weird and gory.

Visually arresting and well scored this movie does make an impression but doesn't make much sense. By making the cops out to be quite scummy at the beginning of the story it made it so I wasn't really rooting for them. The locale is good with the abandoned police station having a very eerie feeling. The constant dream sequences while at first impressive become a bit tiresome when you realise the movie is lacking in narrative drive when most of what you see turns out to not really have happened.

For me it felt reminiscent of Some Italian splatter like Fulci where plot played second fiddle to imagery and mood. I am in no way saying it is in league with Fulci but it has a similar feel to the likes of The Beyond and City of the living dead.

The master stroke of Baskin comes in the casting of The Father character which to me was akin to seeing Michael Berryman for the first time in the Hills have eyes. This actor has such a striking appearance it just adds to the feel of the movie.

The plot really is the weak link in the whole production with the ending being one of those you've seen a thousand times in horror movies. Very tiresome to see it end in such a contrived and over used way.

Overall I think I could probably watch this movie again but it isn't one I would heartily recommend.

This movie is well done and acted, in line with regular hollywood movies. It has a slow beginning but at the middle is gets interesting. The end is quite weak. The best are the images of people suffering in hell. This is a pop corn movie and if you like good scenery and some blood then it is ok.

Came across this title while browsing on IMDb. Read very positive reviews by regular posters in the cinema board section.

The movie starts very promising. Cops chatting n dining in some very creepy motel. The atmosphere is creepy. The chat goes on. A lil boring in the beginning but the patience pays off very well once they get to the abandoned building when hell is truly unleashed.

Its like a Freudian, giving way to a claustrophobic sense of approaching dread of darkness and of death.

The set lighting is extremely poor (may b the low budget n debut direction).

Some of the sequences have less of an impact than they would have if we were able to see more of what was going.

Thankfully it wasn't shot in hand held shaky cam stuff.

The dark, desaturated cinematography is perfectly suited to this aesthetic and adds to the grime.

The movie is very surrealistic, like a trip to hell n back.

When the end credit rolls, u feel like u jus awoke from a mind-*uckin nightmare.

Curious to see what its director will do next.

Fans of Clive Barker, Lucio Fulci, David Lynch, Dario Argento n Wes Craven will definitely enjoy this movie.

The actor who played Baba has an extremely unique look, like a true Satan waiting in hell.

This is going to be a weird one for some people. If you are only expecting a gore fest or a straight forward horror, this is not it. Baskin is a surrealist movie more than anything else, and as in most of the surrealist movies, it's a bit pretentious, it has a lot of symbolism, it leaves lots of things to your own interpretation, it jumps between dream-like sequences(nightmare-like, in this case) without preparing you or letting you know if what you are seeing is real or not, and it doesn't have a really linear plot. That might create confusion and might not seem rewarding for the average viewer, so i understand the bad reviews.

For me, as a fan of both horror and surreal, it was a good movie. Not the best one, but a very respectable one. With a limited budget and coming from Turkey, it managed to deliever decent acting, mythical atmosphere, well done hellish imagery, a disturbing journey and a mind twisting end. It also unravels in a very Lynchian way and i liked that, everything seems pretty normal and easy to follow at the beggining, until at some point where everything just goes crazy and you have no idea what to think about what you are seeing.

Recommended, but only for the people who love unusual rides, or are at least ready to enjoy one.

This is yet another of those films where the premise is solid, though, in reality, the movie turns out to be a letdown. A group of policemen are called out to help with a unit at an old abandoned building. Once they get there, they find the two policemen dead. As they search through the hallways and floor of the building they come across a staircase that leads downwards. It goes a lot further than just to a basement... it leads into the bowels of the earth. Here they find a group of Satanists performing a Black Mass.

This could have been a great film... should have been... The Director and one of the writers, Can Evrenol gives the audience some beautiful camera shots and builds an eerie atmosphere which is almost palpable. He also gives them some really nasty and disturbing imagery, which should stay with them for quite some time.

Though this isn't enough to keep the film strong... and neither is the exemplary acting.

The fault with the film is the characters and the story. The main characters are bullish and unlikable. They take pleasure in torturing and degrading the people around them. They think of themselves as great and untouchable. Because I couldn't relate to any of the characters it made the film slow and boring.

There is a pomposity to the story which grated on my nerves. When it got towards the climax and the philosophical issues started to come through they felt forced, half-formed and unconvincing. These should have been woven throughout the story. They may even have made me care about the characters and what happens to them.

However, when the film ended I was left cold, bored and wondering what the point of the film actually was.

Not a film I would recommend to anyone.

If you are tired of modern horror films filled with cheap and forced jump scares constructed in a way of muting down the sounds and then throwing an explosion of loud noises in your face to try to scare you, and are rather interested in watching a film filled with tension, dreadful atmosphere, interesting characters, symbolism and pure nightmare images look no further. Baskin (aka Police Raid) is a Turkish horror film directed by Can Evrol (in his directorial debut) and is based on short horror film of the same name. Story follows a group of police officers who stumble upon a Black Mass in an abandoned building. Sure, probably not an original scenario. You might feel like you probably seen this before, but it is the approach and execution that allows this film to rise above most of today's horror films. Tension is always present in Baskin, and it's dark and dreadful atmosphere builds all around you and won't let go so closing your eyes will mean nothing but surrender. Also, instead of a group of stupid, drunk and naked teens, this time we have a group of mature, experienced police officers and seeing them being overwhelmed with terror is even more frightening. There is a scene in which one of those police officers enters a room only to behold scenery so terrifying he loses his mind and starts screaming. There were no jump scares, just genuine terror. Maybe the last 20 minutes were kinda disappointing compared to the first half of the film, but Baskin is still overall a strong horror ride. If you are not a fan of violent and gory films, better skip this one. But if you're open minded and enjoy all types of horror movies you should definitely pay a visit to this hellish nightmare.

We've seen the premise of going to Hell many times before, but few are as effective as 'Hellraiser' and 'Baskin'. While 'Baskin' is not trying to be another 'Hellraiser', one can't help but compare them. Both films depict hell as a horrible place of torture.

From the opening moment, Yavuz (Muharrem Bayrak) is depicted as an arrogant and rather crude guy, a policeman who abuses his authority. (He does undergo the most character development towards the end). He is one of five cops who are about to embark on a nightmare journey. The men are Yavuz, Apo, Seyfi, rookie Arda, and their boss Remzi. Arda is under Remizi's care since his father died.

Responding to a call for back-up, they head to Inceagac - a creepy and dangerous place. On their way, they hit a man on a dark stretch of road, and drive into a lake. Without transport or a working phone or radio - and with no sign of the person they hit - their nightmare is only just starting. They make their way on foot to Inceagac, where fellow police officers called for back-up.

If you intend having snacks with this movie, make sure you finish it before they enter the building in Inceagac - if you want to keep your food inside, that is! Once they enter the building, the film plunges you into hell from which there is no escape.

Just like 'Hellraiser' these scenes are disturbing, bloody and grotesque. This truly is the stuff nightmares are made of. The visuals and make-up effects are really good. 'Baskin' doesn't have the same good storyline and payoff as 'Hellraiser', but this is a very well made movie. Saying I liked the movie might make me sound sadistic considering its theme and nature, but yes, I actually enjoyed it.

I've rated this movie 5 stars and not 4 because it is Turkish, they tried something, and I compared it to a movie that lacks the possibilities of a Hollywood production.

I'm going to start with the main problem here. The movie as the director himself said, has a lot of parts that "were made to look cool"! Yes, you got that right, there was no real meaning behind every scene, some of them were thrown there to shock, to surprise, to disgust, to look uber tough! And we can't really have that now can we? I mean if you're going for something, either go full in or go home.

Other problem consists on the plot itself, because it tries to stay together, but has some parts that can't be tied to the rest of the movie. And that seriously doesn't look good at all, because instead of focusing on getting some closure and offering a decent end, they chose to find more ways to "look cool" on screen.

But all in all, the acting is good, the soundtrack is lovely, the camera is OK, for a horror fan, this one gets close to a good result. It's a shame that they didn't try just a little bit harder.

Cheers!

I found the narrative a bit slow and confusing. But the gore scenes are violent. I expected more, but it should definitely be seen by fans of the genre. I liked the ending, very impactful and mysterious. A lot of things are confused and poorly explained, but for an independent movie with no budget, it's very well done. Turkish cinema leading the way in Body Horror. Once again, my only regret is that they didn't invest more in the story, it seems like the movie was made just to make an impact. The setting is phenomenal, few horror films manage to have such horrific scenery as in this movie. It has some visibly striking moments.

A good movie, but far from being one of the best you'll see.