The Devil's Candy

Wow a great Horror Movie. I was slightly put off by the cover art of this movie and almost missed this one thinking it was a slasher film, it is not. I am not a fan of simple gore slasher movies and I visually categorized this as something akin to "Devil's Rejects" which is the type of movie I despise. Fortunately, I stumbled upon a good review of this movie which made me pick it up. Anyway, this may be one of the better horror movies of 2015. Pruitt Taylor Vince performance is very memorable and disturbing. Everything from his demeanor to that dirty red tracksuit. Ethan Embry (Late Phases, Incident on a Mountain Road) is no stranger to horror films but I barely recognized due to his long hair and grunge rock appearance, he gives an outstanding performance of a disturbed painter and father who receives an overwhelming urge to paint a sinister painting that is invading his mind. Interesting to note, the voices that the antagonist and the protagonist are hearing are NOT THE SAME. They are different which I think becomes apparent by the end of the film. This movie is full of tension with strong supernatural undertones. There is surprisingly little gore in this movie though we see multiple scenes of bloody aftermaths.

The biggest problem modern horror films seem to have is making the audience care about their characters. Generally, they are so cliché, bland, dumb and unrealistic that within the first 10 minutes of the film no one cares any longer about their fate. So when I saw early on in 'The Devil's Candy' that the main characters were a family of hippy bogans, I'll admit I was worried for the sake of the film. I make no mistake about the fact that these are not people I can relate to in any way, and have had almost universally negative experiences with them in my life. On the contrary though, that turned out to be the strongest element to the film. I loved this family. They were charming, caring, relatable and down to Earth. I genuinely cared about their fate, and that is a large part of what made 'The Devil's Candy' a very fine horror film.

The second thing I loved about this film is that is never cheats. No scare is a false one. Nothing is suddenly revealed to be a dream sequence. No super-natural elements were required simply to make the story work. That is incredibly rare in the history of horror movies, let alone modern ones. Writer/director Sean Byrne needs to be absolutely commended on this. It is a brilliant effort on his part.

There really isn't a lot of negatives I can come up with for this film. The only thing holding it back from being a '10' was an unforgettable ending. Other than that it is basically flawless. Fantastic acting, a simple yet brilliant and effective story, genuine scares that never cheat and characters that are both likable and relatable. In an industry that is seemingly completely lost as to how to make a good horror film, 'The Devil's Candy' needs to be studied by everyone in Hollywood. It is a very good film.

This movie is tense, disturbing, with some heavy imagery, gripping, and has great acting. It's not so much scary as it's disturbing - different things, the way I see it. Watching it was an intense experience. There's some lack of imagination in the underlying plot, in portraying evil and how it acts through people, but I guess that this would be asking too much of an already good movie. It lacks subtlety in key moments. Decisive scenes where the main theme of the movie are discussed are presented hurried way; they aren't properly explored. To be fair, this shouldn't be generalized, though. But I do feel the focus ended up being too much on the unfolding of the actions - a classic goal to goal rather aspect to aspect sort of thing.

The scarcity of good horror genre movies is really saddening, few artists are willing to delve into the nature of fascinating subjects such as evil and fear, but I'd say this movie is one of the good ones and I definitely recommend it.

"This is different. I've never had a muse before. I don't remember painting this. It's like it's, it's like somethin'.. It flowed through me."

I won't beat around the bush. I thought "The Devil's Candy" was unparalleled. And not because of the demonic story itself. But because of the appearance of Jesse Hellman (Ethan Embry). A true metal-head who throws himself, stripped to the waist, on a canvas cloth with spray cans during the night. A prehistoric looking guy with lank greasy hair, gleaming because of his with oil smeared muscles. He tries to put the energy he receives from listening to squealing and howling guitars into his artworks. In a way he reminded me of Rob Zombie. The day the family Hellman (appropriate name!) decides to move into a sweet-looking little house somewhere in Texas, Jesse doesn't realize that the dark forces that are present there, will inspire him in a very different way.

It's never really frightening so to speak. No paranormal events or sudden jump-scares that'll spook you. The eerie part is developed in a more subtle way here. The demonic character of a former resident who's either possessed by satanic forces or simply mentally disturbed, is the thing that makes for some scary and eerie moments. I'm talking about Ray (Pruitt Taylor Vince). A somewhat fuzzy and labile-like person. Not long after the Hellemans moved, this retarded person shows up at the door and claims that he needs to return to his former home, so he can produce a deafening sound on his red Gibson Flying V again. Noise he needs to produce in order not to hear those adjuring voices. Voices that incite him to perform disgusting acts.

Although it's a horror, it's not really bloody. You can imagine what dreadful murders are happening. And at some point when Jesse is painting again, you'll see fragments of red paint mixed with seemingly bloody fragments. But it's never explicitly shown. There are moments when you can feel the helplessness of a future victim. The powerlessness and the realization what's waiting for them, provide an uncomfortable feeling. Ultimately, you can ask yourself the question whether it's really Satan who's ordering Ray. Or is he just a mentally disturbed person who hears voices and is guided by them. More or less it's explained a bit by the preacher in a religious television program. Satan isn't only that metaphysical character with horns and a pointed tail. It's not only that mask that's being worn at Halloween or the character you'll see in a movie. It's an aggressive anti-Christ who lives among us and uses us to carry out his unspeakable deeds. In a less religious context it simply means the evil that proliferates in humans.

The story isn't very original, but the undertone of the film is fascinating. The fact that the film is filled up with brutal metal sound, creates of course an extra satanic dimension. Personally I still think it's absolutely ridiculous, but the association of Satan with metal is never far away. Well, probably there still are some blockheads who think that Ray's actions are a result of listening to heavy metal. Ultimately, the film balances between a psychic, demonic story, and the story of a serial killer who's guided by an evil influence. I thought it was fascinating enough anyway!

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A film about Satan and the devil, how classic. There's an undercurrent of pure dread to this flick. It works its way through the film's veins using music cues, whispering demonic voices and haunting images. Ethan Embry's performance is superbly crafted. A well-meaning dad, that rocks out to metal and paints pictures all day. He feels very real and not like a caricature. (He also gets ripped for this flick, I guess because he paints shirtless for a few scenes. It seems unnecessary, distracting and unfitting for his character but sure).

He begins to hear voices and see things and paint horrible stuff he doesn't understand. It's all very unnerving and convincing and seems to be leading to some inevitable catastrophe.

But the film lets up in the home stretch. It becomes a bit of a supernatural home invasion flick. The film seems undecided about whether there are real demons at play, which unfocuses the movie and makes it seem unsure of itself. The film isn't exactly about investigating the place demons have in the modern world either. It just knows they are inextricably linked with metal. A lot of the build-up seems for naught in the end and it's a real shame.

Byrne has great ideas, a wonderful grasp of character, atmosphere, tension, but maybe not enough to say?